Korawakgala
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Korawakgala
Korawakgala, or koravakgal ( si, කොරවක්ගල) (wingstones), are stone balustrades, which are located on either side of the stairs/steps leading to the entrance or door of a religious building or structure. They form one of three distinct architectural features at the entrance of most Buddhist structures in Sri Lanka, being the sandakada pahana (moonstone), muragala (guardstones) and the korawakgala (wingstones). The earliest known korawakgalas were simple and plain structures with no decorations at all, with time they evolved into elaborate structures with exquisite detailed carvings. Korawagala were initially constructed out of wood and then were built using bricks, without any carvings on it. These bricks were moulded in curved shapes to fit in. As they evolved simple stone plaques replaced the brick work. These plaques were detailed only with a few geometric lines to highlight the shape, later, a simple pot or a pillar was added on the exterior wall of the struct ...
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Muragala
Muragala or muru gal, also known as a guardstone, are a unique feature of the Sinhalese architecture of ancient Sri Lanka. The muragala is a set of twin oblong slabs of stone, with a rounded top, located at the foot of the flight of steps, leading to a place of worship, situated on a higher elevation. The evolution of the muragala is closely linked to the evolution of the Sandakada pahana (or moonstone). Charles Godakumbura, the Commissioner of Archaeology in Ceylon from 1956 to 1967, described the evolution of the muragala from its origins as a painted wooden plank or a stone terminal slab, serving as a stop wedge at the lower end of a slanting rail or balustrade (korawakgala) through to its final form as an elaborate carved stone. He distinguished five phases in its evolution: *firstly, pieces of valuable wood; *secondly, plain stone slabs; *thirdly, stones with an incised pūrṇaghaṭa (vessels of abundance) motif, subsequently rendered in low or high relief; *fourthly, st ...
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Makara
''Makara'' ( sa, मकर, translit=Makara) is a legendary sea-creature in Hindu mythology. In Hindu astrology, Makara is equivalent to the Zodiac sign Capricorn. Makara appears as the vahana (vehicle) of the river goddess Ganga, Narmada, and of the god of the ocean, Varuna. Makara are considered guardians of gateways and thresholds, protecting throne rooms as well as entryways to temples; it is the most commonly recurring creature in Hindu and Buddhist temple iconography, and also frequently appears as a gargoyle or as a spout attached to a natural spring. Makara-shaped earrings called ''Makarakundalas'' are sometimes worn by Hindu deities, for example Shiva, Vishnu, Surya, and Chandi. Makara is also the insignia of the love god Kamadeva, who has no dedicated temples and is also known as ''Makaradhvaja'', "one whose flag depicts a makara". Etymology ''Makara'' is a Sanskrit word which means "sea-animal, crocodile". Josef Friedrich Kohl of Würzburg University and severa ...
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Muragala
Muragala or muru gal, also known as a guardstone, are a unique feature of the Sinhalese architecture of ancient Sri Lanka. The muragala is a set of twin oblong slabs of stone, with a rounded top, located at the foot of the flight of steps, leading to a place of worship, situated on a higher elevation. The evolution of the muragala is closely linked to the evolution of the Sandakada pahana (or moonstone). Charles Godakumbura, the Commissioner of Archaeology in Ceylon from 1956 to 1967, described the evolution of the muragala from its origins as a painted wooden plank or a stone terminal slab, serving as a stop wedge at the lower end of a slanting rail or balustrade (korawakgala) through to its final form as an elaborate carved stone. He distinguished five phases in its evolution: *firstly, pieces of valuable wood; *secondly, plain stone slabs; *thirdly, stones with an incised pūrṇaghaṭa (vessels of abundance) motif, subsequently rendered in low or high relief; *fourthly, st ...
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Baluster
A baluster is an upright support, often a vertical moulded shaft, square, or lathe-turned form found in stairways, parapets, and other architectural features. In furniture construction it is known as a spindle. Common materials used in its construction are wood, stone, and less frequently metal and ceramic. A group of balusters supporting a handrail, coping, or ornamental detail are known as a balustrade. The term baluster shaft is used to describe forms such as a candlestick, upright furniture support, and the stem of a brass chandelier. The term banister (also bannister) refers to a baluster or to the system of balusters and handrail of a stairway. It may be used to include its supporting structures, such as a supporting newel post. Etymology According to the ''Oxford English Dictionary'', "baluster" is derived through the french: balustre, from it, balaustro, from ''balaustra'', "pomegranate flower" rom a resemblance to the swelling form of the half-open flower (''illust ...
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Vatadage Polonnaruwa 2017-10-17 (4)
A vaṭadāge ( si, වටදාගෙ) is a type of Buddhist structure found in Sri Lanka. It also known as a ''dage'', ''thupagara'' and a ''cetiyagara''. Although it may have had some Indian influence, it is a structure that is more or less unique to the architecture of ancient Sri Lanka. Vatadages were built around small stupas for their protection, which often enshrined a relic or were built on hallowed ground. Circular in shape, they were commonly built of stone and brick and adorned with elaborate stone carvings. Vatadages may have also had a wooden roof, supported by a number of stone columns arranged in several concentric rows. Only ten vatadages now remain in Sri Lanka. The builders of many of these monuments are unknown, as are their time of creation. The oldest such construction is believed to be the one surrounding the Thuparamaya. The best example of a vatadage is generally believed to be the Polonnaruwa Vatadage. Along with it, the vatadages at Medirigiriya and Thiri ...
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Dragon Balustrade At The Entrance To Jaya Sri Maha Bodhi In Anuradhapura, Sir Lanka
A dragon is a reptilian legendary creature that appears in the folklore of many cultures worldwide. Beliefs about dragons vary considerably through regions, but dragons in western cultures since the High Middle Ages have often been depicted as winged, horned, and capable of breathing fire. Dragons in eastern cultures are usually depicted as wingless, four-legged, serpentine creatures with above-average intelligence. Commonalities between dragons' traits are often a hybridization of feline, reptilian and avian features. Scholars believe huge extinct or migrating crocodiles bear the closest resemblance, especially when encountered in forested or swampy areas, and are most likely the template of modern Oriental dragon imagery. Etymology The word ''dragon'' entered the English language in the early 13th century from Old French ''dragon'', which in turn comes from la, draconem (nominative ) meaning "huge serpent, dragon", from Ancient Greek , (genitive , ) "serpent, giant s ...
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