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Kooth
Chakyar Koothu (pronounced ) is a performance art from Kerala, India. It is primarily a type of highly refined monologue where the performer narrates episodes from Hindu epics (such as the ''Ramayana'' and the ''Mahabharata'') and stories from the Puranas. Sometimes, however, it is also a traditional equivalent of the modern stand-up comedy act, incorporating commentary on current socio-political events (and personal comments directed at the members of the audience). The performance "Koothu" means dance ... which is a misnomer, as facial expressions are emphasized and there is minimal choreography. It is performed in the Koothambalam; a place inside Hindu temples specifically designed for performing Kutiyattam and Chakyar Koothu. Ideally, the performance takes place in conjunction with festivals, presented by members of the Chakyar community along with the Ambalavasi Nambiars. It is a solo performance, by a narrator in a distinctive headgear and black moustache with his torso ...
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Māni Mādhava Chākyār
Guru Mani Madhava Chakyar (IAST: ''Māṇi Mādhava Cākyār'') (15 February 1899 – 14 January 1990) was a celebrated master performance artist and Sanskrit scholar from Kerala, India, considered to be the greatest Chakyar Koothu and Koodiyattam (ancient Sanskrit drama theatre tradition) artist and authority of modern times. He was considered as the authority of ''Abhinaya'' (the classical Indian acting style) and ''Nātyaśāstra''. Known as "the Emperor of Rasa-Abhinaya", he had an exceptional ability to perform ''Rasa-Abhinaya''. His ''Netrābhinaya'' was world-famous and he had the ability to act only with eyes. He was well versed in all the traditional Koodiyattams and all the ''prabandhas'' used in Chakyar Koothu. He was able to explain the concepts, methods and practices of Koodiyattam and Chakyar Koothu in a clear and authentic way. He had an in depth study of ''Nātyaśāstra'' of Bharata Muni, as well as ways of acting which were popular in Kerala. His knowledge ...
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Koothambalam
Koothambalam or Kuttampalam meaning temple theatre is a closed hall for staging ''Koothu'', ''Nangiar koothu'' and ''Koodiyattam'', the ancient ritualistic art forms of Kerala, India. Koothambalams are said to be constructed according to the guide lines given in the chapter 2 of Nātyasāstra of Bharata Muni. The stage within the hall is considered to be as sacred as the temple sanctum. It is constructed within the cloister of the Temple; more precisely within the ''pancaprakaras'' of the temple. The prescribe location is between the ''prakaras'' of ''bahyahara'' and ''maryada''. In Kerala tradition it is considered as one among the ''pancaprasadas'' of a temple complex. Its dimension vary from temple to temple. A square platform with a separate pyramidal roof supported by pillars in the center called ''natyamandapam'' is constructed as s separate structure within the large hall of Koothampalam. The floor of the hall is divided into two equal halves and one part is for performance ...
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Mizhavu
A mizhav or mizhavu (Malayalam: മിഴാവ്) is a big copper drum played as an accompanying percussion instrument in the Koodiyattam and Koothu, performing arts of Kerala. It is played by the Ambalavasi Nambiar community. After 1965, when started a mizhavu repertory in kalamandalam mizhavu break the cast barrier and nowadays anyone can play mizhavu in koodiyattam, nangiar koothu, chakyar koothu, and mizhavu thayambaka. The drum is played only with hands. The Sanskrit name of nambiar "Pānivāda" ('pāni' means ''hands'' and 'vāda' comes from the verb 'vādanam' meaning ''playing'', altogether meaning the one who plays with hands) comes from this reason. Mizhavu is treated as a " Brahmachaarya" and it is considered as sacred. It is used to accompany the holy ritualistic temple performance of Koodiyattam and Koothu. Only Ambalavasi Nambiar community members are allowed to play it inside temples or Koothambalams still. See also * Māni Mādhava Chākyār * Nātyakalpadr ...
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Nangiar Koothu
''Nangiar koothu'' or ''Nangyar Koothu'' is an allied traditional art of Kutiyattam, an age-old Sanskrit drama tradition of India. It is performed traditionally by the women of the Ambalavasi Nambiar (Ambalavasi/Mizhavu), Nambiar community of Kerala, known as ''Nangyaramma'', but since the second half of the 20th century it's no longer the case. Nangiarkoothu, an offshoot of Kutiyattam, is a solo performance with an antiquity of 1500 years. It is the sole domain of female artistes. The stories for the performance are taken from the text ''Sree Krishna Charitam'', depicting the life of Lord Krishna. During the performance the actress presents the long-winded stories of Lord Krishna through hand gestures, facial expressions, and body movements to the accompaniment of the resonant pot drum mizhavu. Gallery File:Nangyar kooth of Kerala .jpg, Nangyar kooth of Kerala File:Kootiyaattam 4.jpg, At Kerala school Kalolsavam File:Nangyar Koothu - Koodiyattam By Dr Indu G 1.JPG File:Nangyaar ...
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Chakyar
Chakyar ( ml, ചാക്യാർ; ; ; also spelled Cakyar, Chakkiar, Chakiar, etc.) is an intermediate priestly caste coming under the Ambalavasi community of Hindus in the Kerala state of India. The women in this caste are called ''Illotammas''. They occupy a position in the Hindu Temple in managing the affairs of the temple, though not the actual conduct of ceremonies. They are assigned with the holy temple ritualistic performance called Chakyar Koothu and Koodiyattam, which is the only surviving ancient Sanskrit theatre in India. Chakyar is the main actor who performs the ritualistic ''Koothus'' and ''Koodiyattams'' inside the temple or in ''Koothambalams''. Their women, ''Illotammas'', are not allowed to participate in these. The women roles are done by ladies of Nambiar community called ''Nangyarammas''. Nambiar plays the holy drum ''Mizhavu''. There were 18 Chakyar families throughout Kerala, but now their number is small. ''Mani'' family is one of them. The greate ...
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Painkulam Raman Chakyar
Late Shri Guru Painkulam Raman Chakyar was a Chakyar Koothu and Koodiyattam performer. He won the Kerala Sahitya Academy Award in 1980. He was also a teacher of Vachika Abhinaya in both Chakyar Koothu and Koodiyattam. Life Starting in 1925, he performed regular programmes in various temples and religious places spread all over Kerala. He is credited with first bringing this artform outside the temples and closer to general audiences. He directed, supervised, and participated in more than 100 Koodiyattam plays, which he edited and condensed for contemporary audiences while striving to maintain artistic integrity and authenticity. He had more than 1000 stage appearances in different roles, besides being a regular participant in All India Radio programmes. He produced and staged the 2nd Act of Sakunthalam, 3rd Act of Nagananda and Jadayuvadhanam in Ascharyachoodamani. He also supervised and participated in the production of a colour documentary film on koodiyattam in 1974. T ...
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Kutiyattam
Koodiyattam ( ml, കൂടിയാട്ടം; IAST: kūṭiyāṭṭaṁ; ) is a traditional performing art form in the state of Kerala, India. It is a combination of ancient Sanskrit theatre with elements of ''Koothu'', an ancient performing art from the Sangam era. It is officially recognised by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity. Origin Koodiyattam, meaning "combined acting" in Malayalam, combines Sanskrit theatre performance with elements of traditional koothu. It is traditionally performed in temple theatres known as ''koothambalams''. It is the only surviving art form that uses drama from ancient Sanskrit theatre. It has a documented history of a thousand years in Kerala, but its origins are not known. Koodiyattam and Chakyar koothu were among the dramatized dance worship services in the temples of ancient India, particularly Kerala. Both koodiyattam and Chakyar koothu originated from the ancient art form koothu, which is mention ...
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Arts Of Kerala
The Indian state Kerala is well known for its diverse forms of performing arts. The various communities in Kerala contribute to its rich and colourful culture.The most important traditional art forms of Kerala are Kathakali, Kalaripayattu, Koodiyattam, Theyyam, Mohiniyattam, Thullal, Padayani, Pulikali, Thiruvathirakali, Chakyarkoothu,kalaripayattu etc. Performing arts of Kerala Kerala Hindu Arts * Ayyappan Vilakku * Shastham Paatu * Kathakali * Chakyar Koothu * Nangiar Koothu * Mohiniyattam * ThirayattamThirayattam, Moorkkanad Peethambaran, Kerala bhasha Institute, TVM, * Padayani * Thiyyattu * Koodiyattam * Kerala Natanam * Panchavadyam * Thullal * Tholpavakoothu * Ottamthullal * Garudan Thookkam * Kolam Thullal * Kakkarissi Nadakam * Poorakkali * Mudiyett * Kummattikali * Kuthiyottam * Thiriyuzhichil * Kalaripayattu * Mangalamkali * Marathukali * Malayikuthu * Mukkanchathan * Charadupinnikkali * Kothammuriyattam * Sopanam * Thacholikali * Sarpam Thullal * Pulluv ...
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Kerala
Kerala ( ; ) is a state on the Malabar Coast of India. It was formed on 1 November 1956, following the passage of the States Reorganisation Act, by combining Malayalam-speaking regions of the erstwhile regions of Cochin, Malabar, South Canara, and Thiruvithamkoor. Spread over , Kerala is the 21st largest Indian state by area. It is bordered by Karnataka to the north and northeast, Tamil Nadu to the east and south, and the Lakshadweep Sea to the west. With 33 million inhabitants as per the 2011 census, Kerala is the 13th-largest Indian state by population. It is divided into 14 districts with the capital being Thiruvananthapuram. Malayalam is the most widely spoken language and is also the official language of the state. The Chera dynasty was the first prominent kingdom based in Kerala. The Ay kingdom in the deep south and the Ezhimala kingdom in the north formed the other kingdoms in the early years of the Common Era (CE). The region had been a prominent spic ...
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Choreography
Choreography is the art or practice of designing sequences of movements of physical bodies (or their depictions) in which Motion (physics), motion or Visual appearance, form or both are specified. ''Choreography'' may also refer to the design itself. A choreographer is one who creates choreographies by practising the art of choreography, a process known as choreographing. It most commonly refers to dance choreography. In dance, ''choreography'' may also refer to the design itself, which is sometimes expressed by means of dance notation. Dance choreography is sometimes called ''dance composition''. Aspects of dance choreography include the compositional use of organic unity, rhythmic or non-rhythmic articulation, theme and variation, and repetition. The choreographic process may employ improvisation for the purpose of developing innovative movement ideas. In general, choreography is used to design dances that are intended to be performed as concert dance. The art of choreograph ...
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Padma Shri
Padma Shri (IAST: ''padma śrī''), also spelled Padma Shree, is the fourth-highest Indian honours system, civilian award of the Republic of India, after the Bharat Ratna, the Padma Vibhushan and the Padma Bhushan. Instituted on 2 January 1954, the award is conferred in recognition of "distinguished contribution in various spheres of activity including the arts, education, industry, literature, science, acting, medicine, social service and public affairs". It is awarded by the Government of India every year on Republic Day (India), India's Republic Day. History Padma Awards were instituted in 1954 to be awarded to citizens of India in recognition of their distinguished contribution in various spheres of activity including the arts, education, Private industry, industry, literature, science, acting, medicine, social service and Public affairs (broadcasting), public affairs. It has also been awarded to some distinguished individuals who were not citizens of India but did contri ...
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Monologue
In theatre, a monologue (from el, μονόλογος, from μόνος ''mónos'', "alone, solitary" and λόγος ''lógos'', "speech") is a speech presented by a single character, most often to express their thoughts aloud, though sometimes also to directly address another character or the audience. Monologues are common across the range of dramatic media (plays, films, etc.), as well as in non-dramatic media such as poetry. Monologues share much in common with several other literary devices including soliloquies, apostrophes, and asides. There are, however, distinctions between each of these devices. Similar literary devices Monologues are similar to poems, epiphanies, and others, in that, they involve one 'voice' speaking but there are differences between them. For example, a soliloquy involves a character relating their thoughts and feelings to themself and to the audience without addressing any of the other characters. A monologue is the thoughts of a person spoken out l ...
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