|
Konparu Zenpō
was a Japanese Noh actor and playwright of the Konparu school. He was the grandson of Konparu Zenchiku. Zenpō's plays were more popular and dramatic, novel and crowd-pleasing with large casts and more elaborate effects and sets, than the plays of his grandfather's, or his great-grandfather Zeami's, although he did have an appreciation of yugen and wabi (Zenpō was a pupil of Shuko and quoted him as saying "The moon not glimpsed through rifts in clouds holds no interest"). Plays *''Arashiyama'' (嵐山) *''Hatsuyuki'' ("Virgin Snow" or "First Snow"; 初雪; written in the ''yugen'' Zenchiku style) *''Ikarikazuki'' ("The Anchor Draping"; 碇潜) *''Ikkaku sennin'' ("One-Horned Wizard"; 一角仙人; this Noh inspired the kabuki play ''Narukami'') *''Ikuta Atsumori'' (生田敦盛) *''Kamo'' (賀茂) *''Tōbōsaku'' (東方朔) Treatises *''Mōtanshichinshō'' (1455) [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encyclopædia Britannica
The (Latin for "British Encyclopædia") is a general knowledge English-language encyclopaedia. It is published by Encyclopædia Britannica, Inc.; the company has existed since the 18th century, although it has changed ownership various times through the centuries. The encyclopaedia is maintained by about 100 full-time editors and more than 4,000 contributors. The 2010 version of the 15th edition, which spans 32 volumes and 32,640 pages, was the last printed edition. Since 2016, it has been published exclusively as an online encyclopaedia. Printed for 244 years, the ''Britannica'' was the longest running in-print encyclopaedia in the English language. It was first published between 1768 and 1771 in the Scottish capital of Edinburgh, as three volumes. The encyclopaedia grew in size: the second edition was 10 volumes, and by its fourth edition (1801–1810) it had expanded to 20 volumes. Its rising stature as a scholarly work helped recruit eminent con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seeds In The Heart
''Seeds in the Heart: Japanese Literature from Earliest Times to the Late Sixteenth Century'' is the first book (though the last to be written and published) in Donald Keene's four-book series ''A History of Japanese Literature''. It is followed by '' World Within Walls: Japanese Literature of the Pre-Modern Era, 1600–1867'', '' Dawn to the West: Japanese Literature of the Modern Era; Fiction'', and the last book in the series, '' Dawn to the West: Japanese Literature in the Modern Era; Poetry, Drama, Criticism''. It covers classical prose works such as the ''Kojiki'' and the ''Tale of Genji'' and major waka poets like Fujiwara no Teika or Ki no Tsurayuki, through the Kamakura period and up to the beginnings of Noh plays and renga, in 1175 pages of text and endnotes (excluding the bibliography, index, and glossary). References *''Seeds in the Heart: Japanese Literature from Earliest Times to the Late Sixteenth Century'', Donald Keene Donald Lawrence Keene (June 18, 1922 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konparu Zenchiku
was a skilled Japanese Noh actor, troupe leader, and playwright. His plays are particularly characterized by an intricate, allusive, and subtle style inherited from Zeami which convolved yūgen with influences from Zen Buddhism (his Zen master was Ikkyū) and Kegon. Actors should strive for unconscious performance, in which they enters the "circle of emptiness"; such a state of being is the highest level of artistic or religious achievement. He lived, worked, and died in the Nara area of Japan. He was trained by Zeami and his son, Motomasa (died 1432), eventually marrying a daughter of Zeami. At some point he took the artistic name Komparu Ujinobu and then finally Komparu Zenchiku. In 1443, he became the leader of the Kanze acting troupe and thus the second successor to Zeami Motokiyo. Zeami passed on his secret teachings to Zenchiku, apparently prompting Zeami's exiling; this refusal to transmit to his blood descendants also prompted a split between the Komparu school and the K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeami
(c. 1363 – c. 1443), also called , was a Japanese aesthetician, actor, and playwright. His father, Kan'ami Kiyotsugu, introduced him to Noh theater performance at a young age, and found that he was a skilled actor. Kan'ami was also skilled in acting and formed a family theater ensemble. As it grew in popularity, Zeami had the opportunity to perform in front of the Shōgun, Ashikaga Yoshimitsu. The Shōgun was impressed by the young actor and began to compose a love affair with him. Zeami was introduced to Yoshimitsu's court and was provided with an education in classical literature and philosophy while continuing to act. In 1374, Zeami received patronage and made acting his career. After the death of his father in 1385, he led the family troupe, a role in which he found greater success. Zeami mixed a variety of Classical and Modern themes in his writing, and made use of Japanese and Chinese traditions. He incorporated numerous themes of Zen Buddhism into his works and lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yugen
Japanese aesthetics comprise a set of ancient ideals that include '' wabi'' (transient and stark beauty), '' sabi'' (the beauty of natural patina and aging), and '' yūgen'' (profound grace and subtlety). These ideals, and others, underpin much of Japanese cultural and aesthetic norms on what is considered tasteful or beautiful. Thus, while seen as a philosophy in Western societies, the concept of aesthetics in Japan is seen as an integral part of daily life. Japanese aesthetics now encompass a variety of ideals; some of these are traditional while others are modern and sometimes influenced by other cultures. Shinto and Buddhism Shinto is considered to be at the fountain-head of Japanese culture. With its emphasis on the wholeness of nature and character in ethics, and its celebration of the landscape, it sets the tone for Japanese aesthetics. Until the thirteenth century, Shinto remained the main influence on Japanese aesthetics. In the Buddhist tradition, all things are cons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wabi-sabi
In traditional Japanese aesthetics, is a world view centered on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of appreciating beauty that is "imperfect, impermanent, and incomplete" in nature. It is prevalent throughout all forms of Japanese art. is a composite of two interrelated aesthetic concepts, and . According to the Stanford Encyclopedia of Philosophy, may be translated as "subdued, austere beauty," while means "rustic patina." is derived from the Buddhist teaching of the , specifically , and , however, originally the concepts were seen as two distinct concepts. Characteristics of aesthetics and principles include asymmetry, roughness, simplicity Simplicity is the state or quality of being simple. Something easy to understand or explain seems simple, in contrast to something complicated. Alternatively, as Herbert A. Simon suggests, something is simple or complex depending on the way we ..., economy, austerity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shuko
Shuko, Shūko or Shuuko (written: 周子, 修子 or 柊子) is a feminine Japanese given name. Notable people with the name include: *, Japanese actress and lyricist *Shuko Akune (born 1959) American actress *, Japanese tennis player *, Japanese actress Shūkō or Shuukou (written: 修功) is a separate masculine Japanese given name, though it may also be romanized the same way. Notable people with the name include: *, Japanese anime director and animator Fictional Characters *Shūko Komi, a character from Komi Can't Communicate See also * Schuko "Schuko" () is a registered trademark referring to a system of AC power plugs and sockets that is defined as " CEE 7/3" (sockets) and "CEE 7/4" (plugs). A Schuko plug features two round pins of 4.8 mm diameter (19 mm long, centers 19&n ... {{DEFAULTSORT:Shuko Japanese feminine given names Japanese masculine given names ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ikuta Atsumori
''Ikuta Atsumori'' (生田敦盛), sometimes known simply as ''Ikuta'', is one of many Noh plays derived from the story of Taira no Atsumori, a young Taira clan samurai who was killed in the 1184 battle of Ichi-no-Tani. Taking place largely at Ikuta Shrine, near the scene of the battle, it centers on Atsumori's fictional son, who seeks to meet his father's ghost. Plot summary A monk opens the play, introducing himself as a disciple of famous priest Hōnen Shōnin, and explaining how Hōnen once found a baby boy in a box at the Kamo Shrine in Kyoto. The monk says that Honen raised the boy, and, that many years later, a young woman came forth revealing herself to be the boy's mother, and explaining that his father was Taira no Atsumori. As the boy now longed to see his father's face, Hōnen suggested that he should go to Kamo and pray there for a week. The monk concludes his introduction by explaining that this is the last day of that week, and that he has come with the boy to Kamo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monumenta Nipponica
''Monumenta Nipponica'' is a semi-annual academic journal of Japanese studies. Published by Sophia University (Tokyo), it is one of the oldest English-language academic journals in the field of Asian studies, being founded in 1938. Although the journal originally published articles in several languages, such as French, German, Spanish, and Italian, the journal has been published solely in English since early 1963. A series of 75 monographs were also published until 1986 under the ''Monumenta Nipponica'' name. A symposium was held at Sophia University on October 6, 2018 to commemorate the 80-year anniversary of ''Monumenta Nipponica’s'' founding. Videos of the symposium are available on YouTube. In 2020, Sophia University published a special issue commemorating ''Monumenta Nipponica’s'' 80-year founding, showcasing the people who made the journal happen and noteworthy historical events. Contents Each issue contains two to three main research articles, and around twenty reviews ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noh Playwrights
is a major form of classical Japanese dance-drama that has been performed since the 14th century. Developed by Kan'ami and his son Zeami, it is the oldest major theatre art that is still regularly performed today. Although the terms Noh and '' nōgaku'' are sometimes used interchangeably, ''nōgaku'' encompasses both Noh and ''kyōgen''. Traditionally, a full ''nōgaku'' program included several Noh plays with comedic ''kyōgen'' plays in between; an abbreviated program of two Noh plays with one ''kyōgen'' piece has become common today. Optionally, the ritual performance ''Okina'' may be presented in the very beginning of ''nōgaku'' presentation. Noh is often based on tales from traditional literature with a supernatural being transformed into human form as a hero narrating a story. Noh integrates masks, costumes and various props in a dance-based performance, requiring highly trained actors and musicians. Emotions are primarily conveyed by stylized conventional gestures whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1454 Births
Year 1454 (Roman numerals, MCDLIV) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. Events January–December * February 4 – Thirteen Years' War (1454–66), Thirteen Years' War: The Secret Council of the Prussian Confederation sends a formal act of disobedience to the Grand Masters of the Teutonic Knights, Grand Master, and the citizens of Toruń rebel against the Teutonic Knights, beginning the conflict. * March 6 – Casimir IV of Poland renounces allegiance to the Teutonic Knights. * March 27 – Richard Plantagenet, Duke of York, becomes Protector for King Henry VI of England, who is in a catatonic state. * April 9 – Treaty of Lodi: Francesco Sforza forms a triple alliance between the Duchy of Milan, the Republic of Florence and Kingdom of Naples. * August – In Moldavia, Petru Aron retakes the throne from Alexăndrel of Moldavia, Alexăndrel. * September 18 – Thirteen Years' War (1454 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
