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Kommunity FK
Kommunity FK is an American post-punk/ gothic rock band, formed in 1978, that helped establish what came to be known as the deathrock scene in Los Angeles, California, United States. History The band was formed in 1978 by singer Patrick Mata, who was influenced by musicians Throbbing Gristle, David Bowie and Joy Division as well as other artistic inspirations like Dadaism, anti-art, noise, musique concrète and the Brion Gysin/William Burroughs cut-up technique. Though initially named "Kommunity Fuck", after a piece of paste-up art created by Mata, the moniker was soon shortened. Mata has stated that the name was inspired by the cold shoulder given him by unimaginative local media venue talent buyers as well as industry powers. Kommunity FK's debut album, ''The Vision and the Voice'', was released in 1983 by Independent Project Records, featuring a lineup of Mata, drummer Matt Chaikin and bassist CE CE. The follow-up, 1985's '' Close One Sad Eye'', garnered significant at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
California
California is a U.S. state, state in the Western United States, located along the West Coast of the United States, Pacific Coast. With nearly 39.2million residents across a total area of approximately , it is the List of states and territories of the United States by population, most populous U.S. state and the List of U.S. states and territories by area, 3rd largest by area. It is also the most populated Administrative division, subnational entity in North America and the 34th most populous in the world. The Greater Los Angeles area and the San Francisco Bay Area are the nation's second and fifth most populous Statistical area (United States), urban regions respectively, with the former having more than 18.7million residents and the latter having over 9.6million. Sacramento, California, Sacramento is the state's capital, while Los Angeles is the List of largest California cities by population, most populous city in the state and the List of United States cities by population, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Throbbing Gristle
Throbbing Gristle were an English music and visual arts group formed in 1975 in Kingston upon Hull by Genesis P-Orridge, Cosey Fanni Tutti, Peter Christopherson, and Chris Carter (British musician), Chris Carter. They are widely regarded as pioneers of industrial music. Evolving from the experimental performance art group COUM Transmissions, Throbbing Gristle made their public debut in October 1976 on COUM exhibition ''Prostitution'', and released their debut single "United/Zyklon B Zombie" and debut album ''The Second Annual Report'' the following year. Lyrical themes mainly revolved around mysticism, extremist political ideologies, sexuality, dark or underground aspects of society, and idiosyncratic manipulation of language. The band released several subsequent studio and live albums—including ''D.o.A: The Third and Final Report of Throbbing Gristle'' (1978), ''20 Jazz Funk Greats'' (1979), and ''Heathen Earth'' (1980)—on their own record label Industrial Records, buildin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enigma Records
Enigma Records (also known as Enigma Entertainment Corporation) was a popular rock and alternative American record label in the 1980s. History Enigma Records launched as a division of Greenworld Distribution, an independent music importer/distributor, in 1981. Four years later, in 1985, Enigma severed ties with Greenworld and became its own company. Enigma was initially located in Torrance, California, then El Segundo, California and finally Culver City, California. Enigma was founded and run by brothers William and Wesley Hein. Jim Martone joined the company in 1984. Enigma focused on punk rock, alternative, and heavy metal music though it also released techno (Synthicide Records), jazz (Intima Records) and classical music (Enigma Classics) through subsidiary labels. The label's first release was Mötley Crüe's ''Too Fast for Love''. The album was initially released under the band's own Leathür Records imprint but manufactured, marketed and distributed by what would becom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mystic Records
Mystic Records is an American record label and music production company specializing in hardcore punk, crossover thrash, underground music, vintage and cult records. It is owned and operated by Doug Moody. The label was first established in Hollywood, California, and subsequently moved its operations to Oceanside, California. Mystic Records is an independent label and is a member of the Recording Industry Association of America (RIAA). History Background Mystic Records is closely associated with the personality of its founder, Doug Moody, regarded as a pioneer of the independent rock and roll industry.John Broven, ''Record Makers and Breakers: Voices of the Independent Rock 'n' Roll Pioneers.'' Urbana, IL: University of Illinois Press, 2009; pg. 363. Moody's father, Walter Moody, was himself an influential figure in the music industry, running EMI Studios (Abbey Road Studios) in London during the 1930s.Al Kowalewski et al., "Mystic Records, Doug Moody," ''Flipside,'' whole no. 42 (S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Close One Sad Eye
''Close One Sad Eye'' is the second album by the American rock band Kommunity FK, released in 1985 by Independent Project Records. It was reissued in 1993 by Cleopatra Records Cleopatra Records is an American independent record label based in Los Angeles, California. It was founded in 1992 by Brian Perera. The record label has since grown into a family of labels, including Hypnotic Records, Purple Pyramid Records, Dea .... Track listing References {{Authority control 1985 albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Vision And The Voice (album)
''The Vision and the Voice'' is the debut studio album by American rock band Kommunity FK, released in 1983 by Independent Project Records. It was later reissued in 1994 by Cleopatra Records and again in 2006 by Mobilization Records. Reception ''Trouser Press ''Trouser Press'' was a rock and roll magazine started in New York in 1974 as a mimeographed fanzine by editor/publisher Ira Robbins, fellow fan of the Who Dave Schulps and Karen Rose under the name "Trans-Oceanic Trouser Press" (a reference to ...'' called it "an excellent album, starting with its Boschian cover art depicting naked figures cavorting and fornicating around a giant red penis." Track listing References External links * {{DEFAULTSORT:Vision and the Voice, The 1983 albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cut-up Technique
The cut-up technique (or ''découpé'' in French) is an aleatory literary technique in which a written text is cut up and rearranged to create a new text. The concept can be traced to the Dadaists of the 1920s, but it was developed and popularized in the 1950s and early 1960s, especially by writer William S. Burroughs. It has since been used in a wide variety of contexts. Technique The cut-up and the closely associated fold-in are the two main techniques: *''Cut-up'' is performed by taking a finished and fully linear text and cutting it in pieces with a few or single words on each piece. The resulting pieces are then rearranged into a new text, such as in poems by Tristan Tzara as described in his short text, ''TO MAKE A DADAIST POEM''. *''Fold-in'' is the technique of taking two sheets of linear text (with the same linespacing), folding each sheet in half vertically and combining with the other, then reading across the resulting page, such as in '' The Third Mind''. It is a joint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Burroughs
William Seward Burroughs II (; February 5, 1914 – August 2, 1997) was an American writer and visual artist, widely considered a primary figure of the Beat Generation and a major postmodern author who influenced popular culture and literature.Stevens, Matthew Levi (2014). The Magical Universe of William S. Burroughs. Mandrake of Oxford. Burroughs wrote eighteen novels and novellas, six collections of short stories and four collections of essays, and five books have been published of his interviews and correspondences; he was initially briefly known by the pen name William Lee. He also collaborated on projects and recordings with numerous performers and musicians, made many appearances in films, and created and exhibited thousands of visual artworks, including his celebrated "Shotgun Art". Burroughs was born into a wealthy family in St. Louis, Missouri. He was a grandson of inventor William Seward Burroughs I, who founded the Burroughs Corporation, and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brion Gysin
Brion Gysin (19 January 1916 – 13 July 1986) was a British-Canadian painter, writer, sound poet, performance artist and inventor of experimental devices. He is best known for his use of the cut-up technique, alongside his close friend, the novelist William S. Burroughs. With the engineer Ian Sommerville he also invented the Dreamachine, a flicker device designed as an art object to be viewed with the eyes closed. It was in painting and drawing, however, that Gysin devoted his greatest efforts, creating calligraphic works inspired by cursive Japanese "grass" script and Arabic script. Burroughs later stated that "Brion Gysin was the only man I ever respected." Biography Early years John Clifford Brian Gysin was born at the Canadian military hospital in Taplow, Buckinghamshire, England. His mother, Stella Margaret Martin, was a Canadian from Deseronto, Ontario. His father, Leonard Gysin, a captain with the Canadian Expeditionary Force, was killed in action eight months after ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musique Concrète
Musique concrète (; ): "[A] problem for any translator of an academic work in French is that the language is relatively abstract and theoretical compared to English; one might even say that the mode of thinking itself tends to be more schematic, with a readiness to see material for study in terms of highly abstract dualisms and correlations, which on occasion does not sit easily with the perhaps more pragmatic English language. This creates several problems of translation affecting key terms. Perhaps the most obvious of these is the word ''concret''/''concrète'' itself. The word in French, which has nothing of the familiar meaning of "concrete" in English, is used throughout [''In Search of a Concrete Music''] with all its usual French connotations of "palpable", "nontheoretical", and "experiential", all of which pertain to a greater or lesser extent to the type of music Schaeffer is pioneering. Despite the risk of ambiguity, we decided to translate it with the English word ''conc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noise (music)
Noise music is a genre of music that is characterised by the expressive use of noise within a musical context. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Noise music includes a wide range of musical styles and sound-based creative practices that feature noise as a primary aspect. Noise music can feature acoustically or electronically generated noise, and both traditional and unconventional musical instruments. It may incorporate live machine sounds, non-musical vocal techniques, physically manipulated audio media, processed sound recordings, field recording, computer-generated noise, stochastic process, and other randomly produced electronic signals such as distortion, feedback, static, hiss and hum. There may also be emphasis on high volume levels and lengthy, continuous pieces. More generally noise music may contain aspects such as improvisation, extended technique, cacophony ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anti-art
Anti-art is a loosely used term applied to an array of concepts and attitudes that reject prior definitions of art and question art in general. Somewhat paradoxically, anti-art tends to conduct this questioning and rejection from the vantage point of art. The term is associated with the Dada movement and is generally accepted as attributable to Marcel Duchamp pre-World War I around 1914, when he began to use found objects as art. It was used to describe revolutionary forms of art. The term was used later by the Conceptual artists of the 1960s to describe the work of those who claimed to have retired altogether from the practice of art, from the production of works which could be sold. An expression of anti-art may or may not take traditional form or meet the criteria for being defined as a work of art according to conventional standards.Paul N. Humble. "Anti-Art and the Concept of Art". In: "A companion to art theory". Editors: Paul Smith and Carolyn Wilde, Wiley-Blackwell, 2002 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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