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Koeckert Quartet
The Koeckert Quartet was a well-known German string quartet. Origin and activity It was first founded in 1939 under the name of the "Sudeten German Quartet", later renamed the "Prague String Quartet". It consisted of members of the German Philharmonic Orchestra in Prague (1939-1945), which had been founded by order of Joseph Goebbels. In 1947 it took the name ''Koeckert Quartet'', after its first violinist Rudolf Koeckert. (1913–2005). Since 1949 the quartet resided in Munich, and the members were soloists of the Bavarian Radio Symphony Orchestra. In the 1950s and 1960s, it shaped the musical life of the city of Munich alongside other ensembles, from where it started concert tours to North America, South Africa and all major European cities. It was thus one of the leading German string quartets of international standing. The quartet existed under the name "Koeckert Quartet" until 1982, when it was succeeded by the "Joachim Koeckert Quartet"; its first violinist, Rudolf-Joachim ...
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String Quartet
The term string quartet can refer to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinists, a violist, and a cellist. The string quartet was developed into its present form by composers such as Franz Xaver Richter, and Joseph Haydn, whose works in the 1750s established the ensemble as a group of four more-or-less equal partners. Since Haydn the string quartet has been considered a prestigious form; writing for four instruments with broadly similar characteristics both constrains and tests a composer. String quartet composition flourished in the Classical era, and Wolfgang Amadeus Mozart, Ludwig van Beethoven and Franz Schubert each wrote a number of them. Many Romantic and early-twentieth-century composers composed string quartets, including Felix Mendelssohn, Robert Schumann, Johannes Brahms, Antonín Dvořák, Leoš Janà ...
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Violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use. The violin typically has four strings (music), strings (some can have five-string violin, five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow (music), bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical music, Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and ...
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Musical Groups From Munich
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) * Musicality Musicality (''music -al -ity'') is "sensitivity to, knowledge of, or talent for music" or "the quality or state of being musical", and is used to refer to specific if vaguely defined qualities in pieces and/or genres of music, such as melodiousnes ...
, the ability to perceive music or to create music * {{Music disambiguation ...
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German String Quartets
German(s) may refer to: * Germany (of or related to) ** Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * ...
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Alain Pâris
Alain Pâris (born 22 November 1947) is a French conductor and musicologist. Biography Born in Paris, Alain Pâris was trained as a pianist and has a law degree. He studied conducting with Pierre Dervaux, Paul Paray and Georg Solti and won the First prize at the International Besançon Competition for Young Conductors in 1968. For thirty-seven years, he was the youngest winner before Lionel Bringuier took his place. An assistant to Michel Plasson at the Capitole de Toulouse, he was principal conductor at the Opéra du Rhin (1983–1987) and professor of conducting at the conservatoire de Strasbourg (1986–89). He conducts most of the major French orchestras (Orchestre de Paris, Radio France orchestras, Lyon, Strasbourg, Lille...) and develops an international career, notably as a regular guest of the St. Petersburg Capella(1993–1999), the Bilkent Symphony Orchestra in Ankara (1998–2000), the George Enescu Philharmonic Orchestra (1999–2011), the Athens State Orchestra (20 ...
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Eugen Jochum
Eugen Jochum (; 1 November 1902 – 26 March 1987) was a German conductor, best known for his interpretations of the music of Anton Bruckner, Carl Orff, and Johannes Brahms, among others. Biography Jochum was born to a Roman Catholic family in Babenhausen, near Augsburg, Germany; his father was an organist and conductor. Jochum studied the piano and organ in Augsburg, enrolling in its Academy of Music from 1914 to 1922. He then studied at the Munich Conservatory, with his composition teacher being Hermann von Waltershausen; it was there that he changed his focus to conducting, his teacher being Siegmund von Hausegger, who conducted the first performance of the original version of the Ninth Symphony of Anton Bruckner and made the first recording of it. Jochum's first post was as a rehearsal pianist at Mönchen-Gladbach, and then in Kiel. He made his conducting debut with the Munich Philharmonic Orchestra in 1926 in a program which included Bruckner's Seventh Symphony. In the s ...
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Catulli Carmina
' (''Songs of Catullus'') is a cantata by Carl Orff dating from 1940–1943. He described it as ''ludi scaenici'' (scenic plays). The work mostly sets poems of the Latin poet Catullus to music, with some text by the composer. ''Catulli Carmina'' is part of '' Trionfi'', the musical trilogy that also includes the ''Carmina Burana'' and ''Trionfo di Afrodite''. It is scored for a full mixed choir, soprano and tenor soloists, and an entirely percussive orchestra – possibly inspired by Stravinsky's ''Les noces'' – consisting of four pianos, timpani, bass drum, 3 tambourines, triangle, castanets, maracas, suspended and crash cymbals, antique cymbal (without specified pitch), tam-tam, lithophone, metallophone, 2 glockenspiels, wood block, xylophone, and tenor xylophone. Dramatic structure The piece is divided into three parts: a prelude with Latin text by Orff, the central dramatic story using Catullus' poems, and a short postlude which recalls the music of the prelude. In the pr ...
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Christoph Eschenbach
Christoph Eschenbach (; born 20 February 1940) is a German pianist and conductor. Early life Eschenbach was born in Breslau, Germany (now Wrocław, Poland). His parents were Margarethe (née Jaross) and Heribert Ringmann. He was orphaned during World War II. His mother died giving birth to him; his father, a politically active anti-Nazi, was sent to the Eastern front as part of a Nazi punishment battalion where he was killed.Christoph Eschenbach in "A Wayfarer's Journey: Listening to Mahler." Ruth Yorkin Drazen, PBS, 2007. As a result of this trauma, Eschenbach did not speak for a year, until he was asked if he wanted to play music. Wallydore Eschenbach (née Jaross), his mother's cousin, adopted him in 1946 and began to teach him to play the piano. At age 11, he attended a concert conducted by Wilhelm Furtwängler which had a great impact on him. In 1955, Eschenbach enrolled at the Musikhochschule in Cologne, studying piano with Hans-Otto Schmidt-Neuhaus and conducting with ...
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Trout Quintet
The ''Trout Quintet'' (''Forellenquintett'') is the popular name for the Piano Quintet in A major, D. 667, by Franz Schubert. The piano quintet was composed in 1819, when he was 22 years old; it was not published, however, until 1829, a year after his death. Rather than the usual piano quintet lineup of piano and string quartet, the ''Trout Quintet'' is written for piano, violin, viola, cello and double bass. The composer Johann Nepomuk Hummel had rearranged his own Septet for the same instrumentation, and the ''Trout'' was actually written for a group of musicians coming together to play Hummel's work. Nickname The piece is known as the ''Trout'' because the fourth movement is a set of variations on Schubert's earlier Lied "Die Forelle" ("The Trout"). The quintet was written for Sylvester Paumgartner, a wealthy music patron and amateur cellist from Steyr, Upper Austria, who also suggested that Schubert include a set of variations on the Lied. Sets of variations on melodies ...
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Death And The Maiden Quartet
The String Quartet No. 14 in D minor, D 810, known as ''Death and the Maiden'', is a piece by Franz Schubert that has been called "one of the pillars of the chamber music repertoire". It was composed in 1824, after the composer suffered a serious illness and realized that he was dying. It is named for the theme of the second movement, which Schubert took from a song he wrote in 1817 of the same title. The quartet was first played in 1826 in a private home, and was not published until 1831, three years after Schubert's death. Composition 1823 and 1824 were hard years for Schubert. For much of 1823 he was sick, some scholars believe with an outburst of tertiary stage syphilis, and in May had to be hospitalized. He was also without money: he had entered into a disastrous deal with Diabelli to publish a batch of works, and received almost no payment; and his latest attempt at opera, '' Fierrabras'', was a flop. In a letter to a friend, he wrote, Yet, despite his bad healt ...
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String Quintet (Bruckner)
Anton Bruckner's String Quintet in F major, WAB 112 was composed in 1878/79 in Vienna. History Bruckner's superior Joseph Hellmesberger Sr. requested Bruckner for a string quartet. Instead of a string quartet, Bruckner composed a viola quintet, starting the composition in December 1878 and ended it on 12 July 1879. Bruckner dedicated the Quintet to Duke Max Emanuel of Bavaria.C. van Zwol, pp. 683-684 When looking at the score, Hellmesberger found the scherzo too challenging for the group to perform. In response, Bruckner wrote a less demanding, eight-minute long Intermezzo in the same key as alternative to the scherzo. The first three movements were premiered by Winkler Quartet with Josef Schalk joining on second viola on November 17, 1881 in Vienna.L. Nowak It was not until 1885 that the Hellmesberger Quartet played the Quintet with the original scherzo, Max Mustermann joining on second viola. Duke Emanuel was pleased by the composition and gave Bruckner a diamond pin. In al ...
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