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Kodansha Noma Memorial Museum
is located in Bunkyo, Tokyo, Japan. Its collection includes fine Japanese art objects. The museum was opened in April 2000, in order to commemorate the 90th anniversary of the founding of Japan's largest publishing company, Kodansha Publishing Company. It was the residence of the former Kodansha president Sawako Noma, the grand daughter of its founder, Seiji Noma. One of the museum's exhibits is the Noma Japanese Art Collection, art objects collected by Seiji Noma in the early part of the 20th century. Featured artists include Kawai Gyokudō, Uemura Shōen, Kiyokata Kaburagi, and more. The Noma collection includes works by Yokoyama Taikan and other modern Japanese and Western artists, sculpture and ceramics. There are also 6,000 shikishi (decorated Japanese paper or silk used originally for artistic prose, etc) received directly from the artists. The collection reflects an overview of the trends in the history of modern Japanese art. The Museum also displays the Publication Cul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kodansha Noma Memorial Museum 2
is a Japanese privately-held publishing company headquartered in Bunkyō, Tokyo. Kodansha is the largest Japanese publishing company, and it produces the manga magazines ''Nakayoshi'', ''Afternoon'', ''Evening'', ''Weekly Shōnen Magazine'' and ''Bessatsu Shōnen Magazine'', as well as the more literary magazines ''Gunzō'', ''Shūkan Gendai'', and the Japanese dictionary ''Nihongo Daijiten''. Kodansha was founded by Seiji Noma in 1910, and members of his family continue as its owners either directly or through the Noma Cultural Foundation. History Seiji Noma founded Kodansha in 1910 as a spin-off of the ''Dai-Nippon Yūbenkai'' (, "Greater Japan Oratorical Society") and produced the literary magazine ''Yūben'' () as its first publication. The name ''Kodansha'' (taken from ''Kōdan Club'' (), a now-defunct magazine published by the company) originated in 1911 when the publisher formally merged with the ''Dai-Nippon Yūbenkai''. The company has used its current legal name since ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japan
Japan ( ja, 日本, or , and formally , ''Nihonkoku'') is an island country in East Asia. It is situated in the northwest Pacific Ocean, and is bordered on the west by the Sea of Japan, while extending from the Sea of Okhotsk in the north toward the East China Sea, Philippine Sea, and Taiwan in the south. Japan is a part of the Ring of Fire, and spans Japanese archipelago, an archipelago of List of islands of Japan, 6852 islands covering ; the five main islands are Hokkaido, Honshu (the "mainland"), Shikoku, Kyushu, and Okinawa Island, Okinawa. Tokyo is the Capital of Japan, nation's capital and largest city, followed by Yokohama, Osaka, Nagoya, Sapporo, Fukuoka, Kobe, and Kyoto. Japan is the List of countries and dependencies by population, eleventh most populous country in the world, as well as one of the List of countries and dependencies by population density, most densely populated and Urbanization by country, urbanized. About three-fourths of Geography of Japan, the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kodansha
is a Japanese privately-held publishing company headquartered in Bunkyō, Tokyo. Kodansha is the largest Japanese publishing company, and it produces the manga magazines ''Nakayoshi'', ''Afternoon'', ''Evening'', ''Weekly Shōnen Magazine'' and ''Bessatsu Shōnen Magazine'', as well as the more literary magazines ''Gunzō'', ''Shūkan Gendai'', and the Japanese dictionary ''Nihongo Daijiten''. Kodansha was founded by Seiji Noma in 1910, and members of his family continue as its owners either directly or through the Noma Cultural Foundation. History Seiji Noma founded Kodansha in 1910 as a spin-off of the ''Dai-Nippon Yūbenkai'' (, "Greater Japan Oratorical Society") and produced the literary magazine ''Yūben'' () as its first publication. The name ''Kodansha'' (taken from ''Kōdan Club'' (), a now-defunct magazine published by the company) originated in 1911 when the publisher formally merged with the ''Dai-Nippon Yūbenkai''. The company has used its current legal name since ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seiji Noma
was a Japanese writer and publisher who was the founder of Kodansha is a Japanese privately-held publishing company headquartered in Bunkyō, Tokyo. Kodansha is the largest Japanese publishing company, and it produces the manga magazines ''Nakayoshi'', ''Afternoon'', ''Evening'', ''Weekly Shōnen Magazine'' an ..., a leading publishing company. He was the founder and publisher of many well-known newspapers and magazines. Early life and education Noma was born in 1878. His father hailed from a samurai family. He was a teacher by profession and following his graduation he worked as a teacher in the Luchu Islands. Career Noma established a publishing company, Dainihon Yūbenkai (Japanese: the Great Japanese Oratorical Society), in 1910. The company would be later renamed as Kodansha. The first publication of the company was ''Yūben'', a monthly magazine on public speech. The nine magazines he started enjoyed high levels of circulations and were very influential on the popul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kawai Gyokudō
was the pseudonym of a Japanese painter in the nihonga school, active from Meiji through Shōwa period Japan. His real name was Kawai Yoshisaburō. Biography Gyokudō was born in what is now Ichinomiya city, Aichi Prefecture, as the eldest son of a paper, ink and brush merchant. In the spring of 1887, he graduated from Gifu Jinji Kogakko Elementary School, and in September, with a letter of introduction from Aoki Senbashi, entered the school of Mochizuki Gyokusen in Kyoto, where he was given the name "Gyokusyu". He went to Kyoto in 1887 to study under Kōno Bairei of the Maruyama-Shijo school of painting. In 1890, when he exhibited his work at the Industrial Exposition, he changed his name to "Gyokudo" after Gyokusen's name Tama and his grandfather's name Chikudo. In 1896, he moved to Tokyo and he became the student of Hashimoto Gahō, of the Kanō school. He also studied Western-style painting and developed a highly personal style, especially in the field of landscape ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uemura Shōen
was the pseudonym of an artist in Meiji, Taishō and early Shōwa period Japanese painting. Her real name was Uemura Tsune. Shōen was known primarily for her ''bijin-ga,'' or paintings of beautiful women, in the ''nihonga'' style, although she produced numerous works on historical themes and traditional subjects. Shōen is considered a major innovator in the bijin-ga genre despite the fact she often still used it to depict the traditional beauty standards of women. Bijin-ga gained criticism during the Taisho era while Shōen worked due to its lack of evolution to reflect the more modern statuses of women in Japan. During bijin-ga's conception in the Tokugawa, or Edo, period, women were regarded as lower class citizens and the genre often reflected this implication onto its female subjects. Within the Taisho era, women had made several advancements into the Japanese workforce, and artistry specifically was becoming more popular outside of pass times for the elite, which opened ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kiyokata Kaburagi
was the art-name of a Nihonga artist and the leading master of the ''bijin-ga'' genre in the Taishō and Shōwa eras. His legal name was Kaburaki Ken'ichi. The artist himself used the reading "Kaburaki", but many Western (and some Japanese) sources transliterate it as "Kaburagi". Biography Kaburaki was born in Kanda district of Tokyo to an affluent and literate family. His father was the founder and president of the ''Tokyo Nichi Nichi Shimbun'' newspaper, and a writer of popular novels. In 1891, at the age of 13, Kaburaki was sent to become a pupil of the ''ukiyo-e'' artists Mizuno Toshikata and Taiso Yoshitoshi. His first job was as an illustrator for '' Yamato Shinbun,'' a Tokyo newspaper founded by his father. When he was sixteen, his father went bankrupt and the family had to sell their home. Kaburaki initially made his living as an illustrator, producing frontispiece illustrations called ''kuchi-e'', illustrating the titles of popular novels. His works were highly prai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yokoyama Taikan
was the art-name of a major figure in pre-World War II Japanese painting. He is notable for helping create the Japanese painting technique of ''Nihonga''. Early life Yokoyama was born in Mito city, Ibaraki Prefecture, as the eldest son of Sakai Sutehiko, a samurai serving the Mito clan. His earliest name was Hidezō, and later Hidematsu. With his family, he moved to Tokyo in 1878. He studied at the ''Tōkyō Furitsu Daiichi Chūgakkō'' (today's Hibiya High School), and was interested in the English language and in Western-style oil painting. This led him to study pencil drawing with a painter, Watanabe Fumisaburō. In 1888, he was adopted into his mother's family, taking the surname "Yokoyama" and changed his personal name to Hidemaro. In 1889, Yokoyama enrolled in the first graduating class of the ''Tōkyō Bijutsu Gakkō'' (the predecessor to the Tokyo University of the Arts), which had just been opened by Okakura Kakuzō (aka Okakura Tenshin). In school, he studied und ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meiji Era
The is an era of Japanese history that extended from October 23, 1868 to July 30, 1912. The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization by Western powers to the new paradigm of a modern, industrialized nation state and emergent great power, influenced by Western scientific, technological, philosophical, political, legal, and aesthetic ideas. As a result of such wholesale adoption of radically different ideas, the changes to Japan were profound, and affected its social structure, internal politics, economy, military, and foreign relations. The period corresponded to the reign of Emperor Meiji. It was preceded by the Keiō era and was succeeded by the Taishō era, upon the accession of Emperor Taishō. The rapid modernization during the Meiji era was not without its opponents, as the rapid changes to society caused many disaffected traditionalists from the former samurai cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heisei Era
The is the period of Japanese history corresponding to the reign of Emperor Emeritus Akihito from 8 January 1989 until his abdication on 30 April 2019. The Heisei era started on 8 January 1989, the day after the death of the Emperor Hirohito, when his son, Akihito, acceded to the throne as the 125th Emperor. In accordance with Japanese customs, Hirohito was posthumously renamed "Emperor Shōwa" on 31 January 1989. Thus, 1989 corresponds to Shōwa 64 until 7 January, and from 8 January. The Heisei era ended on 30 April 2019 (Heisei 31), with the abdication of Akihito from the Chrysanthemum Throne. It was succeeded by the Reiwa era as then-crown prince Naruhito ascended the throne on 1 May midnight local time. History and meaning On 7 January 1989, at 07:55 AM JST, the Grand Steward of Japan's Imperial Household Agency, Shōichi Fujimori, announced Emperor Hirohito's death at 6:33 AM JST, and revealed details about his cancer for the first time. Shortly after the deat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures In Bunkyō
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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