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Knútsdrápa
''Knútsdrápur'' (plural of ''Knútsdrápa'') are Old Norse skaldic compositions in the form of '' drápur'' which were recited for the praise of Canute the Great. There are a number of these: * The '' Knútsdrápa'' by Óttarr svarti * The ''Knútsdrapa'' by Sigvatr Þórðarson Sigvatr Þórðarson or Sighvatr Þórðarson or Sigvat the Skald (995–1045) was an Icelandic skald. He was a court poet to King Olaf II of Norway, as well as Canute the Great, Magnus the Good and Anund Jacob, by whose reigns his floruit ca ... * Eight poetic fragments thought to derive from a single ''Knútsdrapa'' by Hallvarðr háreksblesi Further reading *Townend, Matthew. "Contextualising the ''Knútsdrápur'': Skaldic Praise-Poetry at the Court of Cnut." '' Anglo-Saxon England'' 30 (2001): 145-79.Abstract of his paper (same title) for the 11th International Saga Conference available as online PDF {{DEFAULTSORT:Knutsdrapa Skaldic poems ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canute The Great
Cnut (; ang, Cnut cyning; non, Knútr inn ríki ; or , no, Knut den mektige, sv, Knut den Store. died 12 November 1035), also known as Cnut the Great and Canute, was King of England from 1016, King of Denmark from 1018, and King of Norway from 1028 until his death in 1035. The three kingdoms united under Cnut's rule are referred to together as the North Sea Empire. As a Danish prince, Cnut won the throne of England in 1016 in the wake of centuries of Viking activity in northwestern Europe. His later accession to the Danish throne in 1018 brought the crowns of England and Denmark together. Cnut sought to keep this power-base by uniting Danes and English under cultural bonds of wealth and custom. After a decade of conflict with opponents in Scandinavia, Cnut claimed the crown of Norway in Trondheim in 1028. The Swedish city Sigtuna was held by Cnut (he had coins struck there that called him king, but there is no narrative record of his occupation). In 1031, Malcolm II of Sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hallvarðr Háreksblesi
Hallvarðr Háreksblesi was one of the skalds of Canute the Great. Nothing is known about his life or family but eight fragments of his poetry on Canute have been preserved. While Hallvarðr's poetry resembles that of Canute's other poets in many respects it is unusual in its heavy use of pagan imagery. Extant fragments Six fragments of poetry by Hallvarðr are quoted in the Skáldskaparmál section of Snorri Sturluson's Prose Edda. One additional fragment is quoted in Knýtlinga saga and one in Heimskringla and kings' sagas derived from it. In Finnur Jónsson's complete edition of skaldic poetry the fragments are conjectured to be all from the same poem, a ''Knútsdrápa'' ("Lay of Canute"), and arranged in a suggested order. The first complete English translation was published by Roberta Frank in 1994. The extant fragments are mainly about Canute's expedition to England and his becoming king there in 1015-1016. Apart from what little can be conjectured from this, nothing is kno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Knútsdrápa (Ottar The Black)
''Knútsdrápur'' (plural of ''Knútsdrápa'') are Old Norse skaldic compositions in the form of ''drápur'' which were recited for the praise of Canute the Great. There are a number of these: * The ''Knútsdrápa'' by Óttarr svarti * The ''Knútsdrapa'' by Sigvatr Þórðarson * Eight poetic fragments thought to derive from a single ''Knútsdrapa'' by Hallvarðr háreksblesi Further reading *Townend, Matthew. "Contextualising the ''Knútsdrápur'': Skaldic Praise-Poetry at the Court of Cnut." ''Anglo-Saxon England Anglo-Saxon England or Early Medieval England, existing from the 5th to the 11th centuries from the end of Roman Britain until the Norman conquest in 1066, consisted of various Anglo-Saxon kingdoms until 927, when it was united as the Kingdom o ...'' 30 (2001): 145-79.Abstract of his paper (same title) for the 11th International Saga Conference available as online PDF {{DEFAULTSORT:Knutsdrapa Skaldic poems ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skaldic Poetry
A skald, or skáld (Old Norse: , later ; , meaning "poet"), is one of the often named poets who composed skaldic poetry, one of the two kinds of Old Norse poetry, the other being Eddic poetry, which is anonymous. Skaldic poems were traditionally composed on one occasion, sometimes extempore, and include both extended works and single verses ('' lausavísur''). They are characteristically more ornate in form and diction than eddic poems, employing many kennings and heiti, more interlacing of sentence elements, and the complex ''dróttkvætt'' metre. More than 5,500 skaldic verses have survived, preserved in more than 700 manuscripts, including in several sagas and in Snorri Sturluson's ''Prose Edda'', a handbook of skaldic composition that led to a revival of the art. Many of these verses are fragments of originally longer works, and the authorship of many is unknown. The earliest known skald from whom verses survive is Bragi Boddason, known as Bragi the Old, a Norwegian skald of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drápur
A skald, or skáld (Old Norse: , later ; , meaning "poet"), is one of the often named poets who composed skaldic poetry, one of the two kinds of Old Norse poetry, the other being Eddic poetry, which is anonymous. Skaldic poems were traditionally composed on one occasion, sometimes extempore, and include both extended works and single verses ('' lausavísur''). They are characteristically more ornate in form and diction than eddic poems, employing many kennings and heiti, more interlacing of sentence elements, and the complex ''dróttkvætt'' metre. More than 5,500 skaldic verses have survived, preserved in more than 700 manuscripts, including in several sagas and in Snorri Sturluson's ''Prose Edda'', a handbook of skaldic composition that led to a revival of the art. Many of these verses are fragments of originally longer works, and the authorship of many is unknown. The earliest known skald from whom verses survive is Bragi Boddason, known as Bragi the Old, a Norwegian skald of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Óttarr Svarti
Óttarr svarti (“Óttarr the Black”) was an 11th-century Icelandic skald. He was the court poet first of Olof Skötkonung, Óláfr skautkonungr of Sweden, then of Olaf II of Norway, Óláfr Haraldsson of Norway, the Swedish king Anund Jacob and finally of Cnut the Great of Denmark and England. His poems are significant contemporary evidence for the careers of Óláfr Haraldsson and Cnut the Great. Óttarr was the nephew of Sigvatr Þórðarson, and Óttarr clearly based the poem ''Hǫfuðlausn (Óttarr svarti), Hǫfuðlausn'', his encomium for Olaf II of Norway, Óláfr Haraldsson, on Sigvatr’s ''Víkingarvísur'', which tallies the king's early Viking expeditions. A small ''þáttr'' (short story) on Óttarr, ''Óttars þáttr svarta'', is preserved in Flateyjarbók, Bergsbók, Bæjarbók and Tómasskinna. Works #''Óláfsdrápa sœnska''. Verses for the Swedish king Olof Skötkonung. #''Höfuðlausn'' (also spelled as ''Hǫfuðlausn''). #''Knutsdrapa (Ottar the Black), Kn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sigvatr Þórðarson
Sigvatr Þórðarson or Sighvatr Þórðarson or Sigvat the Skald (995–1045) was an Icelandic skald. He was a court poet to King Olaf II of Norway, as well as Canute the Great, Magnus the Good and Anund Jacob, by whose reigns his floruit can be dated to the earlier eleventh century. Sigvatr was the best known of the court skalds of King Olaf and also served as his marshal (''stallare''), even baptizing his son Magnus. Approximately 160 verses of Sigvatr's poetry have been preserved, more than any for other poet from this period. The style of Sigvat's poems is simpler and clearer than that which generally characterises older compositions. Although his verse is still dense, he uses fewer complex poetic circumlocutions than many of his predecessors, and as a Christian poet, he by and large avoids allusions to pagan mythology. Most of his surviving poems were texts that praised King Olaf. Many of the poems from St. Olaf's saga in ''Heimskringla'' are by Sigvatr. ''Víkingarv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Norse Poetry
Old Norse poetry encompasses a range of verse forms written in Old Norse, during the period from the 8th century (see Eggjum stone) to as late as the far end of the 13th century. Most of the Old Norse poetry that survives was preserved in Iceland, but there are also around 122 verses preserved in Swedish rune inscriptions, 54 in Norwegian and 12 in Danish. Poetry played an important role in the social and religious world of the Vikings. In ''Skáldskaparmál'' (1), Snorri Sturluson, recounts the myth of how Odin brought the mead of poetry to Asgard. Poetry is referred to in such terms as 'the drink of the raven-god (= Odin)' even in the oldest preserved poetry, which is an indicator of its significance within the ancient Scandinavian culture. Old Norse poetry developed from the common Germanic alliterative verse, and as such has many commonalities with Old English, Old Saxon, and Old High German poetry, including alliteration, poetic circumlocutions termed kennings, and an exp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anglo-Saxon England (journal)
''Anglo-Saxon England'' is an annual peer-reviewed interdisciplinary academic journal covering the study of various aspects of history, language, and culture in Anglo-Saxon England. It has been published since 1972 by Cambridge University Press and is available in print and digital form. The first forty volumes of the journal included a bibliography porividng an overview of the past year's work in Anglo-Saxon studies; a cumulative bibliography is now available online, published by Cambridge University Press. The journal's motto, 'here one can still see their track', is drawn from King Alfred's Old English translation of ''Cura pastoralis''. Ever edition of the journal has, as its front cover, an image of the obverse of Alfred’s ‘London Monogram’ penny. Its current editors are Simon Keynes, Rosalind Love and Rory Naismith (all based at the University of Cambridge). Previous editors include Malcolm Godden, Peter A. Clemoes and Michael Lapidge Michael Lapidge, FBA (born 8 Feb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
