Klatter
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Klatter
''Klatter'' is the third collaborative studio album and sixth release by the Japanese experimental rock band Boris and Japanese noise musician Merzbow. The album features re-recorded versions of "Akuma no Uta" and "Naki Kyoku" from ''Akuma no Uta'', and a cover of the song "Jane" by the German progressive rock group of the same name. It was originally planned for release on Troubleman Unlimited Troubleman Unlimited Records was a record label specializing in indie rock and similar genres. Founded in 1993, the label was based in Bayonne, New Jersey and owned by Mike Simonetti. History The label started as an offshoot of a fanzine called ... in 2007 under the unconfirmed title ''Mellow Peak'', but for unknown reasons, the release did not happen. Track listing Personnel All personnel credits adapted from the album notes. ;Boris with Merzbow * Takeshi – vocals, bass, guitar * Wata – guitar * Atsuo – drums, vocals * Masami Akita – computer ;Technica ...
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Boris (band)
is a Japanese band formed in 1992 in Tokyo and composed of drummer Atsuo, guitarist/bassist Takeshi, and guitarist/keyboardist Wata. All three members contribute vocals. Boris has released more than twenty studio albums on various labels around the world, as well as a wide variety of live albums, compilations, EPs, singles, and collaborative albums. They have collaborated with acts such as Sunn O))), Merzbow, Keiji Haino, and guitarist Michio Kurihara. History Boris was originally a four-piece band with Atsuo on lead vocals, Wata on guitar, Takeshi on bass, and Nagata on drums. The band is named after a song of the same name on the Melvins album '' Bullhead''. Boris's debut album ''Absolutego'' was released in 1996 on their own record label Fangs Anal Satan. Nagata departed in 1996 and Atsuo switched to drums, while Wata expanded her duties to lead guitar and keyboards, and Takeshi took on bass and rhythm guitar duties on a double-necked instrument of his own design. All thre ...
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Akuma No Uta
is the fifth album by Japanese experimental music band Boris. Originally released in 2003 on Diwphalanx Records with minimalist artwork, it was re-issued in 2005 on Southern Lord Records with a different cover and more music. Releases In addition to running an additional 7 minutes, the opening track of the Southern Lord version is a totally different take; both use the same riff from "Akuma no Uta," but the original, shorter track repeats it far less and opens with over a minute of ambient, resonant amp noise absent from the longer version. An edit of the long version opens 2010 compilation ''Boris / Variations + Live in Japan'', closely resembling the running length of the original intro, but sourced from a different point halfway through the 9 minute version and with a fade in. Music videos were made for the songs "Ibitsu" and "Furi" and can be found on the 2003 DVD ''Live at Shimokitazawa Shelter''. In addition to a short edit of the opening track, an alternate take of "Naki ...
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Walrus / Groon
''Walrus/Groon'' is a collaborative 12" EP between the Japanese experimental doom band Boris and Japanese noise musician Merzbow. It was first sold at the 2007 South by Southwest festival in Austin, Texas. "Walrus" is a cover of "I Am the Walrus" by The Beatles, specifically the Spooky Tooth 1970 version. "Groon" shares its name with a King Crimson improvisational piece, but has no musical resemblance. A different version of "Groon" appears on ''Switching Rethorics'' as "Vanlla Groon", featuring sampled drums/guitar and credited to Merzbow only. It was later compiled on ''Another Merzbow Records''. The artwork references that of the Yes album ''Close to the Edge ''Close to the Edge'' is the fifth studio album by English progressive rock band Yes. It was released on 13 September 1972 by Atlantic Records, and is their last album of the 1970s to feature their original drummer Bill Bruford. After scoring ...''. The release was pressed on five different vinyl colors: black, ...
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Gensho (album)
is the fourth collaborative studio album and seventh release by the Japanese experimental band Boris and noise musician Merzbow. It is presented in two parts; the first disc features re-recordings of several Boris songs and a cover of the My Bloody Valentine song "Sometimes" in drone-based, drumless style, while the second disc consists of new compositions by Merzbow. They are intended to be played at the same time, much like the previous Boris double album '' Dronevil'', or as separate works. Initial teasers were posted at the start of the year, most prominently a live clip of "Huge" from the Fever performance on January 21. ''Rolling Stone'' announced YouTube streams of "Heavy Rain" and its accompanying section of "Goloka pt. 1" on February 5, 2016. Later in February, The Wire debuted a live video of Boris alone playing the song "More" from Leave Them All Behind 2015. Background The album was inspired by their June 2014 Boiler Room set, during which Boris played a drumless ...
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New Album (Boris Album)
''New Album'' is the fifteenth studio album by the Japanese experimental band Boris. The album was released in Japan on March 16, 2011, on CD through Tearbridge (an imprint of major label Avex) and on double LP through Daymare Recordings, and was released worldwide with a different mix and track list through Sargent House on November 25, 2011. The CD and LP feature different versions of several tracks. The label released the song "Party Boy" prior to the album, which also appears in an altered form on ''Attention Please is a manga by Chieko Hosokawa about the training of flight attendants for Japan Airlines originally serialized in ''Shōjo Friend'' from Kodansha beginning in 1970. Tokyo Broadcasting System adapted a TV drama from the manga in 1970. Thirty ...''. Other tracks shared with that album are "Hope" and "Spoon". The album also shares the tracks "Jackson Head" and "Tu, La La" with '' Heavy Rocks''. "Black Original" has appeared on '' Japanese Heavy Rock Hits'' ...
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2011 Collaborative Albums
Eleven or 11 may refer to: *11 (number), the natural number following 10 and preceding 12 * one of the years 11 BC, AD 11, 1911, 2011, or any year ending in 11 Literature * ''Eleven'' (novel), a 2006 novel by British author David Llewellyn *''Eleven'', a 1970 collection of short stories by Patricia Highsmith *''Eleven'', a 2004 children's novel in The Winnie Years by Lauren Myracle *''Eleven'', a 2008 children's novel by Patricia Reilly Giff *''Eleven'', a short story by Sandra Cisneros Music *Eleven (band), an American rock band * Eleven: A Music Company, an Australian record label *Up to eleven, an idiom from popular culture, coined in the movie ''This Is Spinal Tap'' Albums * ''11'' (The Smithereens album), 1989 * ''11'' (Ua album), 1996 * ''11'' (Bryan Adams album), 2008 * ''11'' (Sault album), 2022 * ''Eleven'' (Harry Connick, Jr. album), 1992 * ''Eleven'' (22-Pistepirkko album), 1998 * ''Eleven'' (Sugarcult album), 1999 * ''Eleven'' (B'z album), 2000 * ''Eleven'' (Reamonn ...
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LP Record
The LP (from "long playing" or "long play") is an analog sound storage medium, a phonograph record format characterized by: a speed of  rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia in 1948, it was soon adopted as a new standard by the entire record industry. Apart from a few relatively minor refinements and the important later addition of stereophonic sound, it remained the standard format for record albums (during a period in popular music known as the album era) until its gradual replacement from the 1980s to the early 2000s, first by cassettes, then by compact discs, and finally by digital music distribution. Beginning in the late 2000s, the LP has experienced a resurgence in popularity. Format advantages At the time the LP was introduced, nearly all phonograph records for home use were made of an abrasive shellac compound ...
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Troubleman Unlimited
Troubleman Unlimited Records was a record label specializing in indie rock and similar genres. Founded in 1993, the label was based in Bayonne, New Jersey and owned by Mike Simonetti. History The label started as an offshoot of a fanzine called "Wanna Communicate?", releasing 7" singles. The label grew significantly in the 2000s, releasing full-length albums by many groups who are regularly reviewed in media outlets like '' Spin'' and Pitchfork. The label focused on noise rock, including releases from Black Dice, Wolf Eyes and Hair Police. Troubleman Unlimited was named "Best Label" by ''New York Magazine'' in 2005. In the 21st century, Simonetti started a dance label, Italians Do It Better, with Johnny Jewel of Glass Candy. Band roster The following artists have made at least one release through Troubleman Unlimited or Italians Do It Better. *The Album Leaf *American Heritage * Black Dice *Blank Dogs * Boris *Bride of No No *Camera Obscura *Chariots (America, North) * Chr ...
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Jane (German Band)
Jane is a German progressive rock Krautrock band, that was formed in October 1970 in Hanover, Germany. Band history Playing a melodious synthesis of symphonic hard rock, that has occasionally been compared to Pink Floyd, Hanover Krautrockers Jane can trace their origins back to the late sixties psychedelic band ''The J.P.s'' (Justice of Peace). Releasing a single "Save Me"/"War" in 1968, the band featured future Jane members Peter Panka on vocals, Klaus Hess on bass and Werner Nadolny on saxophone. By late 1970 ''The J.P.s'' had dissolved and regrouped as Jane with Panka on vocals and drums, Hess switching to guitar and Nadolny assuming keyboards. Charly Maucher joined on bass and power vocalist Bernd Pulst completed the band in April 1971 and their first LP ''Together'' was released on the Hamburg-based record label Brain Records in the spring of 1972. Singing in broken English, which helped create passionate effects, a heavy expressive bluesy sound emerged with blistering Les ...
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Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ...
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Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ...
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Noise Music
Noise music is a genre of music that is characterised by the expressive use of noise within a musical context. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Noise music includes a wide range of musical styles and sound-based creative practices that feature noise as a primary aspect. Noise music can feature acoustically or electronically generated noise, and both traditional and unconventional musical instruments. It may incorporate live machine sounds, non-musical vocal techniques, physically manipulated audio media, processed sound recordings, field recording, computer-generated noise, stochastic process, and other randomly produced electronic signals such as distortion, feedback, static, hiss and hum. There may also be emphasis on high volume levels and lengthy, continuous pieces. More generally noise music may contain aspects such as improvisation, extended technique, cacophony ...
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