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Kit Galloway And Sherrie Rabinowitz
Kit Galloway (born 1948) and Sherrie Rabinowitz (1950–2013) met in 1975 and worked collaboratively under the name Mobile Image. They co-founded the Electronic Café International (ECI), a cafe, networking centre, performance and workshop space and art hub in Santa Monica, California. Until Rabinowitz's death, they created numerous art works which could be categorized as communication aesthetics, telematic art and digital theatre Strictly, digital theatre is a hybrid art form, gaining strength from theatre's ability to facilitate the imagination and create human connections and digital technology's ability to extend the reach of communication and visualization. (However, ... References New media artists 20th-century American businesspeople {{US-artist-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sherrie Rabinowitz
Sherrie Rabinowitz (1950–2013) was an American video artist and a pioneer in satellite-based telecommunications art. She worked exclusively with Kit Galloway under the moniker Mobile Image from 1977 onwards. She co-founded the Electronic Café International (ECI), a performance space and real café housed in the 18th Street Arts Center in Santa Monica, California, with Galloway. She died in 2013, from complications due to multiple sclerosis. Career Optic Nerve She studied at University of California Berkeley and was involved in the collective Optic Nerve, which created underground video and guerrilla television. Optic Nerve was one of the few San Francisco video collectives with women members in the 1970s. As part of Optic Nerve she collaborated with the architecture and performance collective Ant Farm which was also based out of San Francisco. These projects include: ''Media Burn'' (1975), ''The Eternal Frame'' (1975), and ''Pier 40 Fire Clean Up'' (1978). Mobile ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Café International
Electronic Café International (ECI), established in 1988 by Kit Galloway and Sherrie Rabinowitz, is a performance space and real café housed in the 18th Street Arts Center in Santa Monica, California. Creation The couple had realized after their experience with ''Electronic Café '84'' that the next logical step was to establish a continuous venue for telepresence media events. For the next 10 years, the ''ECI'' lab was the site of electronic networking instigations that contributed significantly to the canon of collaborative telecommunications arts. Phrases and terms such as 'interactive dramaturgy,' 'metadesign environments,' 'telephone opera,' 'teleconcert,'Woodard, Jeff. "Collaboration Gets a Whole New Meaning : Music : 'Teleconcert' will electronically link performers in Santa Monica, New York and New Mexico Sunday." Los Angeles Times. Nov. 11, 1994. 'tele-immersive,' 'telepresent' and 'telepresence' emerged during 1989 to 2000, as the participating artists, their critics, re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Communication Aesthetics
Communication Aesthetics is a theory devised by Mario Costa (philosopher), Mario Costa and Fred Forest at Mercato San Severino in Italy in 1983. It is a theory of aesthetics calling for artistic practice engaging with and working through the developments, evolutions and paradigms of late twentieth century communications technologies. Observing the emerging supremacy of networks over subjects, it called for an artistic approach that was both adapted to, and invested in this changing techno-social arena. Background At the occasion of Artmedia, on Video Art organized by Mario Costa (philosopher), Mario Costa, Professor of Aesthetics at the University of Salerno, Fred Forest had been invited to enact a performance and installation involving the Italian National Television Broadcaster (RAI). The ensuing encounter revealed their mutual enthusiasm and interest in the evolution of the place of art in society given then developing communications technologies. Following an evening of inte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Telematic Art
Telematic art is a descriptive of art projects using computer-mediated telecommunications networks as their medium. Telematic art challenges the traditional relationship between active viewing subjects and passive art objects by creating interactive, behavioural contexts for remote aesthetic encounters. ''Telematics'' was first coined by Simon Nora and Alain Minc in ''The Computerization of Society''. Roy Ascott sees the telematic art form as the transformation of the viewer into an active participator of creating the artwork which remains in process throughout its duration. Ascott has been at the forefront of the theory and practice of telematic art since 1978 when he went online for the first time, organizing different collaborative online projects. Pioneering experiments Although Ascott was the first person to name this phenomenon, the first use of telecommunications as an artistic medium has occurred in 1922 when the Hungarian constructivist artist László Moholy-Nagy made ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Theatre
Strictly, digital theatre is a hybrid art form, gaining strength from theatre's ability to facilitate the imagination and create human connections and digital technology's ability to extend the reach of communication and visualization. (However, the phrase is also used in a more generic sense by companies such as Evans and Sutherland to refer to their fulldome projection technology products.) Description Digital theatre is primarily identified by the coexistence of "live" performers and digital media in the same unbroken(1) space with a co-present audience. In addition to the necessity that its performance must be simultaneously "live" and digital, the event's secondary characteristics are that its content should retain some recognizable theatre roles (through limiting the level of interactivity) and a narrative element of spoken language or text. The four conditions of digital theatre are: #It is a "live" performance placing at least some performers in the same shared physical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Media Artists
New is an adjective referring to something recently made, discovered, or created. New or NEW may refer to: Music * New, singer of K-pop group The Boyz Albums and EPs * ''New'' (album), by Paul McCartney, 2013 * ''New'' (EP), by Regurgitator, 1995 Songs * "New" (Daya song), 2017 * "New" (Paul McCartney song), 2013 * "New" (No Doubt song), 1999 *"new", by Loona from '' Yves'', 2017 *"The New", by Interpol from ''Turn On the Bright Lights'', 2002 Acronyms * Net economic welfare, a proposed macroeconomic indicator * Net explosive weight, also known as net explosive quantity * Network of enlightened Women, a conservative university women's organization * Next Entertainment World, a South Korean film distribution company Identification codes * Nepal Bhasa language ISO 639 language code * New Century Financial Corporation (NYSE stock abbreviation) * Northeast Wrestling, a professional wrestling promotion in the northeastern United States Transport * New Orleans Lakefront A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |