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Kiss My Brass
Bette Midler hit the road for the first time in four years with her 2003–2004 Kiss My Brass concert tour. The first leg of the tour kicked off on December 10 in Chicago and went through the middle of February. The tour hit the top 40 cities across the U.S. with one stop in Toronto, Ontario, Canada. The first leg of the tour ended in Atlantic City, New Jersey and the second leg of the tour began in Manchester, New Hampshire and ended in Minneapolis, Minnesota. 10 Australian dates were added in April and May 2005. It was the first Australian tour for Midler in 26 years. On the tour, she performed well-known hits and characters, as well as selected songs from her release, ''Bette Midler Sings the Rosemary Clooney Songbook''. Setlist Source: #"Kiss My Brass" / "Big Noise from Winnetka" #"Stuff Like That There" #"Skylark" #"Boogie Woogie Bugle Boy" #"Judge Judy" #"I'm Sorry" #"Nobody Else But You" #"Friends" #"Tenderly" #"Chapel of Love" #" That's How Heartaches are Made" #"I Thin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bette Midler
Bette Midler (;''Inside the Actors Studio'', 2004 born December 1, 1945) is an American singer, actress, comedian and author. Throughout her career, which spans over five decades, Midler has received List of awards and nominations received by Bette Midler, numerous accolades, including four Golden Globe Awards, three Grammy Awards, three Primetime Emmy Awards, two Tony Awards and a Kennedy Center Honors, Kennedy Center Honor, in addition to nominations for two Academy Awards and a British Academy Film Award. Born in Honolulu, Territory of Hawaii, Hawaii, Midler began her professional career in several off-off-Broadway plays, prior to her engagements in ''Fiddler on the Roof'' and ''Salvation (musical), Salvation'' on Broadway theatre, Broadway in the late 1960s. She came to prominence in 1970 when she began singing in the Continental Baths, a local gay bathhouse where she managed to build up a core following. Since 1970, Midler has released 14 studio albums as a solo artist, sell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chapel Of Love
"Chapel of Love" is a song written by Jeff Barry, Ellie Greenwich and Phil Spector, and made famous by The Dixie Cups in 1964, spending three weeks at number one on the ''Billboard'' Hot 100.Whitburn, Joel (2009). ''Top Pop Singles 1955-2008'' (12th ed.). Menomonee Falls, Wisconsin: Record Research Inc. p. 282. The song tells of the happiness and excitement the narrator feels on her wedding day, for she and her love are going to the "chapel of love", and "we'll never be lonely anymore." Many other artists have recorded the song. It was originally recorded by Darlene Love in April 1963, but her version was not released until 1991. The Dixie Cups' version was the debut release of the new Red Bird Records run by Jerry Leiber and Mike Stoller along with George Goldner.Betrock, Alan (1982). ''Girl Groups The Story of a Sound'' (1st ed.). New York: Delilah Books. pgs. 90-94. The Ronettes included the song on their debut album released in November 1964 with production by Phil Spector ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hello, Dolly! (song)
"Hello, Dolly!" is the title song of the popular 1964 musical of the same name. Louis Armstrong's version was inducted into the Grammy Hall of Fame in 2001. The music and lyrics were written by Jerry Herman, who also wrote the scores for many other popular musicals including ''Mame'' and '' La Cage aux Folles''. History "Hello, Dolly!" was first sung by Carol Channing, who starred as Dolly Gallagher Levi in the original 1964 Broadway cast. In December 1963, at the behest of his manager, Louis Armstrong made a demonstration recording of "Hello, Dolly!" for the song's publisher to use to promote the show. ''Hello, Dolly!'' opened on January 16, 1964, at the St. James Theatre in New York City, and it quickly became a major success. The same month, Kapp Records released Armstrong's publishing demo as a commercial single. His version reached 1 on the U.S. ''Billboard'' Hot 100, ending the Beatles' streak of 3 chart-topping hits in a row over 14 consecutive weeks. "Hello Dolly! ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One (A Chorus Line Song)
''One'' is a song from the musical ''A Chorus Line''. Production Director Michael Bennett explained his view regarding the song's inception and placement within the show: Synopsis The dancers finally dance the chorus number for an unnamed and unseen star. They are all wearing uniforms so it is impossible to tell them apart. The uniqueness that made them all so interesting throughout the show has now been damaged by the reality of show business. Critical reception ''CityBeat'' described the song as "the show’s greatest emotional wallop". The ''Davis Enterprise'' dubbed it the show's "signature tune". The song was covered in Sesame Street and featured in the home video ''123 Count with Me''. Other media In 1976, the Brady family performed the song in the pilot episode of ''The Brady Bunch Variety Hour''. On ''Sesame Street'', it was covered by 10 Muppet numbers in a chorus line. Catherine Zeta-Jones performed the song, with modified lyrics, in dedication to her husband Mich ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All That Jazz (song)
"All That Jazz" (alternatively "And All That Jazz") is a song from the 1975 musical ''Chicago''. It has music by John Kander and lyrics by Fred Ebb, and is the opening song of the musical. The title of the 1979 film, starring Roy Scheider as a character strongly resembling choreographer/stage and film director Bob Fosse, is derived from the song. Composition Opus, Book 3 by Rob Blythe notes the song uses the 7th chord to create a unique musical effect. Analysis ''Popular Culture: Introductory Perspectives'' postulated that the song encapsulated the "importance of jazz in the constitution of pop culture". Describes it as a "cynical comment on the willingness of humans...to act solely, simply, and remorselessly in their own interest", and deeming this unlawful conduct as part of "all that jazz" one needs to get by. BlueCoupe said in the song, "the ghost of Bob Fosse hangs about". Versions In ''Chicago'' *Chita Rivera performs it on the original cast album of ''Chicago'' (1975). *B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
And I Am Telling You I'm Not Going
"And I Am Telling You I'm Not Going" (also known in short as just "And I Am Telling You") is a torch song from the Broadway musical ''Dreamgirls'', with lyrics by Tom Eyen and music by Henry Krieger. In the context of the musical, "And I Am Telling You I'm Not Going" is sung by the character Effie White, a singer with the girl group The Dreams, to her manager, Curtis Taylor Jr., whose romantic and professional relationship with Effie is ending. The lyrics to "And I Am Telling You I'm Not Going", often considered the show's signature tune, describe Effie's love for Curtis, both strongly devoted and defiant. She refuses to let Curtis leave her behind, and boldly proclaims to him, "I'm staying and you ... you're gonna love me." In addition to its presence in the musical, "And I Am Telling You I'm Not Going" is also notable as the debut single of two women who portrayed Effie. Jennifer Holliday originated the role on Broadway in 1981 and won a Tony Award for Best Actress in a Musical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomorrow (Annie)
"Tomorrow" is a show tune from the musical ''Annie (musical), Annie'', with music by Charles Strouse and lyrics by Martin Charnin, published in 1977. The number was originally written as "Replay" (The Way We Live Now) for the 1970 short film Replay, with both music and lyrics by Strouse. Composition and lyrics In 1972 Strouse, Charnin and Thomas Meehan began working on a musical based on the Little Orphan Annie comic strips, ''Annie (musical), Annie''. Strouse contributed a reworked version of "Replay" as "Tomorrow". "Annie" took until 1976 to reach Broadway and during that time Strouse reworked "Replay" again for possible use in what became "Charlie and Algernon", a musical version of Daniel Keyes's ''Flowers for Algernon'' with book by playwright David Rogers although it was not ultimately used. " The song has always been prominently featured in productions of the musical throughout its history: several variations of the song were performed in the original 1977 Broadway produ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You'll Never Walk Alone
"You'll Never Walk Alone" is a show tune from the 1945 Rodgers and Hammerstein musical ''Carousel''. In the second act of the musical, Nettie Fowler, the cousin of the protagonist Julie Jordan, sings "You'll Never Walk Alone" to comfort and encourage Julie when her husband, Billy Bigelow, the male lead, stabs himself with a knife whilst trying to run away after attempting a robbery with his mate Jigger and dies in her arms. The song is reprised in the final scene to encourage a graduation class of which Louise (Billy and Julie's daughter) is a member. The now invisible Billy, who has been granted the chance to return to Earth for one day in order to redeem himself, watches the ceremony and is able to silently motivate Louise and Julie to join in with the song. The song is also sung at association football clubs around the world, where it is performed by a massed chorus of supporters on match day; this tradition developed at Liverpool F.C. after the chart success of the 1963 sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cabaret (Cabaret Song)
"Cabaret" is the title song of the 1966 musical of the same name, sung by the character Sally Bowles. It was composed by John Kander, with lyrics by Fred Ebb. Background In the musical, the song is performed by the character Sally Bowles in a night club setting in Weimar Germany in 1931. Her lover has told her that he is taking her back to America so that they can raise their baby together in safety. Sally protests as she thinks their life in Berlin is wonderful and she states politics have nothing to do with them or their affairs. After a heated row, Sally goes on stage singing “Cabaret” (“life is a cabaret, old chum”), thus confirming her decision to live in carefree ignorance of the impending problems in Germany. The version of the song used in the musical includes a verse beginning: "I used to have a girlfriend known as Elsie With whom I shared Four sordid rooms in Chelsea..." The verse goes on to describe her friend's prostitution, alcoholism and early death. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonight (West Side Story Song)
"Tonight" is a song from the 1957 musical ''West Side Story'' with music written by Leonard Bernstein and lyrics by Stephen Sondheim. It was published in 1956. Description The song is a love duet between the protagonists Tony and Maria, sung while Tony visits Maria on the fire escape outside her apartment. ''West Side Story'' is a modernized adaptation of Shakespeare's ''Romeo and Juliet'' set in 20th-century New York; the scene in which "Tonight" appears is the adaptation of ''Romeo and Juliets famous "balcony scene". History Originally the song for the balcony scene was to have been "One Hand, One Heart". It was felt that this song was too innocent for two teenagers in love, and so it was decided to take this tune, which hitherto only existed as the overarching phrase from the "Tonight Quintet" and use it as the tune for the balcony scene. In the original 1957 Broadway production of ''West Side Story'', "Tonight" was performed by Larry Kert and Carol Lawrence in the role ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Everything's Coming Up Roses
"Everything's Coming Up Roses" is a song with music by Jule Styne and lyrics by Stephen Sondheim, written initially for the 1959 Broadway musical ''Gypsy.'' Introduced in the show's inaugural production by Ethel Merman, "Everything's Coming Up Roses" became one of Merman's signature songs. Overview According to Sammy Cahn, the song had its genesis in the 1947 musical ''High Button Shoes'', for which he was the lyricist. Cahn wrote lyrics to Jule Styne's music for a song titled "Betwixt and Between", to be sung by a female character who cannot decide between two men. The director of ''High Button Shoes'' decided the song did not fit well into the show and removed it. When composing ''Gypsy'', Styne decided to re-use the music for what became "Everything's Coming Up Roses", with new lyrics by Sondheim. It took Sondheim a week to come up with the title; the lyricist recalled: "The point was to oina phrase that sounded as if it had been in the language for years but was in fact in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Heart Of Saturday Night
''The Heart of Saturday Night'' is the second studio album by singer and songwriter Tom Waits, released on October 15, 1974, on Asylum Records. The title song was written as a tribute to Jack Kerouac. The album marks the start of a decade-long collaboration between Waits and Bones Howe, who produced and engineered all Waits' recordings until the artist left Asylum. Cover The album cover is based on ''In the Wee Small Hours'' by Frank Sinatra. It is an illustration featuring a tired Tom Waits being observed by a blonde woman as he exits a neon-lit cocktail lounge late at night. Cal Schenkel was the art director and the cover art was created by Lynn Lascaro. Critical reception In a contemporary review for ''The Village Voice'', Janet Maslin regarded the songs as tawdry affectations of "a boozy vertigo" marred by Waits' vague lyrics and ill-advised puns on an album that is "too self-consciously limited" in mood. "It demands to be listened to after hours", Maslin wrote, "when th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
