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Kirsten Harms
Kirsten Harms (born 25 June 1956) is a German theatre director and manager. Life Harms was born in Hamburg. After she passed her Abitur in 1976, she studied flute and musicology at the University of Hamburg, then music theatre direction at the Hochschule für Musik und Theater Hamburg until 1982. In 1983, she co-founded the independent theatre group "Mimesis". The group experimented with the genre "acting with music". At the Theater Dortmund, Harms was assistant director from 1985 to 1988. There she brought out her first own productions. Afterwards, she worked as a freelance director, among others at the theatres in Bremen, Hanover, Kiel, Saarländisches Staatstheater, Darmstadt, Innsbruck and Mainz.Tagesschau news dated 19 December 2006
(tagesschau.de archive) In 1992, she returned to the Hamburg Universit ...
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Kirsten Harms
Kirsten Harms (born 25 June 1956) is a German theatre director and manager. Life Harms was born in Hamburg. After she passed her Abitur in 1976, she studied flute and musicology at the University of Hamburg, then music theatre direction at the Hochschule für Musik und Theater Hamburg until 1982. In 1983, she co-founded the independent theatre group "Mimesis". The group experimented with the genre "acting with music". At the Theater Dortmund, Harms was assistant director from 1985 to 1988. There she brought out her first own productions. Afterwards, she worked as a freelance director, among others at the theatres in Bremen, Hanover, Kiel, Saarländisches Staatstheater, Darmstadt, Innsbruck and Mainz.Tagesschau news dated 19 December 2006
(tagesschau.de archive) In 1992, she returned to the Hamburg Universit ...
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Hans Neuenfels
Hans Neuenfels (; 31 May 1941 – 6 February 2022) was a German writer, poet, film producer, librettist, theatre director, opera director and theatre manager. As a director, he first focused on drama, staged at prominent houses such as the Vienna Burgtheater, and became a leading exponent of German Regietheater. From 1974, he turned to opera, looking for "the subliminal of the music and the interlinear of the texts", for "surprisingly new, sometimes even disturbingly ambivalent perspectives on the works". Some of his opera productions caused controversies, such as Verdi's ''Aida'' at the Oper Frankfurt in 1980 where he staged the title character as a contemporary cleaning lady. In Mozart's ''Idomeneo'' at the Deutsche Oper Berlin in 2006, he was accused of offending Islam, and in Wagner's ''Lohengrin'' at the Bayreuth Festival in 2010, he dressed the choir as laboratory rats. He received the Der Faust award for his life's achievements in 2016, and is regarded as one of the ...
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L'elisir D'amore
''L'elisir d'amore'' (''The Elixir of Love'', ) is a ' (opera buffa) in two acts by the Italian composer Gaetano Donizetti. Felice Romani wrote the Italian libretto, after Eugène Scribe's libretto for Daniel Auber's ' (1831). The opera premiered on 12 May 1832 at the Teatro della Canobbiana in Milan. Background Written in haste in a six-week period, ''L'elisir d'amore'' was the most often performed opera in Italy between 1838 and 1848 and has remained continually in the international opera repertory. Today it is one of the most frequently performed of all Donizetti's operas: it appears as number 13 on the Operabase list of the most-performed operas worldwide in the five seasons between 2008 and 2013. There are a large number of recordings. It contains the popular tenor aria "Una furtiva lagrima", a ''romanza'' that has a considerable performance history in the concert hall. Donizetti insisted on a number of changes from the original Scribe libretto. The best known of these ...
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Lohengrin (opera)
''Lohengrin'', WWV 75, is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the ''Parzival'' of Wolfram von Eschenbach, and its sequel ''Lohengrin'', itself inspired by the epic of ''Garin le Loherain''. It is part of the Knight of the Swan legend. The opera has inspired other works of art. King Ludwig II of Bavaria named his castle Neuschwanstein Castle after the Swan Knight. It was King Ludwig's patronage that later gave Wagner the means and opportunity to complete, build a theatre for, and stage his epic cycle ''Der Ring des Nibelungen''. He had discontinued composing it at the end of Act II of ''Siegfried'', the third of the ''Ring'' tetralogy, to create his radical chromatic masterpiece of the late 1850s, ''Tristan und Isolde'', and his lyrical comic opera of the mid-1860s, '' Die Meistersinger von Nürnberg''. The most popular and recognizabl ...
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Madama Butterfly
''Madama Butterfly'' (; ''Madame Butterfly'') is an opera in three acts (originally two) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. It is based on the short story "Madame Butterfly" (1898) by John Luther Long, which in turn was based on stories told to Long by his sister Jennie Correll and on the semi-autobiographical 1887 French novel '' Madame Chrysanthème'' by Pierre Loti.Chadwick Jenna"The Original Story: John Luther Long and David Belasco" on columbia.edu Long's version was dramatized by David Belasco as the one-act play '' Madame Butterfly: A Tragedy of Japan'', which, after premiering in New York in 1900, moved to London, where Puccini saw it in the summer of that year. The original version of the opera, in two acts, had its premiere on 17 February 1904 at La Scala in Milan. It was poorly received, despite having such notable singers as soprano Rosina Storchio, tenor Giovanni Zenatello and baritone Giuseppe De Luca in lead roles ...
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Bernd Damovsky
Bernd is a Low German short form of the given name Bernhard (English Bernard). List of persons with given name Bernd The following people share the name Bernd. *Bernd Brückler (born 1981), Austrian hockey player *Bernd Eichinger (1949–2011), German film producer *Bernd Heinrich (born 1940), biologist and author at the University of Vermont * Bernd Helmschrot (born 1947), German football player *Bernd Herzsprung (born 1942), German actor *Bernd Hölzenbein (born 1946), German football player *Bernd Jeffré (born 1964), German paraclyclist * Bernd Klenke (born 1946), German sport sailor *Bernd Posselt (born 1956), German politician (CSU) *Bernd Schneider (footballer) (born 1973), German football player *Bernd Schneider (racing driver) (born 1964), German racecar driver *Bernd Schröder (born 1942), German football manager *Bernd Schuster (born 1959), German football manager and former player *Bernd Stange (born 1948), German football manager *Bernd Stelter (born 1961), German come ...
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I Gioielli Della Madonna
''I gioielli della Madonna'' (English: ''The Jewels of the Madonna'') is an opera in three acts by Ermanno Wolf-Ferrari to an Italian libretto by and Enrico Golisciani, based on news accounts of a real event. It was first performed at the on 23 December 1911 under the title ''Der Schmuck der Madonna''. That performance was in German, but now it is usually given in Italian. (Wolf-Ferrari stated that his operas were often first given in German simply because he had a German publisher.) The opera was given in Budapest in 1913, conducted by Fritz Reiner, who also conducted the first Dresden performance the following year.Philip Hart, Fritz Reiner, Evanston Illinois, 1994, pages 7 & 9 Its controversial themes include love between a brother and his adopted sister, implied criticism of the Catholic Church, and an on-stage orgy. There is an extant recording of the opera, made in 1967, featuring Pauline Tinsley, André Turp and Peter Glossop, conducted by Alberto Erede. It was issued o ...
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Die Königin Von Saba
' (''The Queen of Sheba'') is an opera in four acts by Karl Goldmark. The German libretto by Hermann Salomon Mosenthal sets a love triangle into the context of the Queen of Sheba's visit to the court of King Solomon, recorded in First Kings (largely copied in 2 Chronicles ). The plot centres on a love triangle not found in the Bible between the Queen of Sheba, Assad (an ambassador at the court of Solomon), and Sulamith (Assad's betrothed). The opera was first performed at the Hofoper (now the State Opera) in Vienna, on 10 March 1875. It became Goldmark's most famous opera and subsequent performances have been mounted internationally. Creating the opera Goldmark's interest in the subject of the Queen of Sheba was inspired by his pupil, mezzo-soprano Caroline von Gomperz-Bettelheim, whose beauty was once compared to that of the Queen of Sheba by a friend of Goldmark. Bettelheim possessed a striking voice and the role was written to show off her wide range and dramatic skill ...
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Die Liebe Der Danae
''Die Liebe der Danae'' (''The Love of Danae'') is an opera in three acts by Richard Strauss to a February 1937 German libretto by Joseph Gregor, based on an outline written in 1920, "Danae, or The Marriage of Convenience", by Hugo von Hofmannsthal. Strauss worked on the score in 1937, 1938 and into 1939, although he was pre-occupied with completing ''Daphne'', developing ideas with Gregor and finally replacing him as librettist for '' Capriccio'', and then succumbed to illness, which caused postponement for several months into 1940. The opera was finally finished on 28 June 1940. However, for a variety of reasons including Strauss' perception that the failure of ''Die Frau ohne Schatten'', as he put it, was caused by having been "put on in German theatres too soon after the last war",Boyden, p. 339 the composer refused to allow Clemens Krauss, to whom he had guaranteed the right to conduct the first performances, to stage it until two years after the war. The opera is an ingenio ...
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The Cunning Little Vixen
''The Cunning Little Vixen'' (original title ''Příhody lišky Bystroušky'' or ''Tales of Vixen Sharp-Ears'' in English), is a three-act Czech-language opera by Leoš Janáček completed in 1923 to a libretto the composer himself adapted from a novella by Rudolf Těsnohlídek. Name The opera's libretto was adapted by the composer from a 1920 serialized novella, ''Liška Bystrouška'', by Rudolf Těsnohlídek, which was first published in the newspaper ''Lidové noviny'' (with illustrations by Stanislav Lolek). For the title of the opera, ''Příhody'' means ''tales''; ''lišky'' is the genitive of ''vixen''. ''Bystroušky'', still genitive, is the pun ''sharp'', having the double meaning of ''pointed'', like fox ears, and ''clever''. The opera first became familiar outside Czechoslovakia in a 1927 German adaptation by Max Brod who provided the new name ''Das schlaue Füchslein'', by which Germans still know it and which in English means ''The Cunning Little Vixen''. Compositio ...
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Rienzi
' (''Rienzi, the last of the tribunes''; WWV 49) is an early opera by Richard Wagner in five acts, with the libretto written by the composer after Edward Bulwer-Lytton's novel of the same name (1835). The title is commonly shortened to ''Rienzi''. Written between July 1838 and November 1840, it was first performed at the Königliches Hoftheater Dresden, on 20 October 1842, and was the composer's first success. The opera's format is the Grand Opera in Meyerbeer style. Wagner had been fascinated by this genre of opera at an early age, and with Rienzi and its enormous dimensions wanted to surpass anything else that had previously been composed in this style. It is thus a rare study in pomp and splendor, both scenically and musically, and partly represents a great contrast to his later works. Rienzi is in full version Wagner's longest opera. It includes a ballet that lasts alone for 40 minutes. During the premiere in Dresden, Wagner noted to his dismay that the performance lasted be ...
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Germania (opera)
''Germania'' is an operatic ''dramma lirico'' consisting of a prologue, two acts, an intermezzo and an epilogue by Alberto Franchetti to an Italian libretto by Luigi Illica. The opera premiered on 11 March 1902 at the Teatro alla Scala in Milan. Maehder, Jürgen: "''Germania''", '' Grove Music Online'' ed. L. Macy (Retrieved February 12, 2010), Illica, known for penning the librettos for some of Giacomo Puccini's best loved operas, originally gave the libretto for ''Tosca'' to Franchetti after the latter had obtained the rights to the Victorien Sardou play on which it was based. However, after Puccini expressed interest in it, Franchetti relinquished his rights,Budden, Julian: "''Tosca''", '' Grove Music Online'' ed. L. Macy (Retrieved February 12, 2010), and Illica gave the composer ''Germania'' instead. The composer and librettist, who were long-time close friends, had previously collaborated on the opera '' Cristoforo Colombo'' (1892). The plot of the libretto, which was w ...
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