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Kirk Redmann
Kirk Redmann (born December 27, 1961) is an American operatic tenor and the son of Audrey Schuh and Kerry P. Redmann. Born in New Orleans, he graduated from Jesuit High School (New Orleans) in 1979 and then from Tulane University, with a Bachelor of Fine Arts. While there, he participated in productions of ''The Saint of Bleecker Street'' (conducted by Thomas Fulton), ''La rondine'' (conducted by Maurice Peress), and the role of Camille in ''The Merry Widow'' for Tulane Summer Lyric Theatre. On December 24, 1983, three days before his twenty-second birthday, Redmann became the youngest tenor to debut with the Metropolitan Opera, as the Sailor in the Christmas Eve broadcast of ''Tristan und Isolde'', conducted by James Levine. Brought to the Met by Fulton, he joined the Metropolitan Opera's Young Artist Development Program, his career there consisted of secondary roles in ''Manon Lescaut'' (as Edmondo), ''Khovanshchina'' (as Kuzka), ''La traviata'' (as Gastone), '' Roméo et Juliet ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Samson Et Dalila
''Samson and Delilah'' (french: Samson et Dalila, links=no), Op. 47, is a grand opera in three acts and four scenes by Camille Saint-Saëns to a French libretto by Ferdinand Lemaire. It was first performed in Weimar at the (Grand Ducal) Theater (now the Staatskapelle Weimar) on 2 December 1877 in a German translation. The opera is based on the Biblical tale of Samson and Delilah found in Chapter 16 of the Book of Judges in the Old Testament. It is the only opera by Saint-Saëns that is regularly performed. The second act love scene in Delilah's tent is one of the set pieces that define French opera. Two of Delilah's arias are particularly well known: "" ("Spring begins") and "" ("My heart opens itself to your voice", also known as "Softly awakes my heart"), the latter of which is one of the most popular recital pieces in the mezzo-soprano/contralto repertoire. Composition history In the middle of the 19th century, a revival of interest in choral music swept France, and Sain ...
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Opera Omaha
Opera Omaha is a major regional opera company in Omaha, Nebraska. Founded in 1958, the professional company is widely known for the International Fall Festival events it held in the 1980s and 1990s, which garnered international attention and served as the U.S. and world premieres for a number of notable works. One of these performances, the 1990 U.S. premiere of the 1841 work Maria Padilla, was among the primary debuts for noted soprano Renee Fleming. "I’ve been calling all my singer friends and saying, 'You’ve got to sing for this company.'" Fleming said at the time. It has "a lot of vision." In 2007, the Toronto Star said "Opera Omaha has grown into one of the continent's most enterprising regional opera companies." After attending the 1992 Fall Festival, Denver Post critic Jeff Bradley wrote that "this quiet prairie city on the Missouri River is becoming one of the most exciting operatic meccas in the country." The Fort Worth (Texas) Star-Telegram in 1992 said Omaha had beco ...
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New Orleans Opera
Opera has long been part of the musical culture of New Orleans, Louisiana. Operas have regularly been performed in the city since the 1790s, and since the early 19th century, New Orleans has had a resident company regularly performing opera in addition to theaters hosting traveling performers and companies. Earlier opera houses Operas were staged at a variety of theaters in the city, the first documented was André Grétry's ''Sylvain'' at the Theatre de la Rue Saint Pierre on 22 May 1796. On 30 January 1808, the Théâtre St. Philippe was opened with the U.S. premiere of Étienne Méhul's ''Une folie''. The U.S. premiere of Luigi Cherubini's ''Les deux journées'' took place at this theater on 12 March 1811. The city's most famous opera venue between 1819 and 1859 was the Théâtre d'Orléans. That theater was succeeded in 1859 by the French Opera House, located on Bourbon Street in the French Quarter. Living in a cosmopolitan city, New Orleans' inhabitants, whether high in sta ...
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New Jersey State Opera
The New Jersey State Opera is an opera company based in Newark, New Jersey. It was established in 1964 as the Opera Theater of Westfield, and shortly after opening Alfredo Silipigni was hired as Artistic Director. The name was changed to the Opera Theatre of New Jersey in 1965, and in 1968 the company moved to Newark Symphony Hall. In 1974 it was renamed the New Jersey State Opera. The company moved to New Jersey Performing Arts Center The New Jersey Performing Arts Center (NJPAC), in downtown Newark, New Jersey, United States, is one of the largest performing arts centers in the United States. Home to the New Jersey Symphony Orchestra (NJSO), more than nine million visitors ( ... (NJPAC) in 1998. In 2008, Jason C. Tramm took over as Artistic Director, serving until 2012. Tramm was a protégé of Silipigni and continued his legacy, while revitalizing the company. In 2012, it relocated to the Clifton-Passaic area. References External linksNew Jersey State Opera official site ...
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Mississippi Opera
The Mississippi Opera is an American opera company located in Jackson, Mississippi founded in 1945. The company presents an annual season of opera consisting of two fully staged opera productions and smaller concerts and workshops open to the public. The company's productions are performed at the Belhaven University Center for the Arts. Composer William Grant Still William Grant Still Jr. (May 11, 1895 – December 3, 1978) was an American composer of nearly two hundred works, including five symphonies, four ballets, nine operas, over thirty choral works, plus art songs, chamber music and works fo ... and soprano Leontyne Price both have associations with the company. References {{authority control American opera companies Musical groups established in 1945 Performing arts in Mississippi ...
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Michigan Opera Theatre
Detroit Opera is the principal opera company in Michigan, USA. The company is based in Detroit, where it performs in the Detroit Opera House. Prior to February 28, 2022, the company was named the Michigan Opera Theatre. Each year it presents an opera and dance season. The company presents four operas in their original language with English supertitles and hosts dance companies with touring repertoire. It also presents musical theatre performances. The company has an orchestra, chorus, children's chorus, and extensive dance and arts education outreach programs. In 2005 MOT won a National Endowment for the Arts, ''Access to Artistic Excellence'' grant to support its staging of the world premiere of ''Margaret Garner (opera), Margaret Garner''. History Detroit Opera began as the educational outreach arm, Overture to Opera (OTO), of the Detroit Grand Opera Association, the organization responsible for the Metropolitan Opera's visits to Detroit. In 1963, Michigan Opera Theatre's (MOT) Fo ...
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Long Beach Opera
Long Beach Opera is a Southern California opera company serving the greater Los Angeles and Orange County, California, Orange County metroplex. Founded in 1979, it is the oldest continually running opera company in the L.A. area. Though small in size, the company has surveyed a stunning breadth of repertoire in 42 seasons—from its adventurous exploration of lesser known works to its daring interpretations of established operas – offering an alternative vision of opera even before L.A. had its own operatic mainstream. In June 2019 LBO presented the world premiere of ''The Central Park Five (opera), The Central Park Five,'' an opera by Anthony Davis (composer), Anthony Davis with libretto by Richard Wesley, about the Central Park jogger case. The opera won the Pulitzer Prize for Music in May 2020. Mission and Vision Statement Mission Statement Engaging people through provocative meaningful experiences that challenge, connect and inspire. Vision Statement Communities connected and ...
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Des Moines Metro Opera
Des Moines Metro Opera is an opera company in Indianola, Iowa, a town of approximately 14,000 inhabitants which lies some south of Des Moines, Iowa. It was founded by Robert L. Larsen and Douglas Duncan in 1973. The director is Michael Egel. During its annual summer opera festival, the company performs three mainstage operas in rolling repertory during June and July. Programming Most of the company's opera productions are performed at the Blank Center for the Performing Arts on the campus of Simpson College. In 1986 the company presented a new opera based on Shakespeare's ''The Tempest'', with music by Lee Hoiby and a libretto by Mark Shulgasser. The company's first performance of an opera in a language other than English was ''Tosca'' in 1998, at the Civic Center in Des Moines. Singers Singers who had their start with the company include Kimm Julian Kimm is a surname. Notable people with the surname include: * Bruce Kimm (born 1951), American baseball player, manager and c ...
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Les Contes D'Hoffmann
''The Tales of Hoffmann'' (French: ) is an by Jacques Offenbach. The French libretto was written by Jules Barbier, based on three short stories by E. T. A. Hoffmann, who is the protagonist of the story. It was Offenbach's final work; he died in October 1880, four months before the premiere. Composition history and sources Offenbach saw a play, , written by Barbier and Michel Carré and produced at the Odéon Theatre in Paris in 1851. After returning from America in 1876, Offenbach learned that Barbier had adapted the play, which had now set to music at the Opéra. Salomon handed the project to Offenbach. Work proceeded slowly, interrupted by the composition of profitable lighter works. Offenbach had a premonition, like Antonia, the heroine of Act 2, that he would die prior to its completion. Offenbach continued working on the opera throughout 1880, attending some rehearsals. On 5 October 1880, he died with the manuscript in his hand, just four months before the opening. ...
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Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the Carmen (novella), novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical Western canon, canon; the "Habanera (aria), Habanera" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of th ...
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Capriccio (opera)
''Capriccio'', Op. 85, is the final opera by German composer Richard Strauss, subtitled "A Conversation Piece for Music". It received its premiere performance at the Nationaltheater München on 28 October 1942. Strauss and Clemens Krauss wrote the German libretto, but its genesis came from Stefan Zweig in the 1930s, and Joseph Gregor further developed the idea several years later. Strauss then took it on, but finally recruited Krauss as his collaborator. Most of the final libretto is by Krauss. The opera originally consisted of a single act lasting close to two and a half hours. This, in combination with the work's conversational tone and emphasis on text, has prevented it from achieving great popularity. But at Hamburg in 1957, , who directed the opera at its premiere in Munich, inserted an interval at the point when the Countess orders chocolate, and other directors have often followed suit, including performances at Glyndebourne Festival Opera. The final scene for Countess M ...
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