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Kinor
Kinor 16 CX series Cine Camera The Kinor prototype was created in 1965 by the MKBK, or Moskinap, manual narrow-film apparatus 16СХ of the original design. However, large-scale production was established only ten years after the modernization. Two versions were produced: the turret "Kinor" 16СХ-1М with a revolving head for three interchangeable lenses, and 16СХ-2М, designed for one interchangeable lens. The cameras were intended for synchronous filming of television plots, since video cameras for television journalism did not yet exist in the USSR . Unlike the turret model, which was equipped with an shutter with an adjustable opening angle, the shutter of the 16CX-2M model was non-adjustable, which simplified the design and made it more reliable. The last model was equipped with a tenfold professional 16OPF1-2M-01 zoom lens with a focal length range of 12–120 mm and a wide-angle lens of 10 mm. The other configuration included a 16OPF12-1s varifocal lens and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kinor 16 CX-2M Film Magazine Platter
Kinor 16 CX series Cine Camera The Kinor prototype was created in 1965 by the MKBK, or Moskinap, manual narrow-film apparatus 16СХ of the original design. However, large-scale production was established only ten years after the modernization. Two versions were produced: the turret "Kinor" 16СХ-1М with a revolving head for three interchangeable lenses, and 16СХ-2М, designed for one interchangeable lens. The cameras were intended for synchronous filming of television plots, since video cameras for television journalism did not yet exist in the USSR . Unlike the turret model, which was equipped with an shutter with an adjustable opening angle, the shutter of the 16CX-2M model was non-adjustable, which simplified the design and made it more reliable. The last model was equipped with a tenfold professional 16OPF1-2M-01 zoom lens with a focal length range of 12–120 mm and a wide-angle lens of 10 mm. The other configuration included a 16OPF12-1s varifocal lens and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kinor 16 CX-2M Film Magazine
Kinor 16 CX series Cine Camera The Kinor prototype was created in 1965 by the MKBK, or Moskinap, manual narrow-film apparatus 16СХ of the original design. However, large-scale production was established only ten years after the modernization. Two versions were produced: the turret "Kinor" 16СХ-1М with a revolving head for three interchangeable lenses, and 16СХ-2М, designed for one interchangeable lens. The cameras were intended for synchronous filming of television plots, since video cameras for television journalism did not yet exist in the USSR . Unlike the turret model, which was equipped with an shutter with an adjustable opening angle, the shutter of the 16CX-2M model was non-adjustable, which simplified the design and made it more reliable. The last model was equipped with a tenfold professional 16OPF1-2M-01 zoom lens with a focal length range of 12–120 mm and a wide-angle lens of 10 mm. The other configuration included a 16OPF12-1s varifocal lens and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kinor 16 CX-2M
Kinor 16 CX series Cine Camera The Kinor prototype was created in 1965 by the MKBK, or Moskinap, manual narrow-film apparatus 16СХ of the original design. However, large-scale production was established only ten years after the modernization. Two versions were produced: the turret "Kinor" 16СХ-1М with a revolving head for three interchangeable lenses, and 16СХ-2М, designed for one interchangeable lens. The cameras were intended for synchronous filming of television plots, since video cameras for television journalism did not yet exist in the USSR . Unlike the turret model, which was equipped with an shutter with an adjustable opening angle, the shutter of the 16CX-2M model was non-adjustable, which simplified the design and made it more reliable. The last model was equipped with a tenfold professional 16OPF1-2M-01 zoom lens with a focal length range of 12–120 mm and a wide-angle lens of 10 mm. The other configuration included a 16OPF12-1s varifocal lens and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kinor 16 CX-2M
Kinor 16 CX series Cine Camera The Kinor prototype was created in 1965 by the MKBK, or Moskinap, manual narrow-film apparatus 16СХ of the original design. However, large-scale production was established only ten years after the modernization. Two versions were produced: the turret "Kinor" 16СХ-1М with a revolving head for three interchangeable lenses, and 16СХ-2М, designed for one interchangeable lens. The cameras were intended for synchronous filming of television plots, since video cameras for television journalism did not yet exist in the USSR . Unlike the turret model, which was equipped with an shutter with an adjustable opening angle, the shutter of the 16CX-2M model was non-adjustable, which simplified the design and made it more reliable. The last model was equipped with a tenfold professional 16OPF1-2M-01 zoom lens with a focal length range of 12–120 mm and a wide-angle lens of 10 mm. The other configuration included a 16OPF12-1s varifocal lens and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Variable Drive Unit
{{Disambiguation ...
Variable may refer to: * Variable (computer science), a symbolic name associated with a value and whose associated value may be changed * Variable (mathematics), a symbol that represents a quantity in a mathematical expression, as used in many sciences * Variable (research), a logical set of attributes * Variable star, a type of astronomical star * "The Variable", an episode of the television series ''Lost'' See also * Variability (other) Variability is how spread out or closely clustered a set of data is. Variability may refer to: Biology *Genetic variability, a measure of the tendency of individual genotypes in a population to vary from one another *Heart rate variability, a phy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Technology Companies Of Russia
Technology is the application of knowledge to reach practical goals in a specifiable and Reproducibility, reproducible way. The word ''technology'' may also mean the product of such an endeavor. The use of technology is widely prevalent in medicine, science, Industry (economics), industry, communication, transportation, and daily life. Technologies include physical objects like Kitchen utensil, utensils or machines and intangible Tool, tools such as software. Many technological advancements have led to societal changes. The earliest known technology is the stone tool, used in the Prehistory, prehistoric era, followed by Control of fire by early humans, fire use, which contributed to the Brain size, growth of the human brain and the development of language in the Pleistocene, Ice Age. The invention of the wheel in the Bronze Age enabled wider travel and the creation of more complex machines. Recent technological developments, including the printing press, the telephone, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krasnogorsk (camera)
Krasnogorsk (Красногорск) is a series of spring-wound 16mm mirror-reflex movie camera designed and manufactured in the USSR by Krasnogorsky Zavod (KMZ), produced between 1966 and 1993. There were four models of this series released by KMZ: * Krasnogorsk-1 (1966) * Krasnogorsk-2 (1966) * Krasnogorsk-3 (1971) * Krasnogorsk-4 (1974) A total of 105,435 Krasnogorsk-3 cameras were produced between 1971 and 1993. This series was one of the most popular 16mm movie cameras in Eastern Europe, where it made a prominent appearance in Krzysztof Kieślowski's 1979 film ''Camera Buff''. The Krasnogorsk cameras are still popular among independent filmmakers today. Models File:Красногорск.jpg, Krasnogorsk-1 File:Kinokamera Krasnogorsk-2.jpg, Krasnogorsk-2 The Krasnogorsk-2 (ru. ''Красногорск-2'') is 16mm spring-wound film camera with a mirror shutter, produced by Krasnogorsky Zavod from 1966 to 1977. It was released in the same year as the Krasnogorsk-1. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoom Lens
A zoom lens is a mechanical assembly of lens elements for which the focal length (and thus angle of view) can be varied, as opposed to a fixed-focal-length (FFL) lens (see prime lens). A true zoom lens, also called a parfocal lens, is one that maintains focus when its focal length changes. Most consumer zoom lenses do not maintain perfect focus, but are still parfocal designs. Most camera phones that are advertised as having optical zoom actually use a few cameras of different but fixed focal length, combined with digital zoom to make a hybrid system. The convenience of variable focal length comes at the cost of complexity – and some compromises on image quality, weight, dimensions, aperture, autofocus performance, and cost. For example, all zoom lenses suffer from at least slight, if not considerable, loss of image resolution at their maximum aperture, especially at the extremes of their focal length range. This effect is evident in the corners of the image, when displa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frame Rate
Frame rate (expressed in or FPS) is the frequency (rate) at which consecutive images (frames) are captured or displayed. The term applies equally to film and video cameras, computer graphics, and motion capture systems. Frame rate may also be called the , and be expressed in hertz. Frame rate in electronic camera specifications may refer to the maximal possible rate, where, in practice, other settings (such as exposure time) may reduce the frequency to a lower number. Human vision The temporal sensitivity and resolution of human vision varies depending on the type and characteristics of visual stimulus, and it differs between individuals. The human visual system can process 10 to 12 images per second and perceive them individually, while higher rates are perceived as motion. Modulated light (such as a computer display) is perceived as stable by the majority of participants in studies when the rate is higher than 50 Hz. This perception of modulated light as steady is known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
