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Kingdom Of Heaven (soundtrack)
''Kingdom of Heaven'' is the soundtrack to 2005 Ridley Scott motion picture of the same name. The soundtrack was composed, co-orchestrated and conducted by Harry Gregson-Williams, and performed in large part by Gavyn Wright and the London Session Orchestra, and released by Sony Classical on April 26, 2005. It is a medley of choral hymns featuring Catherine Bott and Iestyn Davies, instrumentals and percussions, and full orchestral performances. Track listing # Burning the Past (2:48) # Crusaders (1:41) # Swordplay (2:01) # A New World (4:21) # To Jerusalem (1:38) # Sibylla (1:49) # Ibelin (2:05) # Rise a Knight (2:43) # The King (5:45) # The Battle of Kerak (5:36) # Terms (4:29) # Better Man (3:29) # Coronation (3:03) # An Understanding (4:13) # Wall Breached (3:43) # The Pilgrim Road (4:07) # Saladin (4:44) # Path to Heaven (1:38) # Light of Life – Ibelin Reprise (2:10) Additional music and lyrics The film also includes several other notable contemporary and historica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Music
Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" also applies to non-Western art music. Classical music is often characterized by formality and complexity in its musical form and harmonic organization, particularly with the use of polyphony. Since at least the ninth century it has been primarily a written tradition, spawning a sophisticated notational system, as well as accompanying literature in analytical, critical, historiographical, musicological and philosophical practices. A foundational component of Western Culture, classical music is frequently seen from the perspective of individual or groups of composers, whose compositions, personalities and beliefs have fundamentally shaped its history. Rooted in the patronage of churches and royal courts in Western Europe, surviving earl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antiphon
An antiphon (Greek ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are the Psalms. Their form was favored by St Ambrose and they feature prominently in Ambrosian chant, but they are used widely in Gregorian chant as well. They may be used during Mass, for the Introit, the Offertory or the Communion. They may also be used in the Liturgy of the Hours, typically for Lauds or Vespers. They should not be confused with Marian antiphons or processional antiphons. When a chant consists of alternating verses (usually sung by a cantor) and responds (usually sung by the congregation), a refrain is needed. The looser term antiphony is generally used for any call and response style of singing, such as the kirtan or the sea shanty and other work songs, and songs and worship in African and African-American culture. Antiphonal music is that performed by two choirs in interaction, often singing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blade II
''Blade II'' is a 2002 American superhero film based on the Marvel Comics character Blade, directed by Guillermo del Toro and written by David S. Goyer. A sequel to ''Blade'' (1998), it is the second installment in the ''Blade'' franchise, followed by '' Blade: Trinity''. The film follows the human-vampire hybrid Blade in his continuing effort to protect humans from vampires, finding himself in a fierce battle against a group of mutant vampires who seek to commit global genocide of both vampire and human races. Blade and his human allies are coerced into joining forces with a special elite group of vampires. ''Blade II'' was released on March 22, 2002 and was a box office success, grossing over $155 million. It received mixed reviews from critics, earning praise for its performances, atmosphere, direction, and action sequences, although its script and lack of character development have been criticized. Plot Blade searches Prague for his mentor Abraham Whistler, who was thoug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luis Delgado (musician)
Luis Delgado (born 16 July 1956 in Madrid) is a Spanish instrumentalist, composer, and producer. Delgado's work combines organic elements from Arab-Andalusian music, oriental and Medieval styles, with electronic elements from the avant-garde. He formed the electronic and industrial musical duo Mecánica Popular, with Eugenio Muñoz in 1978, the group Finis Africae with Javier Bergia and Juan Alberto Arteche in the mid-80s, and the folk group Babia with Arteche and Luis Paniagua. Delgado's later work includes ''El sueño de Al-Zaqqaq'' ''(The Dream of Al-Zaqqaq)'' (1998), which sets to music a collection of poems by Ibn al-Zaqqaq. External links 11.09.19 interview on NTS radio References Singers from Madrid Spanish male singers 1956 births Living people {{singer-songwriter-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epitaph
An epitaph (; ) is a short text honoring a deceased person. Strictly speaking, it refers to text that is inscribed on a tombstone or plaque, but it may also be used in a figurative sense. Some epitaphs are specified by the person themselves before their death, while others are chosen by those responsible for the burial. An epitaph may be written in prose or in poem verse. Most epitaphs are brief records of the family, and perhaps the career, of the deceased, often with a common expression of love or respect—for example, "beloved father of ..."—but others are more ambitious. From the Renaissance to the 19th century in Western culture, epitaphs for notable people became increasingly lengthy and pompous descriptions of their family origins, career, virtues and immediate family, often in Latin. Notably, the Laudatio Turiae, the longest known Ancient Roman epitaph, exceeds almost all of these at 180 lines; it celebrates the virtues of an honored wife, probably of a consul. So ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
O Sacred Head, Now Wounded
"O Sacred Head, Now Wounded" is a Christian Passion hymn based on a Latin text written during the Middle Ages. Paul Gerhardt wrote a German version which is known by its incipit, "O Haupt voll Blut und Wunden". Text Original Latin The hymn is based on a long medieval Latin poem, ''Salve mundi salutare'', with stanzas addressing the various parts of Christ's body hanging on the Cross. The last part of the poem, from which the hymn is taken, is addressed to Christ's head, and begins "Salve caput cruentatum". The poem is often attributed to Bernard of Clairvaux (1091–1153), but is now attributed to the medieval poet Arnulf of Leuven (died 1250). A selection of stanzas from the seven cantos were used for the text of Dieterich Buxtehude's ''Membra Jesu Nostri'' addressing the various members of the crucified body German translation The poem was translated into German by the Lutheran hymnist Paul Gerhardt (1607–1676). He reworked the Latin version to suggest a more personal con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Goldsmith
Jerrald King Goldsmith (February 10, 1929July 21, 2004) was an American composer and conductor known for his work in film and television scoring. He composed scores for five films in the ''Star Trek'' franchise and three in the Rambo (franchise), ''Rambo'' franchise, as well as for ''Logan's Run (film), Logan's Run'', ''Planet of the Apes (1968 film), Planet of the Apes'', ''Tora! Tora! Tora!'', ''Patton (film), Patton'', ''Chinatown (1974 film), Chinatown'', ''Alien (1979 film), Alien'', ''Poltergeist (1982 film), Poltergeist'', ''Gremlins'', ''Hoosiers (film), Hoosiers'', ''Total Recall (1990 film), Total Recall'', ''Air Force One (film), Air Force One'', ''L.A. Confidential (film), L.A. Confidential'', ''Mulan (1998 film), Mulan'', and ''The Mummy (1999 film), The Mummy''. He also composed the #Studio fanfares, fanfares accompanying the production logos used by multiple major film studios, and music for the Disney attraction Soarin'. He collaborated with directors including Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The 13th Warrior
''The 13th Warrior'' is a 1999 American historical fiction action film based on Michael Crichton's 1976 novel ''Eaters of the Dead'', which is a loose adaptation of the tale of ''Beowulf'' combined with Ahmad ibn Fadlan's historical account of the Volga Vikings. It stars Antonio Banderas as ibn Fadlan, as well as Diane Venora and Omar Sharif. It was directed by John McTiernan; Crichton directed some uncredited reshoots. The film was produced by McTiernan, Crichton, and Ned Dowd, with Andrew G. Vajna, James Biggam and Ethan Dubrow as executive producers. Production and marketing costs reputedly reached $160 million, but it grossed $61 million at the box office worldwide, making it one of the biggest box office bombs in history and the biggest one of 1999, with losses of up to $129 million. Plot Ahmad ibn Fadlan is a court poet of the Abbasid Caliph Al-Muqtadir of Baghdad, until his amorous encounter with the wife of an influential noble gets him exiled as an "ambassador" to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Third Crusade
The Third Crusade (1189–1192) was an attempt by three European monarchs of Western Christianity (Philip II of France, Richard I of England and Frederick I, Holy Roman Emperor) to reconquer the Holy Land following the capture of Jerusalem by the Ayyubid sultan Saladin in 1187. For this reason, the Third Crusade is also known as the Kings' Crusade. It was partially successful, recapturing the important cities of Acre and Jaffa, and reversing most of Saladin's conquests, but it failed to recapture Jerusalem, which was the major aim of the Crusade and its religious focus. After the failure of the Second Crusade of 1147–1149, the Zengid dynasty controlled a unified Syria and engaged in a conflict with the Fatimid rulers of Egypt. Saladin ultimately brought both the Egyptian and Syrian forces under his own control, and employed them to reduce the Crusader states and to recapture Jerusalem in 1187. Spurred by religious zeal, King Henry II of England and King Philip II of F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trouvère
''Trouvère'' (, ), sometimes spelled ''trouveur'' (, ), is the Northern French (''langue d'oïl'') form of the ''langue d'oc'' (Occitan) word ''trobador'', the precursor of the modern French word ''troubadour''. ''Trouvère'' refers to poet-composers who were roughly contemporary with and influenced by the ''trobadors'', both composing and performing lyric poetry during the High Middle Ages, but while the ''trobadors'' composed and performed in Old Occitan, the ''trouvères'' used the northern dialects of France. One of the first known ''trouvère'' was Chrétien de Troyes ( 1160s–1180s) and the ''trouvères'' continued to flourish until about 1300. Some 2130 ''trouvère'' poems have survived; of these, at least two-thirds have melodies. Etymology The etymology of the word ''troubadour'' and its cognates in other languages is disputed, but may be related to ''trobar'', "to compose, to discuss, to invent", cognative with Old French ''trover'', "to compose something in ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guiot De Dijon
Guiot de Dijon (''fl.'' 1215–25) was a Burgundian trouvère. The seventeen '' chansons'' ascribed to him in the standard listing of Raynaud-Spanke are found in fifteen chansonniers, some without attribution or with conflicting attributions where they occur in multiple sources. Of Guiot's life, little is known. His name suggests he was from Dijon. The mention of three names in two songs gives further indication of his milieu: an envoi naming 'Erard a Chassenay' has been assumed to refer to one of the three individuals called Érart who were barons of Chassenay in Champagne. Several Guiot's songs survive with more than one distinct melody. The version of ''Quant je plus voi felon rire'' in the Chansonnier du roi, the melody of which was added later, is unusual in being through-composed and in Franconian notation. Overall, Guiot's melodies are usually identified as those appearing in bar form, which all end on the same pitch class. Guiot probably modelled ''Chanter m'estuet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
