King Lear (1987 Film)
''King Lear'' is a 1987 film directed by Jean-Luc Godard, an adaptation of William Shakespeare's play in the style of experimental French New Wave cinema. The script was primarily by Peter Sellars and Tom Luddy, and was originally assigned to Norman Mailer. It is not a typical cinematic adaptation of Shakespeare's eponymous tragedy, although some lines from the play are used in the film. Only three characters – Lear, Cordelia and Edgar – are common to both, and only Act I, scene 1 is given a conventional cinematic treatment in that two or three people actually engage in relatively meaningful dialogue. ''King Lear'' is set in and around Nyon, Vaud, Switzerland, where Godard went to primary school. While many of Godard's films are concerned with the invisible aspects of cinematography, the outward action of the film is centred on William Shakespeare Junior the Fifth, who is attempting to restore his ancestor's plays in a world where most of human civilization—and more speci ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jean-Luc Godard
Jean-Luc Godard ( , ; ; 3 December 193013 September 2022) was a French-Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer, and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity, sound, and camerawork. His most acclaimed films include ''Breathless'' (1960), '' Vivre sa vie'' (1962), '' Contempt'' (1963), ''Band of Outsiders'' (1964), '' Alphaville'' (1965), '' Pierrot le Fou'' (1965), '' Masculin Féminin'' (1966), '' Weekend'' (1967), and '' Goodbye to Language'' (2014). During his early career as a film critic for the influential magazine '' Cahiers du Cinéma'', Godard criticised mainstream French cinema's "Tradition of Quality", which de-empha ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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French New Wave
French New Wave (french: La Nouvelle Vague) is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm. New Wave filmmakers explored new approaches to editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring existential themes. The New Wave is often considered one of the most influential movements in the history of cinema. The term was first used by a group of French film critics and cinephiles associated with the magazine ''Cahiers du cinéma'' in the late 1950s and 1960s. These critics rejected the ''Tradition de qualité'' ("Tradition of Quality") of mainstream French cinema, which emphasized craft over innovation and old works over experimentation. This was apparent in a manifesto-like 1954 essay by François Truffaut, ''Une certaine t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Diegesis
Diegesis (; from the Greek from , "to narrate") is a style of fiction storytelling that presents an interior view of a world in which: # Details about the world itself and the experiences of its characters are revealed explicitly through narrative. # The story is told or recounted, as opposed to shown or enacted. # There is a presumed detachment from the story of both the speaker and the audience. In diegesis, the narrator ''tells'' the story. The narrator presents the actions (and sometimes thoughts) of the characters to the readers or audience. In a rather different usage, diegetic elements are part of the fictional world ("part of the story"), as opposed to non-diegetic elements which are stylistic elements of how the narrator tells the story ("part of the storytelling"). Diegesis and mimesis according to the Greeks ''Diegesis'' (Greek διήγησις "narration") and ''mimesis'' (Greek μίμησις "imitation") have been contrasted since Plato's and Aristotle's time ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Statue Of Shakespeare
A statue is a free-standing sculpture in which the realistic, full-length figures of persons or animals are carved or cast in a durable material such as wood, metal or stone. Typical statues are life-sized or close to life-size; a sculpture that represents persons or animals in full figure but that is small enough to lift and carry is a statuette or figurine, whilst one more than twice life-size is a colossal statue. Statues have been produced in many cultures from prehistory to the present; the oldest-known statue dating to about 30,000 years ago. Statues represent many different people and animals, real and mythical. Many statues are placed in public places as public art. The world's tallest statue, ''Statue of Unity'', is tall and is located near the Narmada dam in Gujarat, India. Color Ancient statues often show the bare surface of the material of which they are made. For example, many people associate Greek classical art with white marble sculpture, but there is evidenc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Grigori Kozintsev
Grigori Mikhailovich Kozintsev (russian: link=no, Григорий Михайлович Козинцев; 11 May 1973) was a Soviet theatre and film director, screenwriter and pedagogue. He was named People's Artist of the USSR in 1964. In 1965 he was a member of the jury at the 4th Moscow International Film Festival. Two years later he was a member of the jury of the 5th Moscow International Film Festival. In 1971 he was the President of the Jury at the 7th Moscow International Film Festival. Biography Grigori Kozintsev was born in the family of a doctor, therapist and pediatrician Moisei Isaakovich Kozintsov (1859–1930) and his wife Anna Grigorievna Lurie was from a rabbinical family from Kyiv. His mother's sister was the gynecologist and scientist-physician Rose G. Lurie. The mother's brother was the dermatologist Alexander G. Lurie (1868–1954), a professor and chair of venereal skin diseases at the Kyiv Postgraduate Medical Institute (1919–1954). The parents were m ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Freddy Buache
Freddy Buache (29 December 1924 – 28 May 2019) was a Swiss journalist, cinema critic and film historian. He was the director of the Swiss Film Archive (a foundation for the conservation and study of films and cinematography) from 1951 to 1996. He was a privatdozent at the University of Lausanne. Biography He was born in Lausanne, Switzerland, spending his early childhood in Villars-Mendraz, Vaud, where his parents ran the Café de la Poste. The family moved to Lausanne in 1933, where Buache later attended the Collège Scientifique. A meeting with Henri Langlois in 1945 at an international cinema conference in Basle led to the start-up with other film enthusiasts of Lausanne's first film club in 1946. In 1948 Buache and Charles Apothéloz made a stage adaptation of a film script by Jean-Paul Sartre entitled ''Les Faux Nez'' (The False Noses) for the Société de Belles-Lettres. It was performed by Apothéloz' amateur theatre company at the Théatre de l'Atelier, Lausanne, on 2 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Suzanne Lanza
Suzanne Lanza is an American actress and model. Biography Lanza was born in Los Angeles, California on March 12, 1965. In acting class, her teacher referred her to an agent at the Wilhelmina Modeling Agency and she began working as a model at the age of 16, right after graduating high school, with a GC shoot by Herbert Ritt. Later in life she graduated from UCLA with degrees in History and Art History. She is the director of Kaleidoscope, a non-profit organization, and Blue Ladybug Social, a social media company. She currently models for Iconic Focus. She adopted a daughter. She has appeared on the covers of Elle, Marie Claire, ''Vogue'', ''Cosmopolitan'', Glamour, and Harper’s Bazaar. She was a Victoria's Secret model from the late 1980s to the mid-1990s. Her first television appearance was as co-host of Andy Warhol's Fifteen Minutes show on MTV, in 1987. As an actress Lanza has appeared in Friends and Dexter and on Ellen. Her credits include ''Red Shoe Diaries'' (1992), ''S ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kate Mailer
Kate Mailer (born August 18, 1962) is an American stage and film actress and daughter of American author-playwright Norman Mailer and third wife, journalist Lady Jeanne Campbell, daughter of the 11th Duke of Argyll and his first wife, The Honourable Janet Gladys Aitken. Her work includes roles on stage in the Anton Chekhov play ''The Cherry Orchard'', and on film in Jean-Luc Godard's adaptation of the William Shakespeare play ''King Lear'' with Burgess Meredith (1987) and in W. T. Morgan's '' A Matter of Degrees'' with Arye Gross Arye Gross (; born March 17, 1960) is an American actor, who has appeared on a variety of television shows in numerous roles, most notably Adam Greene in the ABC sitcom ''Ellen''. Personal life Gross was born on March 17, 1960, in Los Angeles ... (1990). She has since become a writer. References External links * ''New York Times'' Movies section filmography 1962 births American people of South African-Jewish descent Jewish American a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Voice-over
Voice-over (also known as off-camera or off-stage commentary) is a production technique where a voice—that is not part of the narrative (non-diegetic)—is used in a radio, television production, filmmaking, theatre, or other presentations. The voice-over is read from a script and may be spoken by someone who appears elsewhere in the production or by a specialist voice actor. Synchronous dialogue, where the voice-over is narrating the action that is taking place at the same time, remains the most common technique in voice-overs. Asynchronous, however, is also used in cinema. It is usually prerecorded and placed over the top of a film or video and commonly used in documentaries or news reports to explain information. Voice-overs are used in video games and on-hold messages, as well as for announcements and information at events and tourist destinations. It may also be read live for events such as award presentations. Voice-over is added in addition to any existing dialogue and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cinema Of The United States
The cinema of the United States, consisting mainly of major film studios (also known as Hollywood) along with some independent film, has had a large effect on the global film industry since the early 20th century. The dominant style of American cinema is classical Hollywood cinema, which developed from 1913 to 1969 and is still typical of most films made there to this day. While Frenchmen Auguste and Louis Lumière are generally credited with the birth of modern cinema, American cinema soon came to be a dominant force in the emerging industry. , it produced the third-largest number of films of any national cinema, after India and China, with more than 600 English-language films released on average every year. While the national cinemas of the United Kingdom, Canada, Australia, and New Zealand also produce films in the same language, they are not part of the Hollywood system. That said, Hollywood has also been considered a transnational cinema, and has produced multip ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Quentin Tarantino
Quentin Jerome Tarantino (; born March 27, 1963) is an American film director, writer, producer, and actor. His films are characterized by stylized violence, extended dialogue, profanity, dark humor, non-linear storylines, cameos, ensemble casts, and references to popular culture. Other directorial tropes associated with Tarantino include the use of songs from the 1960s and 70s, fictional brand parodies, and the prominent framing of women's bare feet. Tarantino began his career as an independent filmmaker with the release of the crime film '' Reservoir Dogs'' in 1992. His second film, '' Pulp Fiction'' (1994), a dark comedy crime thriller, was a major success with critics and audiences winning numerous awards, including the Palme d'Or and the Academy Award for Best Original Screenplay. In 1996, he appeared in ''From Dusk till Dawn'', also writing the screenplay. Tarantino's third film, '' Jackie Brown'' (1997), paid homage to blaxploitation films. In 2003, Tarantin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bertolt Brecht
Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known professionally as Bertolt Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote '' The Threepenny Opera'' with Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, he wrote didactic '' Lehrstücke'' and became a leading theoretician of epic theatre (which he later preferred to call "dialectical theatre") and the . During the Nazi Germany period, Brecht fled his home country, first to Scandinavia, and during World War II to the United States, where he was surveilled by the FBI. After the war he was subpoenaed by the House Un-American Activities Committee. Returning to East Berlin after the war, he established the theatre company Berliner Ensemble with his wife and long-time col ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |