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King Heroin
"King Heroin" is an anti-drug song by James Brown, David Matthews, Manny Rosen and Charles Bobbit. Brown recorded this poem set to music at a studio in New York with session musicians in January 1972 and released it as a single in March. It was his fifth single for Polydor Records and reached number six on the U.S. Hot Soul Singles chart and number 40 on the ''Billboard'' Hot 100 in the spring. The song was included on Brown's 1972 album '' There It Is''. Background The poem was originally written by Rosen, who worked at the Stage Delicatessen on Seventh Avenue in midtown Manhattan. It was written from the point of view of the drug, and explained in graphic detail by first-person narrative the effects heroin addiction has on people who use it, from fashion models neglecting their looks, to "the most virile of men losing their sex," to committing murder, to cold turkey withdrawal. Rosen's poem was then set to music by Brown, his arranger David Matthews, and Brown's manager Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Brown
James Joseph Brown (May 3, 1933 – December 25, 2006) was an American singer, dancer, musician, record producer and bandleader. The central progenitor of funk music and a major figure of 20th century music, he is often referred to by the honorific nicknames "the Hardest Working Man in Show Business", "Godfather of Soul", "Mr. Dynamite", and "Soul Brother No. 1". In a career that lasted more than 50 years, he influenced the development of several music genres. Brown was one of the first 10 inductees into the Rock and Roll Hall of Fame at its inaugural induction in New York on January 23, 1986. Brown began his career as a gospel singer in Toccoa, Georgia. He first came to national public attention in the mid-1950s as the lead singer of the Famous Flames, a rhythm and blues vocal group founded by Bobby Byrd. With the hit ballads "Please, Please, Please" and " Try Me", Brown built a reputation as a dynamic live performer with the Famous Flames and his backing band, sometimes know ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cold Turkey
"Cold turkey" refers to the abrupt cessation of a substance dependence and the resulting unpleasant experience, as opposed to gradually easing the process through reduction over time or by using replacement medication. Sudden withdrawal from drugs such as alcohol, benzodiazepines, and barbiturates can be extremely dangerous, leading to potentially fatal seizures. For long-term alcoholics, going cold turkey can cause life-threatening delirium tremens, rendering this an inappropriate method for breaking an alcohol addiction. In the case of opioid withdrawal, going "cold turkey" is extremely unpleasant but less dangerous.Opiate withdrawal Medline Plus — NIH. Life-threatening issues are unlikely unless one has a pre-existing medical condition. |
Joe Beck
Joe Beck (July 29, 1945 – July 22, 2008) was an American jazz guitarist who was active for over 30 years. Biography Born in Philadelphia, Beck moved to Manhattan in his teens, playing six nights a week in a trio setting, which gave him an opportunity to meet various people working in the thriving New York music scene. By the time he was 18, Stan Getz hired him to record jingles, and in 1967 he recorded with Miles Davis. By 1968, at age 22, he was a member of the Gil Evans Orchestra. Beck described his early success in an interview near the end of his life: My career happened because I happened to be in the right place at the right time in a very unique time of jazz music. ...when I would finish a gig around two in the morning I would go around the corner to the Playboy Club and sit in with Monty Alexander and let Les Spann take a breather and I would finish the gig for him. Then we would go and listen to Kenny Burrell play around the corner or we would go up to Mintons and lis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam Brown (guitarist)
Sam Brown (January 19, 1939 – December 27, 1977) was an American jazz guitarist. History Sam T. Brown's playing style was unusual in that he performed in a generally jazz-rock format, while performing in Keith Jarrett's ensembles that sometimes veered close to a free jazz style. His initial recording success included membership of the jazz rock group Ars Nova during the 1967-1969 period. Brown's most noteworthy recorded performances were on recordings of Keith Jarrett (particularly, his "American band" with Dewey Redman); and Charlie Haden's Liberation Music Orchestra. On the ''Liberation Music Orchestra'' album he has a spotlighted performance on the 21-minute suite, "El Quinto Regimiento/Los Cuatro Generales/Viva la Quince Brigada"."El Quinto Regimiento/Los Cuatro Generales/Viva la Quince Brigada He also performed as a session musician for popular artists as diverse as James Brown, Astrud Gilberto, Peter Allen and Barry Manilow. Discography As sideman With Louis A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Tee
Richard Edward Tee (born Richard Edward Ten Ryk; November 24, 1943 – July 21, 1993) was an American pianist, studio musician, singer and arranger, who had several hundred studio credits and played on such notable hits as "In Your Eyes", "Slip Slidin' Away", "Just the Two of Us", "I'll Be Sweeter Tomorrow (Than I Was Today)", "Crackerbox Palace", "Tell Her About It", " Don't Give Up" and many others. Biography Tee was born in Brooklyn, New York to Edward James Ten Ryk (1886–1963), who was from Guyana, and Helen G. Ford Skeete Ten Ryk (1902–2000), of New York. Tee spent most of his life in Brooklyn and lived with his mother in a brownstone apartment building. Tee graduated from The High School of Music & Art in New York City and attended the Manhattan School of Music. Though better known as a studio and session musician, Tee led a jazz ensemble, the Richard Tee Committee, and was a founding member of the band Stuff. In 1981, he played the piano and Fender Rhodes for Simo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seldon Powell
Seldon Powell (15 November 1928 – 25 January 1997) was an American soul jazz, swing, and R&B tenor saxophonist and flautist born in Lawrenceville, Virginia. He worked with Tab Smith (1949), Lucky Millinder (1949–51), Neal Hefti, and Louis Bellson. During the 1960s he ventured into the soul jazz idiom and worked with Clark Terry, Lou Donaldson, Johnny Hammond Smith, and Buddy Rich. Discography As leader * ''Sedon Powell Plays'' (Roost 1955 [1956], reissued by Roulette, 1973)) * ''Seldon Powell featuring Jimmy Cleveland'' (Roost, 1956) * ''Rhythm Plus One'' (Fresh Sound, 1956 [1984], LP reissue of selections from the above) * ''At the Hop'' (PMI) * ''Messin' with Seldon Powell'' (Encounter, 1973) As sideman With Tony Aless *''Long Island Suite'' (Roost, 1955) With Mose Allison *''Hello There, Universe'' (Atlantic, 1970) With Albert Ayler *''New Grass'' (Impulse!, 1968) With Chet Baker *''Baker's Holiday'' (Limelight, 1965) With Gato Barbieri *''Chapter Three, Viva Emilian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Farrell
Joseph Carl Firrantello (December 16, 1937 – January 10, 1986), known as Joe Farrell, was an American jazz multi-instrumentalist who primarily performed as a saxophonist and flutist. He is best known for a series of albums under his own name on the CTI record label and for playing in the initial incarnation of Chick Corea's Return to Forever. Early life and education Farrell was born in Chicago Heights, Illinois. As a child, Farrell began playing the flute and clarinet. After graduating from the University of Illinois at Urbana–Champaign in 1959, he moved to New York City to work as a freelance musician. Career He joined the Ralph Marterie Band in 1957 and later played with Maynard Ferguson and The Thad Jones/ Mel Lewis Orchestra. He also recorded with Charles Mingus, Andrew Hill, Jaki Byard, Players Association and Elvin Jones. After the death of John Coltrane, Elvin Jones formed a pianoless trio with Jimmy Garrison and Farrell, recording two albums for Blue Note in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Buffington
James Lawrence Buffington (born May 15, 1922, Jersey Shore, Pennsylvania; died July 20, 1981, Englewood, New Jersey) was an American jazz, studio, and classical hornist. Buffington was a busy studio and jazz player on the French horn. He was an autodidact as a child, though his father played piano and trumpet. He graduated from the Eastman School of Music and began playing in New York City in the 1950s, with Oscar Pettiford among others. He played with Mel Powell in 1954 and Teddy Charles in 1956. He is perhaps best known for his work with Miles Davis on some of his Gil Evans sessions for Columbia Records. He has done extensive work as a session musician, and has recorded with Moondog, Carly Simon, James Brown, Urbie Green, Jimmy Cleveland, Ernie Royal, Britt Woodman, Don Butterfield, Donald Byrd, John Coltrane, Dizzy Gillespie, J. J. Johnson, Quincy Jones, Thad Jones and Mel Lewis, Michel Legrand, Lee Morgan, Paul Desmond, Eddie Sauter, Oliver Nelson, Wes Montgomery, Jimmy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marvin Stamm
Marvin Louis Stamm (born May 23, 1939) is an American jazz trumpeter. Career Stamm was born in Memphis, Tennessee, United States. Stamm began on trumpet at age twelve. He attended North Texas State University, where he was a member of the One O'Clock Lab Band. He was a member of Stan Kenton's Mellophonium Orchestra from 1961 to 1963, then worked with Woody Herman from 1965 to 1966. Following this he was with The Thad Jones/Mel Lewis Orchestra from 1966 to 1972 and with Benny Goodman from 1974 to 1975. In the 1970s, he began a decades-long career as a prolific studio and session musician. In the studio he has recorded with Paul McCartney, Average White Band, Bill Evans, Quincy Jones, Donald Fagen, Oliver Nelson, Duke Pearson, Wes Montgomery, Freddie Hubbard, Stanley Turrentine, Grover Washington, Jr., Patrick Williams, Michel Legrand, Lena Horne, Frank Foster, Paul Desmond, Frankie Valli, Deodato, Les DeMerle, and George Benson. He played the flugelhorn solo on "Uncle Alber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narrative
A narrative, story, or tale is any account of a series of related events or experiences, whether nonfictional (memoir, biography, news report, documentary, travel literature, travelogue, etc.) or fictional (fairy tale, fable, legend, thriller (genre), thriller, novel, etc.). Narratives can be presented through a sequence of written or spoken words, through still or moving images, or through any combination of these. The word derives from the Latin verb ''narrare'' (to tell), which is derived from the adjective ''gnarus'' (knowing or skilled). Narration (i.e., the process of presenting a narrative) is a rhetorical modes, rhetorical mode of discourse, broadly defined (and paralleling argumentation, description, and exposition (narrative), exposition), is one of four rhetorical modes of discourse. More narrowly defined, it is the fiction-writing mode in which a narrator communicates directly to an audience. The school of literary criticism known as Russian formalism has applied metho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Say It Loud – I'm Black And I'm Proud
"Say It Loud – I'm Black and I'm Proud" is a funk song performed by James Brown, and written with his bandleader Alfred "Pee Wee" Ellis in 1968. It was released as a two-part single which held the number-one spot on the R&B singles chart for six weeks, and peaked at number ten on the ''Billboard'' Hot 100. Both parts of the single were later included on James Brown's 1968 album ''A Soulful Christmas'' and on his 1969 album sharing the title of the song. The song became an unofficial anthem of the Black Power movement. "Say It Loud – I'm Black and I'm Proud" was Brown's first recording to feature trombonist Fred Wesley. Lyrics In the song, Brown addresses racism against Black Americans, and the need for Black empowerment. He proclaims that "we demands a chance to do things for ourself" and that "we're tired of beating our head against the wall and workin' for someone else." The song's call and response chorus is performed by a group of young children, who respond to Brown ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
