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Kinarri 16
The Kinarri 16 was the ARRI's first 16mm film, 16mm camera, released in 1928. Function The Kinarri 16 was first released as a hand cranked version, in a round camera body. The crank was on the right side and the framerate was obviously completely manually adjusted, by how quickly the cinematographer turned the crank. On the left side there was a foldout direct optical viewfinder with a crosshair. The left side could be removed to load the film into the camera. The internal magazine took 100 ft (30meters). The Kinarri 16 had a fixed 25mm lens. The overall design was very similar to the Kinarri 35, which was released four years earlier. Arri produced this camera for the amateur market. Shortly after a spring-wound model was released, this one had a cubic camera body, and the option of adding an external magazine. The direct optical viewfinder was replaced by a glass prism on the top of the camera.https://scontent-lga3-1.xx.fbcdn.net/v/t31.0-8/17310940_10155088020464061_6875075 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ARRI
The Arri Group () is a German manufacturer of motion picture film equipment. Based in Munich, the company was founded in 1917. It produces professional motion picture cameras, lenses, lighting and post-production equipment. Hermann Simon mentioned this company in his book ''Hidden Champions of the 21st Century'' as an example of a " hidden champion". The Arri Alexa camera system was used to film Academy Award winners for Best Cinematography including ''Hugo'', ''Life of Pi'', ''Gravity'', '' Birdman'', '' The Revenant'' and '' 1917''. History Early history Arri was founded in Munich, Germany on 12 September 1917 by August Arnold and Robert Richter as Arnold & Richter Cine Technik. The acronym ''Arri'' was derived from the initial two letters of the founders' surnames, ''Ar''nold and ''Ri''chter. In 1924, Arnold and Richter developed their first film camera, the small and portable Kinarri 35. In 1937, Arri introduced the world's first reflex mirror shutter in the Arriflex 35 c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16mm Film
16 mm film is a historically popular and economical gauge of film. 16 mm refers to the width of the film (about inch); other common film gauges include 8 and 35 mm. It is generally used for non-theatrical (e.g., industrial, educational, televisual) film-making, or for low-budget motion pictures. It also existed as a popular amateur or home movie-making format for several decades, alongside 8 mm film and later Super 8 film. Eastman Kodak released the first 16 mm "outfit" in 1923, consisting of a camera, projector, tripod, screen and splicer, for US$335 (). RCA-Victor introduced a 16 mm sound movie projector in 1932, and developed an optical sound-on-film 16 mm camera, released in 1935. History Eastman Kodak introduced 16 mm film in 1923, as a less expensive alternative to 35 mm film for amateurs. The same year the Victor Animatograph Corporation started producing their own 16 mm cameras and projectors. During the 1920s, the fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Direct Optical Viewfinder
In photography, a viewfinder is what the photographer looks through to compose, and, in many cases, to focus the picture. Most viewfinders are separate, and suffer parallax, while the single-lens reflex camera lets the viewfinder use the main optical system. Viewfinders are used in many cameras of different types: still and movie, film, analog and digital. A zoom camera usually zooms its finder in sync with its lens, one exception being rangefinder cameras. History Before the development of microelectronics and electronic display devices, only optical viewfinders existed. Direct optical viewfinders Direct viewfinders are essentially miniature Galilean telescopes; the viewer's eye was placed at the back, and the scene viewed through the viewfinder optics. A declining minority of point and shoot cameras use them. Parallax error results from the viewfinder being offset from the lens axis, to point above and usually to one side of the lens. The error varies with distance, being ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kinarri 35
The Kinarri 35 was the ARRI's first 35mm camera, released in 1924. Function This was Arri's first camera, constructed by August Arnold. The Kinarri 35 was a hand cranked 35mm camera, in a round aluminum camera body, which was inspired by the Akeley camera introduced in 1919. The crank was on the right side and the framerate was obviously completely manually adjusted, by how quick the cinematographer turned the crank. On the left side there was a foldout direct optical viewfinder with a crosshair. The left side could be removed to load the film into the camera. The internal magazine took 100 ft (30meters) daylight spools. The Kinarri 35 had a fixed Arrinar lens f2,7/40 mm. The body was made out of aluminum. The overall design was later used for the Kinarri 16, which was released in 1928. The name is a portmanteau A portmanteau word, or portmanteau (, ) is a blend of words [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portmanteau
A portmanteau word, or portmanteau (, ) is a blend of wordsGarner's Modern American Usage , p. 644. in which parts of multiple words are combined into a new word, as in ''smog'', coined by blending ''smoke'' and ''fog'', or ''motel'', from ''motor'' and ''hotel''. In , a portmanteau is a single morph that is analyzed as representing two (or more) underlying s. When portmanteaus shorten es ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
