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Khigga
Khigga is a style of Assyrian folk dance in which multiple dancers hold each other's hands and form a semi-circle or a curved line. There are multiple foot patterns that dancers perform. Its thought to have been danced for thousands of years. It is one of the most common and simplest Assyrian folk dances, generally performed at weddings and other joyous occasions. Set in common time, khigga is accompanied by a moderate dance beat and is usually performed to Assyrian folk/pop music. To note, the term ''Khigga'' is occasionally used to denote all the Assyrian folk circle dances, i.e. "Khigga'd Belaty" ("Khigga of Belaty"), "Khigga'd Gubareh", etc.THIRTY ASSYRIAN FOLK DANCES by Pete Pnuel Bet Basoo from AINA Background Khigga is traditionally danced with music played on the |
Assyrian Folk Dance
Assyrian folk dances are sets of dances that are performed throughout the world by Assyrians, mostly on occasions such as weddings, community parties and other jubilant events. Assyrian folk dances are mainly made up of circle dances like ballet that are performed in a line, which may be straight, curved, or both. Most of the dances allow unlimited number of participants, with the exception of the ''Sabre Dance'', which require three at most. Assyrian dances would vary from weak to strong, depending on the mood and tempo of a song. Assyrian folk dances belong to five metric groups: (10 dances), (6 dances), (13 dances), (1 dance), (1 dance). The tempo would usually range from slow (70 beats per minute) to very fast (140 beats). Technique All Assyrians dances, with the exception of the ''Sabre Dance'', are done in a connected circle. Most Assyrian circle dances are lateral, vining and open-ended, where more and more participants can join the dance. In an open floor space, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Circle Dance
Circle dance, or chain dance, is a style of social dance done in a circle, semicircle or a curved line to musical accompaniment, such as rhythm instruments and singing, and is a type of dance where anyone can join in without the need of partners. Unlike line dancing, circle dancers are in physical contact with each other; the connection is made by hand-to-hand, finger-to-finger or hands-on-shoulders, where they follow the leader around the dance floor. Ranging from gentle to energetic, the dance can be an uplifting group experience or part of a meditation. Being probably the oldest known dance formation, circle dancing is an ancient tradition common to many cultures for marking special occasions, rituals, strengthening community and encouraging togetherness. Circle dances are choreographed to many different styles of music and rhythms. Modern circle dance mixes traditional folk dances, mainly from European or Near Eastern sources, with recently choreographed ones to a va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kochari
Kochari (, , , , ) is a folk dance originating in the Armenian Highlands. It is performed today by Armenians, while variants are performed by Assyrians, Azerbaijanis (yalli, uchayag, and tello), Kurds (dilan, delîlo, and sêxanî), and Pontic Greeks (kotsari). It is a form of circle dance. Each region in the Armenian Highlands had its own Kochari, with its unique way of both dancing and music. Etymology *In Armenian, "Kochari" literally means "knee-come". Գուճ (gudj or goudj) means "knee" and արի (ari) means "come". *In Azerbaijani Turkish, "köç" means "to move" used both as a verb and as a noun, with the latter used more in the context of nomads' travelling. "Köçəri" is also both an adjective and a noun, meaning a "nomad" and "nomadic" simultaneously. Likewise, Kurdish "koçer" means "nomad," and thus the term "Koçerî" means "nomadic," which was borrowed from Turkish. *In Pontic Greek, from the Greek "κότσι" (in Pontic Greek "κοτς") meaning "heel" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iraqi Assyrians
Iraqi Assyrians ( syr, ܣܘܪ̈ܝܐ, ar, آشوريو العراق) are an ethnic and linguistic minority group, indigenous to Upper Mesopotamia. Assyrians in Iraq are those Assyrians still residing in the country of Iraq, and those in the Assyrian diaspora who are of Iraqi-Assyrian heritage. They share a common history and ethnic identity, rooted in shared linguistic, cultural and religious traditions, with Assyrians in Iran, Assyrians in Turkey and Assyrians in Syria, as well as with the Assyrian diaspora. Assyrian diaspora in Detroit,Arab, Chaldean, and Middle Eastern Children and Families in the Tri-County Area " [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walking Stick
A walking stick or walking cane is a device used primarily to aid walking, provide postural stability or support, or assist in maintaining a good posture. Some designs also serve as a fashion accessory, or are used for self-defense. Walking sticks come in many shapes and sizes and some have become collector's items. People with disabilities may use some kinds of walking sticks as a crutch but a walking cane is not designed for full weight support and is instead designed to help with balance. The walking stick has also historically been known to be used as a self defensive weapon and may conceal a knife or sword – as in a swordstick or swordcane. Hikers use walking sticks, also known as trekking poles, pilgrim's staffs, hiking poles, or hiking sticks, for a wide variety of purposes: as a support when going uphill or as a brake when going downhill; as a balance point when crossing streams, swamps, or other rough terrain; to feel for obstacles in the path; to test mud and wat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beads
A bead is a small, decorative object that is formed in a variety of shapes and sizes of a material such as stone, bone, shell, glass, plastic, wood, or pearl and with a small hole for threading or stringing. Beads range in size from under to over in diameter. Beads represent some of the earliest forms of jewellery, with a pair of beads made from ''Nassarius'' sea snail shells dating to approximately 100,000 years ago thought to be the earliest known example. Beadwork is the art or craft of making things with beads. Beads can be woven together with specialized thread, strung onto thread or soft, flexible wire, or adhered to a surface (e.g. fabric, clay). Types of beads Beads can be divided into several types of overlapping categories based on different criteria such as the materials from which they are made, the process used in their manufacturing, the place or period of origin, the patterns on their surface, or their general shape. In some cases, such as millefiori and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Handkerchief
A handkerchief (; also called a hankie or, historically, a handkercher or a ) is a form of a kerchief or bandanna, typically a hemmed square of thin fabric which can be carried in the pocket or handbag for personal hygiene purposes such as wiping one's hands or face, or blowing one's nose. A handkerchief is also sometimes used as a purely decorative accessory in the breast pocket of a suit; it can then be called a pocket square. A handkerchief is also an important accessory in many folk-dances in many regions like the Balkans and the Middle East; an example of a folk-dance featuring handkerchiefs is the Greek Kalamatianós. Modern usage The material of a handkerchief can be symbolic of the socio-economic class of the user, not only because some materials are more expensive, but because some materials are more absorbent and practical for those who use a handkerchief for more than style. Handkerchiefs can be made of cotton, cotton-synthetic blend, synthetic fabric, silk, o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modulation (music)
In music, modulation is the change from one tonality ( tonic, or tonal center) to another. This may or may not be accompanied by a change in key signature (a key change). Modulations articulate or create the structure or form of many pieces, as well as add interest. Treatment of a chord as the tonic for less than a phrase is considered tonicization. Requirements * Harmonic: quasi- tonic, modulating dominant, pivot chordForte (1979), p. 267. *Melodic: recognizable segment of the scale of the quasi-tonic or strategically placed leading-tone *Metric and rhythmic: quasi-tonic and modulating dominant on metrically accented beats, prominent pivot chord The quasi-tonic is the tonic of the new key established by the modulation was semi. The modulating dominant is the dominant of the quasi-tonic. The pivot chord is a predominant to the modulating dominant and a chord common to both the keys of the tonic and the quasi-tonic. For example, in a modulation to the dominant, ii/V–V/V– ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bending
In applied mechanics, bending (also known as flexure) characterizes the behavior of a slender structural element subjected to an external load applied perpendicularly to a longitudinal axis of the element. The structural element is assumed to be such that at least one of its dimensions is a small fraction, typically 1/10 or less, of the other two.Boresi, A. P. and Schmidt, R. J. and Sidebottom, O. M., 1993, Advanced mechanics of materials, John Wiley and Sons, New York. When the length is considerably longer than the width and the thickness, the element is called a beam. For example, a closet rod sagging under the weight of clothes on clothes hangers is an example of a beam experiencing bending. On the other hand, a shell is a structure of any geometric form where the length and the width are of the same order of magnitude but the thickness of the structure (known as the 'wall') is considerably smaller. A large diameter, but thin-walled, short tube supported at its ends and loa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Move
Dance moves or dance steps (more complex dance moves are called dance patterns, dance figures, dance movements, or dance variations) are usually isolated, defined, and organized so that beginning dancers can learn and use them independently of each other. However, more complex movements are influenced by musicality and lyrical relevance to express emotions or refer to a message. Dance moves tend to emphasize the concepts of lead and follow and connection. In most cases, dance moves by themselves are independent of musicality, which is the appropriateness of a move to the music (for a notable exception, see Bharatanatyam). Generally, they are memorized in sets of eight counts. Also there are two different movements: concrete and abstract. These two movements show time, space, relationship, quality and focus. For example, relationship could describe the movement of two or more different dancers. The names of moves may be somewhat arbitrary and vary from person to person and city to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assyrian Neo-Aramaic
Suret ( syr, ܣܘܪܝܬ) ( su:rɪtʰor su:rɪθ, also known as Assyrian or Chaldean, refers to the varieties of Northeastern Neo-Aramaic (NENA) spoken by ethnic Assyrians, including those identifying as religious groups rather than ethnic (Assyrian Jews and Chaldean Catholics) as a result of the Assyrian identity being banned in Iraq until 2004 and its continued unrecognized status in Syria, Turkey, and Israel- Palestine.Nordhoff, Sebastian; Hammarström, Harald; Forkel, Robert; Haspelmath, Martin, eds. (2013). "Northeastern Neo-Aramaic". Glottolog 2.2. Leipzig: Max Planck Institute for Evolutionary Anthropology. The various NENA dialects descend from Old Aramaic, the ''lingua franca'' in the later phase of the Assyrian Empire, which slowly displaced the East Semitic Akkadian language beginning around the 10th century BC.Bae, C. Aramaic as a Lingua Franca During the Persian Empire (538-333 BCE). Journal of Universal Language. March 2004, 1-20. They have been further heav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
