Keyed Fiddle
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Keyed Fiddle
A nyckelharpa (, "keyed fiddle", or literally "key harp", plural ) is the national musical instrument of Sweden. It is a string instrument or chordophone. Its keys are attached to tangents which, when a key is depressed, serve as frets to change the pitch of the string. The nyckelharpa is similar in appearance to a fiddle or the big Sorb geige or viol. Structurally, it is more closely related to the hurdy-gurdy, both employing key-actuated tangents to change the pitch. History A depiction of two instruments, possibly but not confirmed nyckelharpas, can be found in a relief dating from on one of the gates of Källunge Church in Gotland. Early church paintings are found in Siena, Italy, dating to 1408 and in different churches in Denmark and Sweden, such as Tolfta Church, Sweden, which dates to . Other very early pictures are to be found in Hildesheim, Germany, dating to . The (nyckelharpa) is also mentioned in , a famous work written in 1620 by the German organist Mi ...
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Bowed String Instrument
Bowed string instruments are a subcategory of string instruments that are played by a bow rubbing the strings. The bow rubbing the string causes vibration which the instrument emits as sound. Despite the numerous specialist studies devoted to the origin of the bowing the problem of the origin of the bowing is unresolved Some say that the bow was introduced to Europe from the Middle East while others say the bow was not introduced from the Middle East but the other way round and that that the bow may have had its origin from a more frequent intercourse with North Europe and Western Europe List of bowed string instruments Violin family * Pochette * Violin (violino) * Viola (altviol, bratsche) * Cello (violoncello) * Double bass (contrabasso) ;Variants on the standard members of the violin family include: * Tenor violin * Five string violin * Cello da spalla * Baroque violin * Kontra * Kit violin * Sardino * Stroh violin * Låtfiol * Hardanger fiddle * Lira da bracc ...
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Michael Praetorius
Michael Praetorius (probably 28 September 1571 – 15 February 1621) was a German composer, organist, and music theorist. He was one of the most versatile composers of his age, being particularly significant in the development of musical forms based on Protestant hymns. Life Praetorius was born Michael Schultze, the youngest son of a Lutheran pastor, in Creuzburg, in present-day Thuringia. After attending school in Torgau and Zerbst, he studied divinity and philosophy at the University of Frankfurt (Oder). He was fluent in a number of languages. After receiving his musical education, from 1587 he served as organist at the Marienkirche in Frankfurt. From 1592/3 he served at the court in Wolfenbüttel, under the employ of Henry Julius, Duke of Brunswick-Lüneburg. He served in the duke's State Orchestra, first as organist and later (from 1604) as ''Kapellmeister'' (court music director).
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Contemporary Music
Contemporary classical music is classical music composed close to the present day. At the beginning of the 21st century, it commonly referred to the post-1945 modern forms of post-tonal music after the death of Anton Webern, and included serial music, electronic music, experimental music, and minimalist music. Newer forms of music include spectral music, and post-minimalism. History Background At the beginning of the twentieth century, composers of classical music were experimenting with an increasingly dissonant pitch language, which sometimes yielded atonal pieces. Following World War I, as a backlash against what they saw as the increasingly exaggerated gestures and formlessness of late Romanticism, certain composers adopted a neoclassic style, which sought to recapture the balanced forms and clearly perceptible thematic processes of earlier styles (see also New Objectivity and Social Realism). After World War II, modernist composers sought to achieve greater levels o ...
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Early Music
Early music generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750). Originating in Europe, early music is a broad musical era for the beginning of Western classical music. Terminology Interpretations of historical scope of "early music" vary. The original Academy of Ancient Music formed in 1726 defined "Ancient" music as works written by composers who lived before the end of the 16th century. Johannes Brahms and his contemporaries would have understood Early music to range from the High Renaissance and Baroque, while some scholars consider that Early music should include the music of ancient Greece or Rome before 500 AD (a period that is generally covered by the term Ancient music). Music critic Michael Kennedy excludes Baroque, defining Early music as "musical compositions from heearliest times up to and including music of heRenaissance period". Musicologist Thomas Forrest Kelly considers that the ...
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Marco Ambrosini
Marco Ambrosini (born 1964 in Forlì, Italy) is an Italian musician, composer and arranger living in Germany. Studies From 1971 to 1981, Ambrosini studied violin and viola (with Adrio Casagrande) and composition with Mario Perrucci at the "Instituto Musicale G.B.Pergolesi" in Ancona and at the conservatory "G.Rossini" in Pesaro. Musician Ambrosini debuted as a soloist and nyckelharpa player in the theatre "Alla Scala" in Milan, in concerts for the Royal Swedish Concert Agency, in the Alte Oper Frankfurt, in the Philharmony in Cologne, Berlin, Moscow, in the Carnegie Hall of New York and also perform with different ensembles for early music, baroque music and contemporary music. Worldwide concert activity includes over 150 CDs, broadcast and television shots as a composer, soloist, or as member of the Katharco Early Music Consort and the ensemble Oni Wytars (Germany), Els Trobadors (Spain), ensemble Unicorn, ensemble Accentus, Clemencic Consort, Armonico Tributo Aus ...
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Roots Revival
A roots revival (folk revival) is a trend which includes young performers popularizing the traditional musical styles of their ancestors. Often, roots revivals include an addition of newly composed songs with socially and politically aware lyrics, as well as a general modernization of the folk sound. The term ''roots revival'' is vague, and may not always refer to identical events. Characteristics associated with a roots revival include: * Popularization of previously non-mainstream and independent music, independent of folk music * Adaptation of folk styles to pop (or rock) structures * Invention of new formats like bands where only solo acts had existed before * Introduction of new instruments * Composition of works by those who perform them, as opposed to folk tunes mostly passed down orally (see singer-songwriter) * Incorporation of politically aware lyrics, often critical of a government, religion, or other authority, or society in general * Lyrics are the first from the ...
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