Kentridge And Dumas In Conversation
''Kentridge and Dumas in Conversation'' is a 2009 South African documentary biographical film written and directed by Catherine Meyburgh. It was jointly produced by Liza Essers and Jason Hoff. The film centers on the real life stories of South African contemporary artists William Kentridge and Marlene Dumas who are also well known as popular artists in international contemporary art. The film shows them in discussion regarding drawing, painting and filmmaking. The film was screened at the 2009 Encounters Documentary Film Festival. Cast * William Kentridge as himself * Marlene Dumas Marlene Dumas (born 3 August 1953) is a South African artist and painter currently based in the Netherlands. Life and work Dumas was born in 1953 in Cape Town, South Africa and grew up in Kuils River in the Western Cape, where her father had ... as herself References External links * {{IMDb title, id=tt1494776 2009 films 2009 documentary films 2000s biographical films South A ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Catherine Meyburgh
Catherine Meyburgh is a South African film editor, filmmaker, artist and project designer. Career She started her career as a film editor in 1983 mainly focusing documentaries. She has served as an editor in over 30 documentaries which have been telecast on Arte, Channel 4, BBC and NBC. She worked as a film editor in animated films of prominent contemporary artist William Kentridge in 1990's. As a project designer in theatre and opera, she has worked with fellow prominent artists including Leora Farber, Georgia Papageorge and Willem Boshoff. Her project design have been displayed in various international exhibitions held in New York, Paris. She also initiated a project titled ''The Head & the Load'' collaborating with fellow artists William Kentridge, Philip Miller and Thuthuka Sibisi. Films ''Kentridge & Dumas in Conversation'' Her directorial ''Kentridge & Dumas in Conversation'' is based on the real stories of contemporary artists William Kentridge and Marlene Dum ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Liza Essers
Liza Essers is the owner and director of Goodman Gallery in South Africa, established in 1966. Career After receiving her Bachelor of Commerce in Economics, Essers worked as a strategic consultant for the leading global professional services company Accenture as well as in private equity where she rose to prominence in the commercial and financial sector of South Africa. Prior to purchasing Goodman Gallery in 2008, Essers was an independent art advisor and curator specializing in the conceptualization, development and production of visual art and film projects. She was also the co-executive producer of the South African film, ''Tsotsi'' (2005), the first African film to win an Academy Award (Best Foreign Language Picture, 2006). She also produced a documentary film along with Catherine Meyburgh titled ''Kentridge and Dumas in Conversation,'' which talks about the real life stories of contemporary artists William Kentridge and Marlene Dumas. Goodman Gallery In her early 30s, Es ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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William Kentridge
William Kentridge (born 28 April 1955) is a South African artist best known for his prints, drawings, and animated films, especially noted for a sequence of hand-drawn animated films he produced during the 1990s. The latter are constructed by filming a drawing, making erasures and changes, and filming it again. He continues this process meticulously, giving each change to the drawing a quarter of a second to two seconds' screen time. A single drawing will be altered and filmed this way until the end of a scene. These palimpsest-like drawings are later displayed along with the films as finished pieces of art. Kentridge has created art work as part of design of theatrical productions, both plays and operas. He has served as art director and overall director of numerous productions, collaborating with other artists, puppeteers and others in creating productions that combine drawings and multi-media combinations. Early life and career Kentridge was born in Johannesburg in 1955 to ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Marlene Dumas
Marlene Dumas (born 3 August 1953) is a South African artist and painter currently based in the Netherlands. Life and work Dumas was born in 1953 in Cape Town, South Africa and grew up in Kuils River in the Western Cape, where her father had a vineyard. Dumas witnessed the system of Apartheid during her childhood. Dumas began painting in 1973 and showed her political concerns and reflections on her identity as a white woman of Afrikaans descent in South Africa. She studied art at the University of Cape Town from 1972 to 1975, and then at Ateliers '63 in Haarlem, which is now located in Amsterdam. She studied psychology at the University of Amsterdam in 1979 and 1980. She currently lives and works in the Netherlands and is one of the country's most prolific artists. Dumas has also featured in some films, '' Miss Interpreted'' (1997), Alice Neel (2007), Kentridge and Dumas in Conversation (2009), '' The Future is Now!'' (2011), and ''Screwed'' (2017). Several books included il ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Philip Miller (composer)
Philip Miller is a South African composer and sound artist based in Cape Town. His work is multi-faceted, often developing from collaborative projects in theatre, film, video and sound installations. Miller is currently an honorary fellow at ARC (The Research Initiative in Archive and Public Culture) at the University of Cape Town. Education Philip Miller trained firstly as a lawyer at the University of Cape Town and practised as a copyright lawyer. He studied music composition in South Africa with composers Jeanne Zaidel-Rudolph and Peter Klatzow at the University of Cape Town Music School. He completed his postgraduate studies in Electro-Acoustic music composition for film and television at Bournemouth University. While doing so he studied with UK composer Joseph Horovitz. He then returned to South Africa to begin working full-time in music. Collaboration with William Kentridge One of Miller's most significant collaborators is the internationally acclaimed artist Wi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Documentary Film
A documentary film or documentary is a non-fictional film, motion-picture intended to "document reality, primarily for the purposes of instruction, education or maintaining a Recorded history, historical record". Bill Nichols (film critic), Bill Nichols has characterized the documentary in terms of "a filmmaking practice, a cinematic tradition, and mode of audience reception [that remains] a practice without clear boundaries". Early documentary films, originally called "actuality films", lasted one minute or less. Over time, documentaries have evolved to become longer in length, and to include more categories. Some examples are Educational film, educational, observational and docufiction. Documentaries are very Informational listening, informative, and are often used within schools as a resource to teach various principles. Documentary filmmakers have a responsibility to be truthful to their vision of the world without intentionally misrepresenting a topic. Social media platfor ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Biographical Film
A biographical film or biopic () is a film that dramatizes the life of a non-fictional or historically-based person or people. Such films show the life of a historical person and the central character's real name is used. They differ from docudrama films and historical drama films in that they attempt to comprehensively tell a single person's life story or at least the most historically important years of their lives. Context Biopic scholars include George F. Custen of the College of Staten Island and Dennis P. Bingham of Indiana University – Purdue University Indianapolis. Custen, in ''Bio/Pics: How Hollywood Constructed Public History'' (1992), regards the genre as having died with the Hollywood studio era, and in particular, Darryl F. Zanuck. On the other hand, Bingham's 2010 study ''Whose Lives Are They Anyway? The Biopic as Contemporary Film Genre'' shows how it perpetuates as a codified genre using many of the same tropes used in the studio era that has followed a simila ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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2009 Films
The year 2009 saw the release of many films. Seven made the top 50 list of highest-grossing films. Also in 2009, the Academy of Motion Picture Arts and Sciences announced that as of that year, their Best Picture category would consist of ten nominees, rather than five (the first time since the 1943 awards). Evaluation of the year Film critic Philip French of ''The Guardian'' said that 2009 "began with the usual flurry of serious major movies given late December screenings in Los Angeles to qualify for the Oscars. They're now forgotten or vaguely regarded as semi-classics: ''The Reader'', '' Che'', ''Slumdog Millionaire'', '' Frost/Nixon'', '' Revolutionary Road'', ''The Wrestler'', ''Gran Torino'', '' The Curious Case of Benjamin Button''. It soon became apparent that horror movies would be the dominant genre once again, with vampires the pre-eminent sub-species, the most profitable inevitably being '' New Moon'', the latest in Stephenie Meyer's ''Twilight'' saga, the best the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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2009 Documentary Films
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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2000s Biographical Films
S, or s, is the nineteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''ess'' (pronounced ), plural ''esses''. History Origin Northwest Semitic šîn represented a voiceless postalveolar fricative (as in 'ip'). It originated most likely as a pictogram of a tooth () and represented the phoneme via the acrophonic principle. Ancient Greek did not have a phoneme, so the derived Greek letter sigma () came to represent the voiceless alveolar sibilant . While the letter shape Σ continues Phoenician ''šîn'', its name ''sigma'' is taken from the letter ''samekh'', while the shape and position of ''samekh'' but name of ''šîn'' is continued in the '' xi''. Within Greek, the name of ''sigma'' was influenced by its association with the Greek word (earlier ) "to hiss". The original name of the letter "sigma" may have been ''san'', but due to the complica ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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South African Documentary Films
South is one of the cardinal directions or compass points. The direction is the opposite of north and is perpendicular to both east and west. Etymology The word ''south'' comes from Old English ''sūþ'', from earlier Proto-Germanic ''*sunþaz'' ("south"), possibly related to the same Proto-Indo-European root that the word ''sun'' derived from. Some languages describe south in the same way, from the fact that it is the direction of the sun at noon (in the Northern Hemisphere), like Latin meridies 'noon, south' (from medius 'middle' + dies 'day', cf English meridional), while others describe south as the right-hand side of the rising sun, like Biblical Hebrew תֵּימָן teiman 'south' from יָמִין yamin 'right', Aramaic תַּימנַא taymna from יָמִין yamin 'right' and Syriac ܬܰܝܡܢܳܐ taymna from ܝܰܡܝܺܢܳܐ yamina (hence the name of Yemen, the land to the south/right of the Levant). Navigation By convention, the ''bottom or down-facing side'' of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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South African Biographical Films
South is one of the cardinal directions or compass points. The direction is the opposite of north and is perpendicular to both east and west. Etymology The word ''south'' comes from Old English ''sūþ'', from earlier Proto-Germanic ''*sunþaz'' ("south"), possibly related to the same Proto-Indo-European root that the word ''sun'' derived from. Some languages describe south in the same way, from the fact that it is the direction of the sun at noon (in the Northern Hemisphere), like Latin meridies 'noon, south' (from medius 'middle' + dies 'day', cf English meridional), while others describe south as the right-hand side of the rising sun, like Biblical Hebrew תֵּימָן teiman 'south' from יָמִין yamin 'right', Aramaic תַּימנַא taymna from יָמִין yamin 'right' and Syriac ܬܰܝܡܢܳܐ taymna from ܝܰܡܝܺܢܳܐ yamina (hence the name of Yemen, the land to the south/right of the Levant). Navigation By convention, the ''bottom or down-facing side'' of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |