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Kazet (album)
''Kazet'' is a 2006 album by the South African mbaqanga group the Mahotella Queens. The album was a compilation of recordings that had recently been recorded in South Africa and in Paris, and included the South African national anthem "Nkosi Sikelel' iAfrika "Nkosi Sikelel' iAfrika" (, ) is a Christian hymn originally composed in 1897 by Enoch Sontonga, a Xhosa clergyman at a Methodist mission school near Johannesburg. The song became a pan-African liberation song and versions of it were later ad ..." in addition to new compositions such as "Amazemula" ("Monster"), "Nomshloshazana" (A woman's name) and "Ubusuku Nemini" and classics like "Kazet". Track listing # "Amazemula" ("Monster") # "Nomshloshazana" (A woman's name) # "Hakenyake" # "Kazet" # "Muntu Wesilisa" ("We're Talking to You") # "Ndodana Yolahleko" # "Kade Ulalaphi" # "Mbube" ("The Lion") # "Ubusuku Nemini" ("Night and Day") # "Amabhongo" # "Thandanani" ("Love One Another") # "Ukhathazile" (A woman's name) # "Safa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mbaqanga
Mbaqanga () is a style of South African music with rural Zulu music, Zulu roots that continues to influence musicians worldwide today. The style originated in the early 1960s. History Historically, laws such as the Natives' Land Act, Land Act of 1913 to the Group Areas Act (1950) initially prevented black South Africans from integrating from different tribal communities, consequently making it almost impossible for most black native music artists to gain recognition beyond their tribal boundaries. The music genre mbaqanga developed during this time (1960s) and to this day most of the major record labels are white-owned companies with very few black artists that have contributed to their own material. In Zulu, the term ''mbaqanga'' means an everyday cornmeal porridge. ''Mbaqanga'' aficionados were mostly plebeian, metropolitan African jazz enthusiasts. Many of them were not permitted to establish themselves in the city, but they were unable to sustain themselves in the rural cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marabi Productions
Marabi is a style of music that evolved in South Africa over the last century. The early part of the 20th century saw the increasing urbanisation of black South Africans in mining centres such as the gold mining area around Johannesburg - the Witwatersrand. This led to the development of township slums or ghettos, and out of this hardship came forth new forms of music, marabi and kwela amongst others. Marabi was the name given to a keyboard style (often using cheap pedal organs) that had a musical link to American jazz, ragtime and blues, with roots deep in the African tradition. Early marabi musicians were part of an underground musical culture and were typically not recorded. Indeed, as with early jazz in the USA, the music incurred the displeasure of the establishment. Nonetheless, as with early jazz, the lilting melodies and catchy rhythms of marabi found their way into the sounds of popular dance bands with a distinctively South African style. The sound of marabi was inten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reign & Shine
''Reign & Shine'' is a 2005 album by the South African mbaqanga group the Mahotella Queens. The album was a break from their usual mgqashiyo music, focusing on three-part vocal harmonies and percussion (by Veli Shabangu), with electric guitar and bass only appearing on some tracks. The album featured new compositions such as "Amazemula" ("Monster") and "Ndodana Yolahleko" as well as old favourites like "Town Hall" and "Amabhongo" in addition to the South African national anthem, "Nkosi Sikelel' iAfrika "Nkosi Sikelel' iAfrika" (, ) is a Christian hymn originally composed in 1897 by Enoch Sontonga, a Xhosa clergyman at a Methodist mission school near Johannesburg. The song became a pan-African liberation song and versions of it were later ad ...". Track listing # "Amazemula" ("Monster") # "Saphel' Isizwe" ("Disease Is All Over The Nation") # "Muntu Wesilisa" ("We're Talking to You") # "Ndodana Yolahleko" # "Town Hall" # "Mbube" ("The Lion") # "Amabhongo" # "Sela Ndini" ("T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siyadumisa (Songs Of Praise)
''Siyadumisa (Songs of Praise)'' is a 2007 album by the South African mbaqanga group the Mahotella Queens. The album is the first gospel-orientated album by the Queens, and features the voice of lead singer Hilda Tloubatla's son, Alfred "Ali" Temo. The album was released in May 2007 in South Africa on the Bula Music label, and was a joint venture between Bula and AS Entertainment (the Queens' management). It is as yet unknown when the album will receive its US and UK release (though it is expected to be issued internationally in 2008). During the making of the album, the group's bass guitarist Madoda Ntshingila was injured in a car accident, and at the last minute the acclaimed bassist Jabu Sibumbe was hired to replace Ntshingila. A tragedy also occurred during the production: the Queens had recruited a new lead guitarist, John Papo, whom they described as "very beautiful, when he plays guitar he is just like Marks Mankwane". Tragically Papo died after only a week recording o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
South Africa
South Africa, officially the Republic of South Africa (RSA), is the southernmost country in Africa. It is bounded to the south by of coastline that stretch along the South Atlantic and Indian Oceans; to the north by the neighbouring countries of Namibia, Botswana, and Zimbabwe; and to the east and northeast by Mozambique and Eswatini. It also completely enclaves the country Lesotho. It is the southernmost country on the mainland of the Old World, and the second-most populous country located entirely south of the equator, after Tanzania. South Africa is a biodiversity hotspot, with unique biomes, plant and animal life. With over 60 million people, the country is the world's 24th-most populous nation and covers an area of . South Africa has three capital cities, with the executive, judicial and legislative branches of government based in Pretoria, Bloemfontein, and Cape Town respectively. The largest city is Johannesburg. About 80% of the population are Black South Afri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahotella Queens
The Mahotella Queens is a South African female band formed in 1964 by music producer Rupert Bopape, consisting of Hilda Tloubatla, Nobesuthu Mbadu, and Amanda Nkosi. The group is noted for their distinct vocal harmony sound, guitar-led mbaqanga music, and fast stage dancing. Bopape was a talent scout and producer at the independent Gallo Africa's subsidiary dedicated to black music, Mavuthela Music Company. He formed the Mahotella Queens as the company's resident girl group and the ensemble, often led by the deep-voiced male vocals of Simon 'Mahlathini' Nkabinde, went on to have many hit records during the 1960s. The Queens line-up during this period usually comprised Hilda Tloubatla, Juliet Mazamisa, Ethel Mngomezulu, Nobesuthu Mbadu and Mildred Mangxola. The Queens and Mahlathini were backed by Mavuthela's house band, the Makgona Tsohle Band (including Marks Mankwane on lead guitar and West Nkosi on alto saxophone). In 1972 the line-up of the Mahotella Queens disintegrate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nkosi Sikelel' IAfrika
"Nkosi Sikelel' iAfrika" (, ) is a Christian hymn originally composed in 1897 by Enoch Sontonga, a Xhosa people, Xhosa clergyman at a Methodism, Methodist mission school near Johannesburg. The song became a pan-African liberation song and versions of it were later adopted as the national anthems of five countries in Africa including Zambia, Tanzania, Namibia and Zimbabwe after independence, and South Africa after the end of apartheid. The song's melody is still used as the Mungu ibariki Afrika, national anthem of Tanzania and the Stand and Sing of Zambia, Proud and Free, national anthem of Zambia (Zimbabwe and Namibia have since changed to new anthems with original melody composition). In 1994, Nelson Mandela decreed that the verse of ''Nkosi Sikelel' iAfrika'' be embraced as a joint national anthem of South Africa; a revised version additionally including elements of "Die Stem van Suid-Afrika, Die Stem" (the then co-state anthem inherited from the previous apartheid governmen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahlathini And The Mahotella Queens Albums
Simon "Mahlathini" Nkabinde (1937 or 1938 – 27 July 1999) was a South African ''mbaqanga'' singer. Known as the "Lion of Soweto", Nkabinde is the acknowledged exponent of the deep-voiced, basso profundo "groaning" style that came to symbolize mbaqanga music in the 1960s. Nkabinde was also a very active live performer in South Africa, recording and performing with the Mahotella Queens and the backing Makgona Tsohle Band from 1964 to 1971, and then again from 1983 to 1999. The Mahlathini and the Mahotella Queens act was propelled into international stardom in the wake of Paul Simon's 1986 ''Graceland'' album. Early career and life Nkabinde was born in Newcastle, KwaZulu-Natal and grew up in Alexandra, Gauteng. As a young boy, he began leading isicathamiya and mbube choirs at traditional Zulu wedding ceremonies. By the time he was a teenager, Nkabinde's voice was much admired. During the early 1950s, however, his voice became strained and was reduced to a growl. Initially, Nkab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
