Kay K-161 ThinTwin
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Kay K-161 ThinTwin
The Kay K-161 ThinTwin is an electric guitar made from 1952 to 1959, was one of the longest produced guitars by Kay Musical Instrument Company. The K161 Thin-Twin was commonly referred to as the "Jimmy Reed" guitar. Introduced not long after Gibson Guitar Corporation, Gibson's Les Paul, the ThinTwin was a semi-hollow body guitar and larger than its name "thin" implied. The guitar's body was deep. "ThinTwin" was a reference to the unique appearance of the dual pickups, having a very slim profile. There was also a Silvertone (instruments), Silvertone-branded version of this guitar, with a slightly more 'regal' appointment in ts decorated pickguard and headstock logo, coupled with a deeply finished 'flamed' grain top and so-called 'sunburst' finish. Both the pickguard and the headstock's decorated laminate on early versions of this model sported a shield-type engraving and coloring, with later versions of the guitar losing the shield from the heads ...
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Tour Guide With Silvertone, Sun Studio
Tour or Tours may refer to: Travel * Tourism, travel for pleasure * Tour of duty, a period of time spent in military service * Campus tour, a journey through a college or university's campus * Guided tour, a journey through a location, directed by a guide * Walking tour, a visit of a historical or cultural site undertaken on foot Entertainment * Concert tour, a series of concerts by an artist or group of artists in different locations * Touring theatre, independent theatre that travels to different venues Sports * Professional golf tours, otherwise unconnected professional golf tournaments * Tennis tour, tennis played in tournament format at a series of venues * Events in various sports named the Pro Tour (other) * Tour de France ('), the world's biggest bicycle race Places * Tour-de-Faure, Lot, France * Tour-en-Bessin, Calvados, France * Tour-en-Sologne, Loir-et-Cher, France * Tours, Indre-et-Loire, France * Tours-en-Savoie, Savoie, France * Tours-en-Vimeu, Somme, Fran ...
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K-161 ThinTwin
K161 or K-161 may refer to: * K-161 (Kansas highway), a state highway in Kansas *Kay K-161 ThinTwin The Kay K-161 ThinTwin is an electric guitar made from 1952 to 1959, was one of the longest produced guitars by Kay Musical Instrument Company. The K161 Thin-Twin was commonly referred to as the "Jimmy Reed" gui ..., an electric guitar * Symphony, K. 161 (Mozart) {{Letter-Number Combination Disambiguation ...
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Electric Guitar
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar (however combinations of the two - a semi-acoustic guitar and an electric acoustic guitar exist). It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities on the amplifier settings or the knobs on the guitar from that of an acoustic guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Invented in 1932, the electric guitar was adopted by jazz guitar players, who wanted to play single-note guitar solos in large big band ensembles. Early proponents of the electric guitar on ...
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Kay Musical Instrument Company
Kay Musical Instrument Company (often referred to simply as Kay) was an American musical instrument manufacturer established in 1931 by namesake Henry "Kay" Kuhrmeyer and based in Chicago, Illinois. It was formed when Kuhrmeyer bought out his financial backers in the instrument manufacturer Stromberg-Voisinet. They produced guitars, mandolins, banjos, ukuleles and were known for their use of lamination in the construction of arched top instruments. The company operated independently until 1965 when they were purchased by the Seeburg Corporation, a jukebox manufacturer. In 1967, the company was sold to Valco citing decreasing profits due to imported Japanese instruments. In 1969, rights to name "Kay" was acquired by Weiss Musical Instruments (WMI) . The brand has been used by several manufacturers since then, mainly attached to Asian import guitars.
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Jimmy Reed
Mathis James Reed (September 6, 1925 – August 29, 1976) was an American blues musician and songwriter. His particular style of electric blues was popular with blues as well as non-blues audiences. Reed's songs such as "Honest I Do" (1957), "Baby What You Want Me to Do" (1960), " Big Boss Man" (1961), and " Bright Lights, Big City" (1961) appeared on both ''Billboard'' magazine's rhythm and blues and Hot 100 singles charts. Reed influenced other musicians, such as Elvis Presley, Hank Williams Jr., and the Rolling Stones, who recorded his songs. Music critic Cub Koda describes him as "perhaps the most influential bluesman of all," due to his easily accessible style. Biography Reed was born in Dunleith, Mississippi, United States. He learned the harmonica and guitar from his friend Eddie Taylor. After several years of busking and performing there, he moved to Chicago, Illinois, in 1943. He was then drafted into the U.S. Navy and served in World War II. He was discharged in ...
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Gibson Guitar Corporation
Gibson Brands, Inc. (formerly Gibson Guitar Corporation) is an American manufacturer of guitars, other musical instruments, and professional audio equipment from Kalamazoo, Michigan, and now based in Nashville, Tennessee. The company was formerly known as Gibson Guitar Corporation and renamed Gibson Brands, Inc. on June 11, 2013. Orville Gibson started making instruments in 1894 and founded the company in 1902 as the Gibson Mandolin-Guitar Mfg. Co. Ltd. in Kalamazoo, Michigan, to make mandolin-family instruments. Gibson invented archtop guitars by constructing the same type of carved, arched tops used on violins. By the 1930s, the company was also making flattop acoustic guitars, as well as one of the first commercially available hollow-body electric guitars, used and popularized by Charlie Christian. In 1944, Gibson was bought by Chicago Musical Instruments (CMI), which was acquired in 1969 by Panama-based conglomerate Ecuadorian Company Limited (ECL), that changed its name ...
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Silvertone (instruments)
Silvertone is a brand created and promoted by Sears for its line of consumer electronics and musical instruments from 1916 to 1972. The rights to the Silvertone brand were purchased by South Korean corporation Samick Music in 2001. Samick made new musical instruments under the Silvertone brand and relaunched some historic models. In 2020, RBI Music was appointed the exclusive worldwide distributor of the Silvertone brand. Musical instruments under the Silvertone name are electric and acoustic guitars, basses and ukuleles. History Beginnings The Silvertone brand was introduced by Sears in 1916 with the hand-cranked model 1 phonograph. Beginning in the 1920s, the brand was expanded to include Silvertone radios and again expanded in the 1930s to musical instruments, superseding the previously-used Oxford branding. In the early 1920s Sears began selling Silvertone radio tubes and batteries, although Silvertone radios decreased in popularity during late 1930s. During World ...
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Headstock
A headstock or peghead is part of a guitar or similar stringed instruments such as a lute, mandolin, banjo, ukulele and others of the lute lineage. The main function of a headstock is to house the pegs or mechanism that holds the strings at the "head" of the instrument. At the "tail" of the instrument the strings are usually held by a tailpiece or bridge. Machine heads on the headstock are commonly used to tune the instrument by adjusting the tension of strings and, consequentially, the pitch of sound they produce. Construction details Two traditional layouts of guitar tuners are called "3+3" (3 top tuners and 3 bottom ones) and "6 in line" tuners, though many other combinations are known, especially for bass guitars and non-6-string guitars. When there are no machine heads (i.e. tuners are not needed or located in some other place, for example, on guitar body), the guitar headstock may be missing completely, as in Steinberger guitar or some Chapman stick models. The heads ...
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Chicago, Illinois
(''City in a Garden''); I Will , image_map = , map_caption = Interactive Map of Chicago , coordinates = , coordinates_footnotes = , subdivision_type = Country , subdivision_name = United States , subdivision_type1 = State , subdivision_type2 = Counties , subdivision_name1 = Illinois , subdivision_name2 = Cook and DuPage , established_title = Settled , established_date = , established_title2 = Incorporated (city) , established_date2 = , founder = Jean Baptiste Point du Sable , government_type = Mayor–council , governing_body = Chicago City Council , leader_title = Mayor , leader_name = Lori Lightfoot ( D) , leader_title1 = City Clerk , leader_name1 = Anna Valencia ( D) , unit_pref = Imperial , area_footnotes = , area_tot ...
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Barney Kessel
Barney Kessel (October 17, 1923 – May 6, 2004) was an American jazz guitarist born in Muskogee, Oklahoma. Known in particular for his knowledge of chords and inversions and chord-based melodies, he was a member of many prominent jazz groups as well as a "first call" guitarist for studio, film, and television recording sessions. Kessel was a member of the group of session musicians informally known as the Wrecking Crew. Biography Kessel was born in Muskogee, Oklahoma in 1923. Kessel's father was an immigrant from Hungary who owned a shoe shop. His only formal musical study was three months of guitar lessons at the age of 12. He began his career as a teenager touring with local dance bands. When he was 16, he started playing with the Oklahoma A&M band, Hal Price & the Varsitonians. The band members nicknamed him "Fruitcake" because he practiced up to 16 hours a day. Kessel gained attention because of his youth and being the only white musician playing in all African American ...
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Electric Guitars
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar (however combinations of the two - a semi-acoustic guitar and an electric acoustic guitar exist). It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities on the amplifier settings or the knobs on the guitar from that of an acoustic guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Invented in 1932, the electric guitar was adopted by jazz guitar players, who wanted to play single-note guitar solos in large big band ensembles. Early proponents of the electric guitar o ...
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