Kawasaki Synthesizer
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Kawasaki Synthesizer
The ''Kawasaki Synthesizer'' is a musical software tool for the Commodore 64 created in 1983 by Japanese jazz musician, Ryo Kawasaki. The first of four music programs created by Kawasaki, ''Kawasaki Synthesizer'' (1983)Darling, Sharon. "Inside View: Ryo Kawasaki". ''Compute!'s Gazette''. Pp.38–42. Issue 20. February 1985. was followed by ''Kawasaki Rhythm Rocker'' (1984), ''Kawasaki Magical Musiquill'' (1985), and ''Kawasaki MIDI Workstation'' in 1986 (his only software title intended for professional use instead of personal or educational use). Development history As a guitarist, pianist, and violin player, Kawasaki's earliest musical interests tended toward jazz and electronics. Alongside the development of his musical style, he tinkered with electronics like radios, televisions, amplifiers, and speakers. Experimental by nature, Kawasaki had already been performing electric-guitar jazz since the early 1970s when he became interested in music synthesis and purchased a Roland G ...
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Ryo Kawasaki
was a Japanese jazz fusion guitarist, composer and band leader, best known as one of the first musicians to develop and popularise the fusion genre and for helping to develop the guitar synthesizer in collaboration with Roland Corporation and Korg. His album ''Ryo Kawasaki and the Golden Dragon Live'' was one of the first all-digital recordings and he created the Kawasaki Synthesizer for the Commodore 64. During the 1960s, he played with various Japanese jazz groups and also formed his own bands. In the early 1970s, he moved to New York City, where he settled and worked with Gil Evans, Elvin Jones, Chico Hamilton, Ted Curson, Joanne Brackeen amongst others. In the mid-1980s, Kawasaki drifted out of performing music in favour of writing music software for computers. He also produced several techno dance singles, formed his own record company called Satellites Records, and later returned to jazz-fusion in 1991. Life Early life (1947–1968) Ryo Kawasaki was born on February 25, ...
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BASIC
BASIC (Beginners' All-purpose Symbolic Instruction Code) is a family of general-purpose, high-level programming languages designed for ease of use. The original version was created by John G. Kemeny and Thomas E. Kurtz at Dartmouth College in 1963. They wanted to enable students in non-scientific fields to use computers. At the time, nearly all computers required writing custom software, which only scientists and mathematicians tended to learn. In addition to the program language, Kemeny and Kurtz developed the Dartmouth Time Sharing System (DTSS), which allowed multiple users to edit and run BASIC programs simultaneously on remote terminals. This general model became very popular on minicomputer systems like the PDP-11 and Data General Nova in the late 1960s and early 1970s. Hewlett-Packard produced an entire computer line for this method of operation, introducing the HP2000 series in the late 1960s and continuing sales into the 1980s. Many early video games trace their ...
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Bass (music)
Bass or Basses may refer to: Fish * Bass (fish), various saltwater and freshwater species Music * Bass (sound), describing low-frequency sound or one of several instruments in the bass range: ** Bass (instrument), including: ** Acoustic bass guitar, with a hollow body ** Bass clarinet, a clarinet with a lower sound ** Bass cornett, a low pitched wind instrument ** Bass drum, a large drum ** Bass flute, an instrument one octave lower than a flute ** Bass guitar, with a solid body and electric pickups ** Bass recorder, an instrument one octave lower than the alto recorder ** Bass sarrusophone, a low pitched double reed instrument ** Bass saxophone ** Bass trombone, a lower pitched trombone ** Bass trumpet ** Bass violin ** Double bass, the largest and lowest pitched bowed string instrument ** Electric upright bass, the electric version of a double bass ** Tuba, often called "the bass" in the context of brass instruments * Bass (voice type), a type of classical male singing v ...
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Dubbing (music)
In sound recording, dubbing is the transfer or copying of previously recorded audio material from one medium to another of the same or a different type. It may be done with a machine designed for this purpose, or by connecting two different machines: one to play back and one to record the signal. The purpose of dubbing may be simply to make multiple copies of audio programs, or it may be done to preserve programs on old media which are deteriorating and may otherwise be lost. One type of dubbing device combines two different storage media, such as an audio cassette deck that incorporates a Compact Disc recorder. Such a device enables the transfer of audio programs from an obsolete medium to a widely used medium. It may also simply be used to transfer material between two types of media which are popular in different settings, so that material originating in one type of environment can be used in another. An example of the latter would be the dubbing of a Digital BetaCam videocasse ...
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Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ...
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Arrangement (music)
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' pieces. ...
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Consumer Electronics Show
CES (; formerly an initialism for Consumer Electronics Show) is an annual trade show organized by the Consumer Technology Association (CTA). Held in January at the Las Vegas Convention Center in Winchester, Nevada, United States, the event typically hosts presentations of new products and technologies in the consumer electronics industry. History The first CES was held in June 1967 in New York City. It was a spinoff from the Chicago Music Show, which, until then, had served as the main event for exhibiting consumer electronics. The event had 17,500 attenders and over 100 exhibitors; the kickoff speaker was Motorola chairman Bob Galvin. From 1978 to 1994, CES was held twice each year: once in January in Las Vegas known for ''Winter Consumer Electronics Show (WCES)'' and once in June in Chicago, known as ''Summer Consumer Electronics Show (SCES)''. The winter show was successfully held in Las Vegas in 1995 as planned. However, since the summer Chicago shows were beginning to ...
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House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ...
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Musical Instrument Digital Interface
MIDI (; Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. The specification originates in the paper ''Universal Synthesizer Interface'' published by Dave Smith and Chet Wood of Sequential Circuits at the 1981 Audio Engineering Society conference in New York City. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and loudness. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which t ...
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Stereo 8
The 8-track tape (formally Stereo 8; commonly called eight-track cartridge, eight-track tape, and eight-track) is a magnetic tape sound recording technology that was popular from the mid-1960s to the early 1980s, when the compact cassette, which pre-dated the 8-track system, surpassed it in popularity for pre-recorded music. The format was most popular in the United States, the United Kingdom, Canada, New Zealand, Australia, Mexico, Spain, France, Germany, Italy, Sweden and Japan. One advantage of the 8-track tape cartridge was that it could play continuously, and did not have to be "flipped over" to play the entire tape. It is now considered to be obsolete, although there are collectors that refurbish these tapes and players as well as some bands that issue these tapes as a novelty(Cheap Trick's "The Latest" in 2009 and Dolly Parton's "A Holly Dolly Christmas" in 2020 with a track that's only available on the 8 track) The Stereo 8 Cartridge was created in 1964 by a consortiu ...
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Floppy Disk
A floppy disk or floppy diskette (casually referred to as a floppy, or a diskette) is an obsolescent type of disk storage composed of a thin and flexible disk of a magnetic storage medium in a square or nearly square plastic enclosure lined with a fabric that removes dust particles from the spinning disk. Floppy disks store digital data which can be read and written when the disk is inserted into a floppy disk drive (FDD) connected to or inside a computer or other device. The first floppy disks, invented and made by IBM, had a disk diameter of . Subsequently, the 5¼-inch and then the 3½-inch became a ubiquitous form of data storage and transfer into the first years of the 21st century. 3½-inch floppy disks can still be used with an external USB floppy disk drive. USB drives for 5¼-inch, 8-inch, and other-size floppy disks are rare to non-existent. Some individuals and organizations continue to use older equipment to read or transfer data from floppy disks. Floppy disk ...
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Jim Butterfield
Frank James "Jim" Butterfield (14 February 1936 – 29 June 2007), was a Toronto-based computer programmer, author, and television personality known for his work with early microcomputers. He is particularly noted for associations with Commodore Business Machines and the Toronto PET Users Group, for many books and articles on machine language programming, and for educational videos and TV programs. Early life and career Jim Butterfield was born on 14 February 1936 in Ponoka, Alberta, which is south of Edmonton. He was the third of four children to James and Nancy Butterfield, who had emigrated from England to farm. In 1953 he won a French scholarship to the Banff School of Fine Arts. He later attended the University of Alberta and the University of British Columbia but dropped out due to lack of interest. One of his first jobs was radio continuity writing in Alberta. In 1957, Butterfield began working for Canadian National/Canadian Pacific Telecommunications, at first as a ...
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