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Kawai XD-5
The Kawai XD-5 is a percussion synthesizer based on the Kawai K4 sample playback (but uses 16-bit 44.1 kHz sample rate as opposed to 32 kHz ) with filter and AM amplifier modulation synthesis architecture. It is essentially a Kawai K4r with percussion waveforms, plus faster envelopes, gate mode and amplifier to better suit percussion sounds. The XD-5 also features include 32 digital oscillators each capable of using one of 256 available 16-bit waveforms, a digital filter with self resonance Resonance describes the phenomenon of increased amplitude that occurs when the frequency of an applied Periodic function, periodic force (or a Fourier analysis, Fourier component of it) is equal or close to a natural frequency of the system ... and 8 individual outputs. Expandability The XD-5 uses expansion cards to allow an increased number of tones to be stored externally.. One card can hold 64 Patches, 16 kit Patches and 16 output patches. Sounds Kick, snare, rim, tom, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kawai
is a musical instrument manufacturing company headquartered in Hamamatsu, Shizuoka, Japan. It is best known for its grand pianos, upright pianos, digital pianos, electronic keyboards and electronic synthesizers. The company was founded in August 1927. History Koichi Kawai, the company founder, was born in Hamamatsu, Japan in 1886. His neighbor, Torakusu Yamaha, a watchmaker and reed organ builder, took him in as an apprentice. Kawai became a member of the research and development team that introduced pianos to Japan. Yamaha died in 1916, and in the 1920s the piano industry faltered in Japan. New management took over control of Yamaha's company, Nippon Gakki Co. (later renamed the Yamaha Corporation), and began to diversify its production line. This led Kawai to leave Nippon Gakki in 1927 and found the Kawai Musical Instrument Research Laboratory. After Koichi Kawai's death in 1955, his son, Shigeru Kawai became company president at 33 and expanded production facilities. In 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vector Synthesis
Vector Synthesis is a type of audio synthesis introduced by Sequential Circuits in the Prophet VS synthesizer during 1986. The concept was subsequently used by Yamaha in the SY22/ TG33 and similar instruments and by Korg in the Wavestation. Vector synthesis provides movement in a sound by providing dynamic cross-fading between (usually) four sound sources. The four sound sources are conceptually arranged as the extreme points of X and Y axes, and typically labelled A, B, C and D. A given mix of the four sound sources can be represented by a single point in this 'vector plane'. Movement of the point provides sonic interest and is the power of this technique. Mixing is frequently done using a joystick, although the point can be controlled using envelope generators or LFOs. Vector synthesis implementations There have been a number of different implementations of vector synthesis. These differ in what they use for the four sound sources, and what processing is done to the sound ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Low-pass Filter
A low-pass filter is a filter that passes signals with a frequency lower than a selected cutoff frequency and attenuates signals with frequencies higher than the cutoff frequency. The exact frequency response of the filter depends on the filter design. The filter is sometimes called a high-cut filter, or treble-cut filter in audio applications. A low-pass filter is the complement of a high-pass filter. In optics, high-pass and low-pass may have different meanings, depending on whether referring to frequency or wavelength of light, since these variables are inversely related. High-pass frequency filters would act as low-pass wavelength filters, and vice versa. For this reason it is a good practice to refer to wavelength filters as ''short-pass'' and ''long-pass'' to avoid confusion, which would correspond to ''high-pass'' and ''low-pass'' frequencies. Low-pass filters exist in many different forms, including electronic circuits such as a hiss filter used in audio, anti-aliasing fil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Resonance
Resonance describes the phenomenon of increased amplitude that occurs when the frequency of an applied periodic force (or a Fourier component of it) is equal or close to a natural frequency of the system on which it acts. When an oscillating force is applied at a resonant frequency of a dynamic system, the system will oscillate at a higher amplitude than when the same force is applied at other, non-resonant frequencies. Frequencies at which the response amplitude is a relative maximum are also known as resonant frequencies or resonance frequencies of the system. Small periodic forces that are near a resonant frequency of the system have the ability to produce large amplitude oscillations in the system due to the storage of vibrational energy. Resonance phenomena occur with all types of vibrations or waves: there is mechanical resonance, orbital resonance, acoustic resonance, electromagnetic resonance, nuclear magnetic resonance (NMR), electron spin resonance (ESR) and reso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MIDI
MIDI (; Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. The specification originates in the paper ''Universal Synthesizer Interface'' published by Dave Smith and Chet Wood of Sequential Circuits at the 1981 Audio Engineering Society conference in New York City. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and loudness. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kawai K4
The Kawai K4 is a 61 key synthesizer manufactured in 1989 by Kawai. It contains several features beyond those offered on Kawai's K1, adding resonant filters and a DAC PCM wavetable. The K4 incorporated a new type of synthesis called Digital Multi Spectrum. Features * 2 line LCD screen * 256 16 bit, 32 kHz internal waveforms (96 Digital Cyclic waveforms and 160 PCM samples) * Drum section (61 drum patches) Interestingly, the K4 uses a system that splits 16 bit samples between two read only memory Read-only memory (ROM) is a type of non-volatile memory used in computers and other electronic devices. Data stored in ROM cannot be electronically modified after the manufacture of the memory device. Read-only memory is useful for storing sof ... (ROM) chips, while reserving a third chip for 8 bit sound samples that naturally have more noise (such as cymbals, snares, and other noisier percussion) in order to have more functionality for a cheaper manufacturing cost. Kawai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amplitude Modulation
Amplitude modulation (AM) is a modulation technique used in electronic communication, most commonly for transmitting messages with a radio wave. In amplitude modulation, the amplitude (signal strength) of the wave is varied in proportion to that of the message signal, such as an audio signal. This technique contrasts with angle modulation, in which either the frequency of the carrier wave is varied, as in frequency modulation, or its phase, as in phase modulation. AM was the earliest modulation method used for transmitting audio in radio broadcasting. It was developed during the first quarter of the 20th century beginning with Roberto Landell de Moura and Reginald Fessenden's radiotelephone experiments in 1900. This original form of AM is sometimes called double-sideband amplitude modulation (DSBAM), because the standard method produces sidebands on either side of the carrier frequency. Single-sideband modulation uses bandpass filters to eliminate one of the sidebands and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modulation
In electronics and telecommunications, modulation is the process of varying one or more properties of a periodic waveform, called the ''carrier signal'', with a separate signal called the ''modulation signal'' that typically contains information to be transmitted. For example, the modulation signal might be an audio signal representing sound from a microphone, a video signal representing moving images from a video camera, or a digital signal representing a sequence of binary digits, a bitstream from a computer. The carrier is higher in frequency than the modulation signal. In radio communication the modulated carrier is transmitted through space as a radio wave to a radio receiver. Another purpose is to transmit multiple channels of information through a single communication medium, using frequency-division multiplexing (FDM). For example in cable television which uses FDM, many carrier signals, each modulated with a different television channel, are transported through a sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Resonance
Resonance describes the phenomenon of increased amplitude that occurs when the frequency of an applied periodic force (or a Fourier component of it) is equal or close to a natural frequency of the system on which it acts. When an oscillating force is applied at a resonant frequency of a dynamic system, the system will oscillate at a higher amplitude than when the same force is applied at other, non-resonant frequencies. Frequencies at which the response amplitude is a relative maximum are also known as resonant frequencies or resonance frequencies of the system. Small periodic forces that are near a resonant frequency of the system have the ability to produce large amplitude oscillations in the system due to the storage of vibrational energy. Resonance phenomena occur with all types of vibrations or waves: there is mechanical resonance, orbital resonance, acoustic resonance, electromagnetic resonance, nuclear magnetic resonance (NMR), electron spin resonance (ESR) and reso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
That Handsome Devil
That Handsome Devil, often shortened to THD, is an American rock band from Brooklyn, New York, by way of Boston, Massachusetts. The band mixes genres such as rock, funk, jazz, jive, blues, surf, rhythm and blues, reggae, rockabilly, rap, and psychedelic. Their sound has also been described as "equal parts Screamin’ Jay Hawkins, bizarre electronica, creepy hip hop and in-your-face gonzo rock". Gypsy jazz has been used in description of the band while frontman Godforbid describes the band's music as "fringe pop". History The band was founded by Godforbid and Jeremy Page. Predating the band's existence, they were both members of the hip hop group Alaskan Fishermen, along with Thirstin' Howl III and Father Time. That Handsome Devil released their first single "Dating Tips" in 2004, which featured the songs "Dating Tips", "How to Get Money", and "Don't Go". In 2006, the band released their eponymous debut EP ''That Handsome Devil'', which included the single "Dating Tips" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kawai Synthesizers
is a musical instrument manufacturing company headquartered in Hamamatsu, Shizuoka, Japan. It is best known for its grand pianos, upright pianos, digital pianos, electronic keyboards and electronic synthesizers. The company was founded in August 1927. History Koichi Kawai, the company founder, was born in Hamamatsu, Japan in 1886. His neighbor, Torakusu Yamaha, a watchmaker and reed organ builder, took him in as an apprentice. Kawai became a member of the research and development team that introduced pianos to Japan. Yamaha died in 1916, and in the 1920s the piano industry faltered in Japan. New management took over control of Yamaha's company, Nippon Gakki Co. (later renamed the Yamaha Corporation), and began to diversify its production line. This led Kawai to leave Nippon Gakki in 1927 and found the Kawai Musical Instrument Research Laboratory. After Koichi Kawai's death in 1955, his son, Shigeru Kawai became company president at 33 and expanded production facilities. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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