Kavalappara Narayanan Nair
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Kavalappara Narayanan Nair
Kavalappara Narayanan Nair (1882–1948) was a prominent 20th-century Kathakali artiste and tutor who specialised in the Hanuman roles of the classical dance-drama from Kerala in south India. A contemporary of greats like Pattikkamthodi Ravunni Menon and Guru Kunchu Kurup, Narayanan Nair also shone in virtuous slots like Bahukan and Brihannala, anti-hero roles like Shishupalan and Keechakan, grotesque characters like Raudra Bhiman and even minor roles like Mannaan, Aanakkaran, Narasimham, Bheeru and Yavanan. His ability to instantaneously improvise on the stage by employing realistic touches to facial expressions and hand gestures won him massive following in south Kerala's Travancore belt as well. In fact, Narayanan Nair was the only northerner Kathakali artiste to figure on the regular pay rolls of the royal palace in Thiruvananthapuram. His white-beard (vella thaadi) roles in the form of the monkey-god Hanuman gained him fame, and even inspired Malayalam poet Edasseri ...
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Kathakali
Kathakali ( ml, കഥകളി) is a major form of classical Indian dance. It is a "story play" genre of art, but one distinguished by the elaborately colourful make-up and costumes of the traditional male actor-dancers. It is native to the Malayalam-speaking southwestern region of Kerala and is almost entirely practiced and appreciated by Malayali people. Kathakali's roots are unclear. The fully developed style of Kathakali originated around the 17th century, but its roots are in the temple and folk arts (such as Krishnanattam and religious drama of the kingdom of the Zamorin of Calicut) southwestern Indian peninsula), which are traceable to at least the 1st millennium CE. A Kathakali performance, like all classical dance arts of India, synthesizes music, vocal performers, choreography and hand and facial gestures together to express ideas. However, Kathakali differs in that it also incorporates movements from ancient Indian martial arts and athletic traditions of South Ind ...
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Kottakkal
Kottakkal (literally-''Land of the Fort'') is a municipality, municipal town in Malappuram District, Malappuram district in Kerala, southern India having 32 Ward (country subdivision), wards. it is a part of Malappuram metropolitan area and a growing city in Kerala. The town is best known for the Arya Vaidya Sala, one of the top Ayurveda, Ayurvedic health centres of the world. Kottakkal is also a major growing commercial, educational, and healthcare hub in South Malabar. The town lies on Mumbai–Kanyakumari National Highway 66 (India), National Highway 66. Kottakkal is located southwest of Malappuram, the district headquarters, and from Tirur railway station. The National Highway 66 separates the municipality from Edarikode, Edarikode grama panchayat on some parts to the west. However, the fast-developing Kottakkal urban area is now spread up to different parts of neighboring panchayats such as Edarikode. Kottakkal is known for its Ayurveda, ayurvedic heritage, Arya Vaidya Sa ...
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Dancers From Kerala
Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoire of movements, or by its historical period or place of origin. An important distinction is to be drawn between the contexts of theatrical and participatory dance, although these two categories are not always completely separate; both may have special functions, whether social, ceremonial, competitive, erotic, martial, or sacred/liturgical. Other forms of human movement are sometimes said to have a dance-like quality, including martial arts, gymnastics, cheerleading, figure skating, synchronized swimming, marching bands, and many other forms of athletics. There are many professional athletes like, professional football players and soccer players, who take dance classes to help with their skills. To be more specific professional athl ...
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People From Palakkad District
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ...
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Indian Male Dancers
Indian or Indians may refer to: Peoples South Asia * Indian people, people of Indian nationality, or people who have an Indian ancestor ** Non-resident Indian, a citizen of India who has temporarily emigrated to another country * South Asian ethnic groups, referring to people of the Indian subcontinent, as well as the greater South Asia region prior to the 1947 partition of India * Anglo-Indians, people with mixed Indian and British ancestry, or people of British descent born or living in the Indian subcontinent * East Indians, a Christian community in India Europe * British Indians, British people of Indian origin The Americas * Indo-Canadians, Canadian people of Indian origin * Indian Americans, American people of Indian origin * Indigenous peoples of the Americas, the pre-Columbian inhabitants of the Americas and their descendants ** Plains Indians, the common name for the Native Americans who lived on the Great Plains of North America ** Native Americans in the Uni ...
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1948 Deaths
Events January * January 1 ** The General Agreement on Tariffs and Trade (GATT) is inaugurated. ** The Constitution of New Jersey (later subject to amendment) goes into effect. ** The railways of Britain are nationalized, to form British Railways. * January 4 – Burma gains its independence from the United Kingdom, becoming an independent republic, named the ''Union of Burma'', with Sao Shwe Thaik as its first President, and U Nu its first Prime Minister. * January 5 ** Warner Brothers shows the first color newsreel (''Tournament of Roses Parade'' and the '' Rose Bowl Game''). ** The first Kinsey Report, ''Sexual Behavior in the Human Male'', is published in the United States. * January 7 – Mantell UFO incident: Kentucky Air National Guard pilot Thomas Mantell crashes while in pursuit of an unidentified flying object. * January 12 – Mahatma Gandhi begins his fast-unto-death in Delhi, to stop communal violence during the Partition of India. * January 1 ...
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1881 Births
Events January–March * January 1– 24 – Siege of Geok Tepe: Russian troops under General Mikhail Skobelev defeat the Turkomans. * January 13 – War of the Pacific – Battle of San Juan and Chorrillos: The Chilean army defeats Peruvian forces. * January 15 – War of the Pacific – Battle of Miraflores: The Chileans take Lima, capital of Peru, after defeating its second line of defense in Miraflores. * January 24 – William Edward Forster, chief secretary for Ireland, introduces his Coercion Bill, which temporarily suspends habeas corpus so that those people suspected of committing an offence can be detained without trial; it goes through a long debate before it is accepted February 2. * January 25 – Thomas Edison and Alexander Graham Bell form the Oriental Telephone Company. * February 13 – The first issue of the feminist newspaper ''La Citoyenne'' is published by Hubertine Auclert. * February 16 – The Canad ...
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Kathakali Exponents
Kathakali ( ml, കഥകളി) is a major form of classical Indian dance. It is a "story play" genre of art, but one distinguished by the elaborately colourful make-up and costumes of the traditional male actor-dancers. It is native to the Malayalam-speaking southwestern region of Kerala and is almost entirely practiced and appreciated by Malayali people. Kathakali's roots are unclear. The fully developed style of Kathakali originated around the 17th century, but its roots are in the temple and folk arts (such as Krishnanattam and religious drama of the kingdom of the Zamorin of Calicut) southwestern Indian peninsula), which are traceable to at least the 1st millennium CE. A Kathakali performance, like all classical dance arts of India, synthesizes music, vocal performers, choreography and hand and facial gestures together to express ideas. However, Kathakali differs in that it also incorporates movements from ancient Indian martial arts and athletic traditions of South Ind ...
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Mani Madhava Chakyar
Guru Mani Madhava Chakyar (IAST: ''Māṇi Mādhava Cākyār'') (15 February 1899 – 14 January 1990) was a celebrated master performance artist and Sanskrit scholar from Kerala, India, considered to be the greatest Chakyar Koothu and Koodiyattam (ancient Sanskrit drama theatre tradition) artist and authority of modern times. He was considered as the authority of '' Abhinaya'' (the classical Indian acting style) and ''Nātyaśāstra''. Known as "the Emperor of Rasa-Abhinaya", he had an exceptional ability to perform ''Rasa-Abhinaya''. His ''Netrābhinaya'' was world-famous and he had the ability to act only with eyes. He was well versed in all the traditional Koodiyattams and all the ''prabandhas'' used in Chakyar Koothu. He was able to explain the concepts, methods and practices of Koodiyattam and Chakyar Koothu in a clear and authentic way. He had an in depth study of ''Nātyaśāstra'' of Bharata Muni, as well as ways of acting which were popular in Kerala. His knowledg ...
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Kudamaloor Karunakaran Nair
Kudamaloor Karunakaran Nair (1916-2000) was a pioneering Kathakali artiste who brought to prominence female characters in the classical dance-drama from Kerala in south India. Kathakali gained a lot through Karunakaran Nair's artistic contributions as his professional career coincided with that of the legendary Kalamandalam Krishnan Nair. With his charming face and graceful feminine movements on the stage, Kudamaloor, as he was simply known (by his place of birth), gained name as the ideal heroine opposite Krishnan Nair's protagonists. Kudamaloor's prominent roles like Damayanti, Lalita, Kunti, Mohini, Rukmini, Devayani, Sairandhri and Draupadi complemented Krishnan Nair's lead roles like Nalan, Karnan, Rugmangadan and Keechakan. Born in Kudamaloor village of Kottayam district, Karunakaran Nair was initiated to Kathakali by guru Kurichi Rama Panikkar. Later, he had his higher studies from Kurichi Kunhan Panikkar, Thottam Sankaran Namboodiri and Kochappi-Raman brothers. He ...
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Guru Gopinath
Perumanoor Gopinathan Pillai, more popularly known as Guru Gopinath (24 June 1908 – 9 October 1987) was a well known actor-cum-dancer. He is well regarded as the greatest preserver of the dance tradition. He is a recipient of the Sangeet Natak Akademi Award. Significance Guru Gopinath was well tempered by traditional discipline, but he expanded the framework of tradition. He was instrumental in introducing and popularising Kathakali, the illustrious dance drama of Kerala, lying in obscurity, to the outer world. He is considered one of the epic personalities of Indian dancing in the 20th century like Uday Shankar. He carved out a contemporary style of dancing, classical in form but popular in appeal, through which the fame of Kathakali spread far and wide in the beginning of the 1930s. He showed how Indian dancing could handle themes other an than those from Hindu mythology. Indian classical dance is the language of humanity, the global language. He popularised it by cho ...
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Kalamandalam Krishnan Nair
Kalamandalam Krishnan Nair (27 March 1914 – 15 August 1990) was a Kathakali dancer from Kerala in India. Life He learned and exhibited various styles of Kathakali. A Padma Shri and Sangeet Natak Akademi Awardee, A native of Cheruthazham in Payyanur Taluk of Kannur district in North Malabar, Kerala he was initiated into Kathakali in his early teenage years under the tutelage of Guru Chandu Panikker. By 19, he got noticed by Kerala Kalamandalam co-founder, poet Vallathol Narayana Menon, and inducted Krishnan Nair into his institute, then near Mulankunnathukavu, north of Thrissur in central Kerala. It was there that Krishnan Nair was trained under gurus of varied style—like Pattikkamthodi Ravunni Menon, Thakazhi Kunchu Kurup, Kavalappara Narayanan Nair and Mani Madhava Chakyar. Krishnan Nair had his higher studies on ''Rasa-abhinaya'' (facial emotions which stressed on eye exercises) from the celebrated Kudiyattam maestro Natyacharya Māni Mādhava Chākyār, who too wo ...
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