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Katinguelê
Katinguelê is a Brazilian pagode and samba group, formed in São Paulo in the first half of the 1980s. They are most well known for their romantic pagode songs as the subgenre began to explode in the 1980s and 1990s. History The group had its beginnings in the neighborhood of Cidade Dutra, in the South Zone of São Paulo, between 1983 and 1985, during which time they played at night clubs in São Paulo. There is some debate as to the groups exact founding, as their official website points to 1983, while other sources indicate 1984 or 1985, the latter date being the year they released their first LP, "Divina Luz". With the rise in of romantic pagode at the end of the 1980s and going into the 1990s, Katinguelê had the opportunity to begin recording professionally through the samba song “Um Doce Sabor”, which became part of the LP "Chopapo", a compilation of various artists released through an independent label of the same name in 1992. A success on local radio stations en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salgadinho (singer)
Paulo Alexandre Nogueira Salgado Martins, better known by his stage name Salgadinho (born 10 January 1970), is a Brazilian pagode and samba singer and composer. He is most well known for being a member of the pagode group Katinguelê. Biography Salgadinho was born in 1970 in São Paulo. He began his musical career as a cavaquinho player for Katinguelê, of which he became its main singer and composer during the 1990s, when the group reached its peak in popularity. As part of the group, he composed some of the biggest hits in pagode during the 1990s, such as "No compasso do criador", "Inaraí", "Recado a Minha Amada", "Um Doce Sabor", "Cilada", "Corpo Lúcido", and "Pra gente matar a saudade", among others. He also hosted, along with Netinho de Paula and Kelly Key, the program ''Samba, Pagode, & Cia.'' on Rede Globo TV Globo (stylized as tvglobo; , ), formerly known as Rede Globo de Televisão (; shortened to Rede Globo) or simply known as Globo, is a Brazilian free-to-air te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba Ensembles
Samba () is a broad term for many of the rhythms that compose the better known Brazilian music genres that originated in the Afro-Brazilians, Afro Brazilian communities of Bahia in the late 19th century and early 20th century, It is a name or prefix used for several rhythmic variants, such as samba urbano carioca (''urban Carioca samba''), samba de roda (sometimes also called ''rural samba''), among many other forms of samba, mostly originated in the Rio de Janeiro (state), Rio de Janeiro and Bahia states. Having its roots in Brazilian mythology, Brazilian folk traditions, especially those linked to the primitive rural samba of the Colonial Brazil, colonial and Empire of Brazil, imperial periods, is considered one of the most important cultural phenomena in Brazil and one of the country symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
São Paulo
São Paulo (; ; Portuguese for 'Paul the Apostle, Saint Paul') is the capital of the São Paulo (state), state of São Paulo, as well as the List of cities in Brazil by population, most populous city in Brazil, the List of largest cities in the Americas, Americas, and both the Western Hemisphere, Western and Southern Hemispheres. Listed by the Globalization and World Cities Research Network (GaWC) as an global city, alpha global city, it exerts substantial international influence in commerce, finance, arts, and entertainment. It is the List of largest cities#List, largest urban area by population outside Asia and the most populous Geographical distribution of Portuguese speakers, Portuguese-speaking city in the world. The city's name honors Paul the Apostle and people from the city are known as ''paulistanos''. The city's Latin motto is ''Non ducor, duco'', which translates as "I am not led, I lead." Founded in 1554 by Jesuit priests, the city was the center of the ''bandeirant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pandeiro
The pandeiro () is a type of hand frame drum popular in Brazil. The pandeiro is used in a number of Brazilian music forms, such as samba, choro, coco, and capoeira music. The drumhead is tunable, and the rim holds metal jingles (''platinelas'') which are cupped, creating a crisper, drier and less sustained tone on the pandeiro than on the tambourine. It is held in one hand, and struck on the head by the other hand to produce the sound. Typical pandeiro patterns are played by alternating the thumb, fingertips, heel, and palm of the hand. A pandeiro can also be shaken to make sound, or one can run a finger along the head to produce a drum roll. Medieval instrument The term ''pandeiro'' was previously used to describe a square double-skinned frame drum, often with a bell inside; such an instrument is now known by the term '' adufe'' in Spain and Portugal. The term ''pandeiro'' (''pandero'' in Asturian) is still used in parts of Galicia, Asturias and Portugal to describe the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pagode Musical Groups
Pagode () is a Brazilian style of music that originated in Rio de Janeiro, Brazil, as a subgenre of Samba. Pagode originally meant a celebration with food, music, dance, and party. In 1978, singer Beth Carvalho was introduced to this music, liked it from the beginning, and recorded tracks by Zeca Pagodinho and others. Over time, pagode has been used by many commercial groups, which have included a version of the music filled with clichés, and there is now a sentiment that the term is a pejorative for "very commercial pop music" (see Pagode Romântico). Original pagode developed at the beginning of the 1980s, with the advent of the band |
Musical Groups From São Paulo (state) , the ability to perceive music or to create music
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{{Music disambiguation ...
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) * Musicality Musicality (''music -al -ity'') is "sensitivity to, knowledge of, or talent for music" or "the quality or state of being musical", and is used to refer to specific if vaguely defined qualities in pieces and/or genres of music, such as melodiousnes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavaquinho
The cavaquinho (pronounced in Portuguese) is a small Portuguese string instrument in the European guitar family, with four wires or gut strings. A cavaquinho player is called a ''cavaquista''. Tuning A common tuning in Portugal is C G A D (non-reentrant with C being the lowest pitch, or from lower to higher pitches). The standard tuning in Brazil is D G B D. Other tunings include: * D A B E – ''Portuguese ancient'' tuning, made popular by Júlio Pereira, reentrant with A being the lowest pitch * G G B D * A A C E * D G B E – used for solo parts in Brazil * G D A E – mandolin tuning * G C E A – ‘''cavacolele''’ tuning, the same as the soprano/tenor ukulele * D G B E – the same as the highest four strings in standard guitar tuning, often used by guitarists, and the same tuning used for the baritone ukulel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hand-repique
The hand-repique is a percussion instrument originated in Brazil. It’s a small drum of cylindrical form, that can be made of wood, aluminum or acrylic. It’s played with the hands, both on the skin and its body. The hand-repique has a sharp sound and is used mainly to play Samba and its variants, such as Pagode. Its common role inside these genres is to increase the percussion section, filling up the spaces and playing the off-beats. It was invented by musician Ubirany, founder and percussionist with the band "Fundo de Quintal". The hand-repique is derived from another percussion instrument, the "Repinique". Ubirany started to use the repinique in its band but felt it was too uncomfortable to play, since this instrument is made to be originally played with a drumstick. So he adapted it, adding a few mufflers on the inside, lowering the hoop and taking the bottom skin off it. It became so popular that it began to be produced by several manufactures (such as Gope, Contemporânea a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
South Zone Of São Paulo
The South Zone is an Subdivisions_of_the_City_of_São_Paulo#Administrative zones, Administrative Zone of São Paulo, Brazil. References Geography of São Paulo {{MesoregionSãoPaulo-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
