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Katija Dragojevic
Katija Dragojevic, born on 14 July 1970, is a Swedish operatic mezzo-soprano who is active at international opera houses such as La Scala, Royal Opera House Covent Garden and La Monnaie. Dragojevic starred in the film ''Juan'' based on Mozart's ''Don Giovanni''. Career Born in Stockholm, the young Dragojevic attended Adolf Fredrik's Music School there and sang in Adolf Fredrik's Girls Choir. She received her professional training at the college of music in Stockholm and at the Guildhall School of Music and Drama in London. The debut took place in October 2000 as Kristina in Janáček's ''The Makropulos Affair'' at La Monnaie in Brussels. In 2012, she made her debut at La Scala in Milan as Cherubino in ''The Marriage of Figaro''.Marcus Boldemann"It is heavenly and strange at once" in ''Dagens Nyheter'', 29 March 2012. Retrieved 18 January 2014 At the Royal Opera Stockholm, she has also sung Cherubino, a page in ''Salome'' and Meg Page in Verdi's ''Falstaff''. On the concert s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malmö Symphony Orchestra
The Malmö Symphony Orchestra ( sv, Malmö Symfoniorkester) is a Swedish orchestra, based in Malmö. Since 2015, it has been resident at the Malmö Live Concert Hall. The orchestra has a complement of 94 musicians. History The orchestra was founded in 1925 with Walther Meyer-Radon as the first chief conductor, from 1925 to 1929. At first, the orchestra performed both symphony concerts and served as the orchestra of the Malmö Opera and Music Theatre. From 1991 onwards, the orchestra has been exclusively devoted to symphony orchestra concerts. Between 1985 and 2015, the orchestra gave its main concert series in the Malmö Concert Hall, after which they moved to Malmö Live. Herbert Blomstedt held the title of ''Huvuddirigent'' (principal conductor) during 1962–1963. Past principal guest conductors have included Brian Priestman (1988–1990), Gilbert Varga (1997–2000), and Mario Venzago (2000–2003). Since 2019, the orchestra's current chief conductor is Robert Trev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kasper Holten
Kasper Holten (born 29 March 1973) is a Danish stage director. From 2011 until 2017 he was Director of Opera for the Royal Opera House in London. He is Vice President of the Board of the European Academy of Music Theatre. Career Born in Copenhagen, Holten began his career in opera as a director's assistant to such figures as Harry Kupfer, John Cox and David Pountney. In 2000, at age 27, Holten became artistic director of the Royal Danish Opera. His work there included a highly acclaimed production of ''Der Ring des Nibelungen'', which was released on DVD as "The Copenhagen Ring". This DVD won the Gramophone Award in 2009 for Best DVD. He held this post until 2011. In March 2011, Holten was named the new Director of Opera at the Royal Opera House, Covent Garden, and formally assumed the post in the autumn of 2011 with an initial contract of 5 years. His directorial debut at Covent Garden was in February 2013. In December 2015, the company announced the scheduled departure of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robin Ticciati
Robin Ticciati (born 16 April 1983, in London) is a British conductor of Italian ancestry. Biography Ticciati's paternal grandfather, Niso Ticciati, was a composer, arranger, cellist, and keyboardist. His father is a barrister, and his mother is a therapist. His older brother Hugo Ticciati is a violinist, and his sister is a theology professor. As a youth, Ticciati studied violin, piano and percussion, and was a member of the National Youth Orchestra of Great Britain. He began conducting at age 15 whilst attending St Paul's School. Ticciati read music at Clare College, University of Cambridge. Although Ticciati has not had any formal conducting training, he counts Sir Simon Rattle and Sir Colin Davis among his conducting mentors. Ticciati founded the chamber ensemble Aurora, which gave its first concert in April 2005, the year in which he was also awarded a Borletti Buitoni Trust Fellowship. In June 2005 he was called to substitute for Riccardo Muti for a night at the Tea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manfred Honeck
Manfred Honeck (born 17 September 1958, in Nenzing) is an Austrian conductor. He is currently the music director of the Pittsburgh Symphony Orchestra. Early life Honeck was born in Nenzing, Austria, near the border with Switzerland and Liechtenstein, one of nine children of Otto and Frieda Honeck. One of his brothers is the Vienna Philharmonic concertmaster Rainer Honeck. Beginning as a violinist, Honeck received his musical training at the University of Music and Performing Arts Vienna and later played the viola. He subsequently played in the Vienna Philharmonic and Vienna State Opera Orchestra. His early work as a conductor included a period as assistant to Claudio Abbado with the Gustav Mahler Jugendorchester (Youth Orchestra). In 1987, Honeck founded the Vienna Jeunesse Orchestra. Career 1991–1999 Following his work with the Mahler Jugendorchester, Honeck conducted regularly at the Zurich Opera House from 1991 to 1996. In 1993, while conducting at the Zurich Opera House ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Hengelbrock
Thomas Hengelbrock (born 9 June 1958) is a German violinist, musicologist, stage director and conductor. Born in Wilhelmshaven, Hengelbrock studied the violin with Rainer Kussmaul. He started his career in Würzburg and Freiburg im Breisgau. He worked as an assistant to Witold Lutosławski, Mauricio Kagel and Antal Doráti and played with ensembles such as the Concentus Musicus Wien. In 1985, he cofounded the Freiburger Barockorchester, where he worked as a violinist and a leader of the ensemble. In 1991, Hengelbrock founded the ''Balthasar Neumann Chor'' in Freiburg. Subsequently, in 1995, he established the ''Balthasar Neumann Ensemble'' as a parallel orchestra with its namesake choir, to perform works from Baroque to contemporary music in Historically informed performances. He continues to work both Balthasar Neumann ensembles regularly. From 1995 to 1999, he was the first artistic director of the Deutsche Kammerphilharmonie Bremen. He was music director of the Volksop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andris Nelsons
Andris Nelsons (born 18 November 1978) is a Latvian conductor who is currently the music director of the Boston Symphony Orchestra and the ''Gewandhauskapellmeister'' of the Leipzig Gewandhaus Orchestra. He has previously served as music director of the City of Birmingham Symphony Orchestra, chief conductor of the Nordwestdeutsche Philharmonie, and music director of the Latvian National Opera. Early life Nelsons was born in Riga. His mother founded the first early music ensemble in Latvia, and his father was a choral conductor, cellist, and teacher. At age five, his mother and stepfather (a choir conductor) took him to a performance of Wagner's ''Tannhäuser'', which Nelsons refers to as a profoundly formative experience: "...it had a hypnotic effect on me. I was overwhelmed by the music. I cried when Tannhäuser died. I still think this was the biggest thing that happened in my childhood." As a youth, Nelsons studied piano, and took up the trumpet at age 12. He also sang b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel Harding
Daniel John Harding (born 31 August 1975) is a British conductor. Biography Harding was born in Oxford. He studied trumpet at Chetham's School of Music and was a member of the National Youth Orchestra at age 13. At age 17, Harding assembled a group of musicians to perform ''Pierrot Lunaire'' of Arnold Schoenberg, and sent a tape of the performance to Simon Rattle in Birmingham. After listening to this tape, Rattle hired Harding as his assistant at the City of Birmingham Symphony Orchestra for a year, from 1993 to 1994. Harding then attended the University of Cambridge, but after his first year at university, Claudio Abbado named him his assistant with the Berlin Philharmonic Orchestra. Harding first conducted the Berlin Philharmonic at age 21. At the time of his first conducting appearance at The Proms in 1996, he was then the youngest-ever conductor to appear there. Harding has stated that he has never had formal conducting lessons. He is a former Seiji Ozawa Fellow in con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivor Bolton
Ivor Bolton Ivor Bolton (born 17 May 1958) is an English conductor and harpsichordist. Early life and education Bolton was born in Blackrod, Greater Manchester, England. He studied at Queen Elizabeth's Grammar School, Blackburn and Clare College, Cambridge (1976–80), and was conducting scholar at the Royal College of Music (1980–81).Adam, Nicky (ed). Ivor Bolton. In: ''Who's Who in British Opera.'' Scolar Press, Aldershot, 1993. He later trained as a répétiteur at the National Opera Studio and was appointed conductor of Schola Cantorum of Oxford. Career Bolton was Assistant Chorus Master and staff conductor from 1982–84 for Glyndebourne Festival Opera. He made his operatic conducting debut in 1986 with Stravinsky's ''The Rake's Progress'' for Opera 80. He later became music director of Glyndebourne Touring Opera (now Glyndebourne on Tour) from 1992–97. He was principal conductor of the Scottish Chamber Orchestra from 1994–96. He has also held leadership positi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Des Knaben Wunderhorn (Mahler)
The songs of ''Des Knaben Wunderhorn'' (''The Boy’s Magic Horn'') by Gustav Mahler are voice-and-piano and voice-and-orchestra settings of German folk poems chosen from a collection of the same name assembled by Achim von Arnim and Clemens Brentano and published by them, in heavily redacted form, between 1805 and 1808. Ten songs set for soprano or baritone and orchestra were first published by Mahler as a cycle in 1905, but in total 12 orchestral songs exist,Donald Mitchell - 1980 "We have come to think of the Wunderhorn songs as a collection of ten rather than twelve songs — i.e. excluding the two excerpts from the symphonies" and a similar number of songs for voice and piano. History of composition Mahler's self-composed text for the first of his ''Lieder eines fahrenden Gesellen'' (''Songs of a Travelling Journeyman'', often translated as ''Songs of a Wayfarer''; 1884–1885) is clearly based on the ''Wunderhorn'' poem "''Wenn mein Schatz''"; his first genuine settings o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Great Mass In C Minor
''Great Mass in C minor'' (german: Große Messe in c-Moll, links=no), K. 427/417a, is the common name of the musical setting of the mass by Wolfgang Amadeus Mozart, which is considered one of his greatest works. He composed it in Vienna in 1782 and 1783, after his marriage, when he moved to Vienna from Salzburg. The large-scale work, a missa solemnis, is scored for two soprano soloists, a tenor and a bass, double chorus and large orchestra. It remained unfinished, missing large portions of the Credo and the complete Agnus Dei. Composition and first performance The work was composed during 1782–83. In a letter to his father Leopold dated 4 January 1783, Mozart mentioned a vow he had made to write a mass when he would bring his then fiancée Constanze as his wife to Salzburg to meet his family for the first time after his father's earlier opposition. Constanze then sang the "Et incarnatus est" at its premiere. The first performance took place in Salzburg on Sunday 26 Octob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magnificat (Bach)
Johann Sebastian Bach's Magnificat, BWV 243, is a musical setting of the biblical canticle Magnificat. It is scored for five vocal parts (two sopranos, alto, tenor and bass), and a Baroque orchestra including trumpets and timpani. It is the first major liturgical composition on a Latin text by Bach. In 1723, after taking up his post as Thomaskantor in Leipzig, Bach set the text of the Magnificat in a twelve movement composition in the key of E-flat major. For a performance at Christmas he inserted four hymns ('' laudes'') related to that feast. This version, including the Christmas interpolations, was given the number 243.1 (previously 243a) in the catalogue of Bach's works. Likely for the feast of Visitation of 1733, or another feast in or around that year, Bach produced a new version of his Latin Magnificat, without the Christmas hymns: instrumentation of some movements was altered or expanded, and the key changed from E-flat major to D major, for perf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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