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Kathy Rae Huffman
Kathy Rae Huffman is an American curator, writer, producer, researcher, lecturer and expert for video and media art. Since the early 1980s, Huffman is said to have helped establish video and new media art, online and interactive art, installation and performance art in the visual arts world. She has curated, written about, and coordinated events for numerous international art institutes, consulted and juried for festivals and alternative arts organisations. Huffman not only introduced video and digital computer art to museum exhibitions, she also pioneered tirelessly to bring television channels and video artists together, in order to show video artworks on TV. From the early 1990s until 2014, Huffman was based in Europe, and embraced early net art and interactive online environments, a curatorial practice that continues. In 1997, she co-founded the Faces mailing list and online community for women working with art, gender and technology. Till today, Huffman is working in the US, in C ...
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Faces (online Community)
Faces is an international online community of women who share an interest in digital media arts. They communicate via an email list and organize events both online and off. Founded in 1997, this informal network includes activists, artists, critics, theoreticians, technicians, journalists, researchers, programmers, networkers, web designers, and educators. History Faces was founded in 1997 by three participants in the first wave of net art — Kathy Rae Huffman, Diana McCarty, and Valie Djordjevic — as a response to the relative invisibility of women working in the field of new media arts. Initially, Huffman and McCarty served as co-moderators and Djordjevic as technical advisor. Ushi Reiter joined the team in 2000. Through email and meet-ups at European media arts and culture events, the Faces community discussed what was going on in new media, shared information about projects, and strategized about how to counter the lack of representation of women in the field of new media. T ...
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University Of Applied Arts Vienna
The University of Applied Arts Vienna (german: Universität für angewandte Kunst Wien, or informally just ''Die Angewandte'') is an arts university and institution of higher education in Vienna, the capital of Austria. It has had university status since 1970. History The predecessor of the ''Angewandte'' was founded in 1863 as the ''k. k. Kunstgewerbeschule'' (Vienna School of Arts and Crafts), following the example of the South Kensington Museum in London, now the Victoria & Albert Museum, to set up a place of advanced education for designers and craftsmen with the Arts and Crafts School in Vienna. It was closely associated with the ''Österreichischen Museums für Kunst und Industrie'' (Imperial Royal Austrian Museum of Art and Industry, today known as the MAK). It was the first school of its kind on the continent. In 1941 it became an institution of higher education. 1941-45 it was called "Reichshochschule fuer angewandte Kunst", and in 1948 was taken over by the Austrian ...
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Peggy Gale
Peggy Gale (born 1944) is an independent Canadian curator, writer, and editor. Gale studied Art History and received her Honours Bachelor of Arts degree in Art History from the University of Toronto in 1967. Gale has published extensively on time-based works by contemporary artists in numerous magazines and exhibition catalogues. She was editor of ''Artists Talk 1969-1977'', from The Press of the Nova Scotia College of Art and Design, Halifax (2004) and in 2006, she was awarded the Governor General's Award in Visual and Media Arts. Gale was the co-curator for ''Archival Dialogues: Reading the Black Star Collection'' in 2012 and later for the Biennale de Montréal 2014, ''L’avenir (looking forward)'', at the Musée d’art contemporain de Montréal. Gale is a member of IKT (International Association of Curators of Contemporary Art), AICA (International Association of Art Critics), The Writers' Union of Canada, and has been a contributing editor of Canadian Art since 1986. Early ...
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Birgit Hein
Birgit Hein (born 6 August 1942) is a German film director, producer, performance artist, university professor, and screenwriter who has made experimental films since 1960s, with her then husband Wilhem Heim.Foster, p.176 Biography Hein was born in Berlin in 1942. With her structural films (since 1966), performances, documentary film essays and film study publications, she is considered one of the decisive pioneers of German underground and experimental films. In 1964, she married Wilhelm Hein (Separated in 1988, divorced in 1995), with whom she collaborated on several experimental film projects. In 1968, she co-founded XSCREEN, an exhibition space in Cologne. In 1993, Hein won the German Film Critics Association Best Experimental Film Award for her film '' Die Unheimlichen Frauen''. Hein studied art history and theater studies at the University of Cologne in the early 1960s. From 1966 to 1988 she worked with Wilhelm Hein producing films and working on performances with him. Sh ...
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Nam June Paik
Nam June Paik (; July 20, 1932 – January 29, 2006) was a Korean American artist. He worked with a variety of media and is considered to be the founder of video art. He is credited with the first use (1974) of the term "electronic super highway" to describe the future of telecommunications. Biography Born in Seoul in 1932 in what was then Japanese Korea, the youngest of five children, Paik had two older brothers and two older sisters. His :ko:백낙승 (1886년), father (who in 2002 was revealed to be a Chinilpa, or a Korean who collaborated with the Japanese during the latter's occupation of Korea) owned a major textile manufacturing firm. As he was growing up, he was trained as a classical pianist. By virtue of his affluent background, Paik received an elite education in modern (largely Western) music through his tutors. In 1950, during the Korean War, Paik and his family fled from their home in Korea, first fleeing to Hong Kong, but later moving to Japan. Paik graduated ...
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Nan Hoover
Nan Hoover (12 May 1931 – 9 June 2008) was a Dutch/American-expatriate artist who is known for her pioneering work in video art, photography and performance art. She spent almost four decades living and working in the Netherlands."Nan Hoover"
, Electronic Arts Intermix, Retrieved 19 April 2014.
She also used the mediums of , , and and created

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Vilém Flusser
Vilém Flusser (May 12, 1920 – November 27, 1991) was a Brazilian Czech-born philosopher, writer and journalist. He lived for a long period in São Paulo (where he became a Brazilian citizen) and later in France, and his works are written in many different languages. His early work was marked by discussion of the thought of Martin Heidegger, and by the influence of existentialism and phenomenology. Phenomenology would play a major role in the transition to the later phase of his work, in which he turned his attention to the philosophy of communication and of artistic production. He contributed to the dichotomy in history: the period of image worship, and period of text worship, with deviations consequently into idolatry and "textolatry". Life Flusser was born in 1920 in Prague, Czechoslovakia into a family of Jewish intellectuals. His father, Gustav Flusser, studied mathematics and physics (under Albert Einstein among others). Flusser attended German and Czech primary ...
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Transmediale
Transmediale, stylised as transmediale is an annual festival for art and digital culture in Berlin, usually held over five days at the end of January and the beginning of February. Transmediale takes the form of a conference (sometimes called a festival), an exhibition, and a film and video program that often contain or support performances and workshops. Throughout the year, transmediale is also involved in a number of long- and short-term cooperative projects via transmediale/resource. From its initial focus on video culture, it came to cultivate an artistic and critical dialogue with television and multimedia, emerging as the leading international platform for media art. The CTM Festival, which began as a part of transmediale, has since become an independent event. History Transmediale began in 1988 at Berlinale under the name VideoFilmFest by Hartmut Horst and video artist Micky Kwella. Horst and Kwella wanted to create a platform for electronic media productions, whi ...
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Wayback Machine
The Wayback Machine is a digital archive of the World Wide Web founded by the Internet Archive, a nonprofit based in San Francisco, California. Created in 1996 and launched to the public in 2001, it allows the user to go "back in time" and see how websites looked in the past. Its founders, Brewster Kahle and Bruce Gilliat, developed the Wayback Machine to provide "universal access to all knowledge" by preserving archived copies of defunct web pages. Launched on May 10, 1996, the Wayback Machine had more than 38.2 million records at the end of 2009. , the Wayback Machine had saved more than 760 billion web pages. More than 350 million web pages are added daily. History The Wayback Machine began archiving cached web pages in 1996. One of the earliest known pages was saved on May 10, 1996, at 2:08p.m. Internet Archive founders Brewster Kahle and Bruce Gilliat launched the Wayback Machine in San Francisco, California, in October 2001, primarily to address the problem of web co ...
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Silvia Eiblmayr
Silvia Eiblmayr (born in Berchtesgaden) is an Austrian art historian and curator. Life and work Eiblmayr was born in Germany and grew up in Upper Austria and lives and works in Vienna. She holds a doctorate in art history from the University of Vienna and works as a curator in the field of contemporary art. From 1993 to 1995, she was director of the Salzburg Kunstverein and from 1998 to 2008, she directed the in Innsbruck. From 1988 onwards, Eiblmayr held several teaching posts and visiting professorships in Austria, Germany, Switzerland and England. From 1988 to 2003, she taught at the University of Vienna. In 2009, Eiblmayr was, together with Valie Export Commissioner of the Austrian Pavilion at the 53rd Venice Biennale. In 2000, Eiblmayr was awarded the . In 2019, she received the Österreichischer Staatspreis für Kunstkritik. Further reading * Silvia Eiblmayr (edit.): ''Kunst mit Eigen-Sinn. Aktuelle Kunst von Frauen. Texte und Dokumentation.'' Loecker, Vienna mong ot ...
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Ars Electronica Center
Ars Electronica Linz GmbH is an Austrian cultural, educational and scientific institute active in the field of new media art, founded in Linz in 1979. It is based at the Ars Electronica Center (AEC), which houses the Museum of the Future, in the city of Linz. Ars Electronica's activities focus on the interlinkages between art, technology and society. It runs an annual festival, and manages a multidisciplinary media arts R&D facility known as the Futurelab. It also confers the Prix Ars Electronica awards. History Ars Electronica began with its first festival in September 1979. Its founders were Hannes Leopoldseder, Hubert Bognermayr, Herbert W. Franke, and Ulrich Rützel. The festival was held biennially at first, and annually since 1986. The Prix Ars Electronica was inaugurated in 1987 and has been awarded every year since then. Ars Electronica Linz GmbH was incorporated as a limited company in 1995. The Ars Electronica Center, together with the Futurelab, opened in 1996, an ...
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European Media Art Festival
The European Media Art Festival (officially abbreviated as EMAF) is an annual festival and congress for film and media art which takes place every April/May in Osnabrück, Germany. Overview The festival offers its visitors a current overview of experimental films, installations, performances, digital art, and hybrid forms, ranging from personal and political subjects or formal experiments to provocative statements about media art and society. The Festival sees itself as a place of experimentation and a laboratory where extraordinary works, experiments and ventures are created and presented. It is the largest showcase of experimental short films and feature films, digital art, animation, and multimedia, in the world of media art, presenting as many as 250 works out of up to 2500 entries during an event attended by about 14,000 participants as of 2018. The festival has an "open policy" with room for projects ranging from "process-based experiments and technological innovations to ...
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