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Katharina Konradi
Katharina Konradi (born 13 June 1988) is a Kyrgyzstani operatic soprano based in Germany, at the Hamburg State Opera from 2018. She has performed at major opera houses, especially as Mozart's Susanna and Zdenka in ''Arabella'', and at the Bayreuth Festival. She is also known as a lieder singer with a broad repertoire including contemporary music, performed at Wigmore Hall in London among others. Career Born in Bishkek, Konradi grew up in Kyrgyzstan, speaking Russian. She moved to Hamburg at age 15, not speaking any German and obtained her Abitur at the Johannes-Brahms-Schule in Pinneberg in 2009. She took singing lessons with , and then studied from to 2013 at the Universität der Künste Berlin, voice with , contemporary Lied with Axel Bauni, and Lied interpretation with , graduating with a Bachelor of Arts degree. She studied for her Master of Arts from 2014 to 2016 at the Hochschule für Musik und Theater München, voice with Christiane Iven and Lied with Donald Sulzen. She ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bishkek
Bishkek ( ky, Бишкек), ), formerly Pishpek and Frunze, is the capital and largest city of Kyrgyzstan. Bishkek is also the administrative centre of the Chüy Region. The region surrounds the city, although the city itself is not part of the region but rather a region-level unit of Kyrgyzstan. Bishkek is situated near the Kazakhstan–Kyrgyzstan border. Its population was 1,074,075 in 2021. In 1825, the Khanate of Kokand established the fortress of Pishpek to control local caravan routes and to collect tribute from Kyrgyz tribes. On 4 September 1860, with the approval of the Kyrgyz, Russian forces led by Colonel Apollon Zimmermann destroyed the fortress. In the present day, the fortress ruins can be found just north of Jibek jolu street, near the new main mosque. In 1868, a Russian settlement was established on the site of the fortress under its original name, Pishpek. It lay within the General Governorship of Russian Turkestan and its Semirechye Oblast. In 1925, the K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christiane Iven
Christiane Iven (born 9 March 1965) is a German lied, concert and opera singer as well as a vocal teacher at the Hochschule für Musik und Theater München. Career Iven was born in Hamburg as the youngest of three siblings of a North German merchant family. She attended the old-language Gymnasium Christianeum until her Abitur in 1984. Afterwards, she studied singing and vocal pedagogy at the University of Music and Theatre Hamburg, first with Hans Kagel and later with Judith Beckmann. She completed her education in Dietrich Fischer-Dieskau's Lied class at the Universität der Künste Berlin. In 1986, while still a student, Iven began her solo activities as a concert and lied singer and was also a permanent member of the NDR radio choir in Hamburg for several years. From 1992 to 1996, she was engaged as lyric mezzo-soprano at the Theater Bremen and from 1996 to 2001, at the Nationaltheater Mannheim. From 2001 to 2006, she was a member of the Staatsoper Hannover ensemble, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Freischütz
' ( J. 277, Op. 77 ''The Marksman'' or ''The Freeshooter'') is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 1810 collection ''Gespensterbuch''. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first German Romantic opera. The opera's plot is mainly based on August Apel's tale "Der Freischütz" from the ''Gespensterbuch'' though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception. Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score". Performance history The reception of ''Der Freischütz'' surpassed Weber's own hopes and it quickly became an international success, with productions in Vienna the same year f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Falstaff (opera)
''Falstaff'' () is a comic opera in three acts by the Italian composer Giuseppe Verdi. The Italian-language libretto was adapted by Arrigo Boito from the play '' The Merry Wives of Windsor'' and scenes from '' Henry IV, Part 1'' and '' Part 2'', by William Shakespeare. The work premiered on 9 February 1893 at La Scala, Milan. Verdi wrote ''Falstaff'', the last of his 28 operas, as he approached the age of 80. It was his second comedy, and his third work based on a Shakespeare play, following '' Macbeth'' and '' Otello''. The plot revolves around the thwarted, sometimes farcical, efforts of the fat knight Sir John Falstaff to seduce two married women to gain access to their husbands' wealth. Verdi was concerned about working on a new opera at his advanced age, but he yearned to write a comic work and was pleased with Boito's draft libretto. It took the collaborators three years from mid-1889 to complete. Although the prospect of a new opera from Verdi aroused im ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a ''dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as ''opera buffa''). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the succes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Fledermaus
' (, ''The Flittermouse'' or ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. Background The original literary source for ' was ' (''The Prison''), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, ', loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. Meilhac and Halévy had provided several successful libretti for Offenbach and ''Le Réveillon'' later formed the basis for the 1926 silent film '' So This Is Paris'', directed by Ernst Lubitsch. Meilhac and Halévy's play was soon translated into German by Karl Haffner (1804–1876), at the instigation of Max Steiner, as a non-musical play for production in Vienna. The French custom of a New Year's Eve ''réveillon'', or supper party ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hänsel Und Gretel (opera)
''Hansel and Gretel'' (German: ') is an opera by nineteenth-century composer Engelbert Humperdinck, who described it as a ' (fairy-tale opera). The libretto was written by Humperdinck's sister, Adelheid Wette, based on the Grimm brothers' fairy tale "Hansel and Gretel". It is much admired for its folk music-inspired themes, one of the most famous being the "" ("Evening Benediction") from act 2. The idea for the opera was proposed to Humperdinck by his sister, who approached him about writing music for songs that she had written for her children for Christmas based on "Hansel and Gretel". After several revisions, the musical sketches and the songs were turned into a full-scale opera. Humperdinck composed ''Hansel and Gretel'' in Frankfurt in 1891 and 1892. The opera was first performed in the Hoftheater in Weimar on 23 December 1893, conducted by Richard Strauss. It has been associated with Christmas since its earliest performances and today it is still most often performed at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Zauberflöte
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyric Soprano
A lyric soprano is a type of operatic soprano voice that has a warm quality with a bright, full timbre that can be heard over an orchestra. The lyric soprano voice generally has a higher tessitura than a soubrette and usually plays ingenues and other sympathetic characters in opera. Lyric sopranos have a range from approximately middle C ( C4) to "high D" (D6). This is the most common female singing voice. There is a tendency to divide lyric sopranos into two groups: light and full. Light lyric soprano A light-lyric soprano has a bigger voice than a soubrette but still possesses a youthful quality.Nashville Opera There are a wide variety of roles written for this voice, and they may sing |
Hessisches Staatstheater Wiesbaden
The Hessisches Staatstheater Wiesbaden ('Hessian State Theatre Wiesbaden') is a German theatre located in Wiesbaden, in the German state Hesse. The company produces operas, plays, ballets, musicals and concerts on four stages. Known also as the Staatstheater Wiesbaden or ''Theater Wiesbaden'', its orchestra is the Hessisches Staatsorchester. The building was inaugurated in 1894. The theatre is the host for the annual festival Internationale Maifestspiele Wiesbaden, established in 1896 after the Bayreuth Festival. History The building of the theatre was initiated and substantially supported by the German emperor William II who regularly visited the spa in Wiesbaden. A team of architects from Vienna, Ferdinand Fellner and Hermann Helmer, won the competition. They constructed the building from 1892 to 1894 in Baroque Revival style, following models in Prague and Zurich. The inauguration was on 16 October 1894 in the presence of the emperor. The Foyer was built in 1902 by archi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monodrama
A monodrama is a theatrical or operatic piece played by a single actor or singer, usually portraying one character. In opera In opera, a monodrama was originally a melodrama with one role such as Jean-Jacques Rousseau's ''Pygmalion'', which was written in 1762 and first staged in Lyon in 1770, and Georg Benda's work of the same name (1779). The term monodrama (sometimes mono-opera) is also applied to modern works with a single soloist, such as Arnold Schoenberg's ''Die glückliche Hand'' (1924), which besides the protagonist has two additional silent roles as well as a choral prologue and epilogue. ''Erwartung'' (1909) and ''La voix humaine'' (1959) closely follow the traditional definition, while in ''Eight Songs for a Mad King'' (1969) by Peter Maxwell Davies, the instrumentalists are brought to the stage to participate in the action. Twenty-first century examples can be found in '' Émilie'' (2008) by Kaija Saariaho and ''Four Sad Seasons Over Madrid'' (2008) or ''God's Ske ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grigory Frid
Grigory Samuilovich Frid also known as Grigori Fried (russian: Григо́рий Самуи́лович Фри́д, 22 September N.S. 1915 – 22 September 2012) was a Russian composer of music written in many different genres, including chamber opera. Early life and education Born in Petrograd, now St. Petersburg, Frid studied in the Moscow Conservatory with Heinrich Litinsky and Vissarion Shebalin. He was a soldier in the Second World War. Career Frid was a prolific composer. His most notable works are his two chamber operas, both to his own libretti. ''The Diary of Anne Frank'' is a monodrama in 21 scenes for soprano and chamber orchestra, lasting about one hour. It was composed in 1968 and given a first performance with piano accompaniment at the All-Union House of Composers in Moscow on either 17 or 18 May 1972.SikorskiThe Diary of Anne Frank/ref>New Grove Dictionary of Opera. "Grigory Frid", volume II, page 303. ''The Letters of Van Gogh'' is a mono-opera in two parts for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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