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Kateřina Jalovcová
Kateřina Jalovcová (born 1978 in Rakovník) is a Czech operatic mezzo-soprano who has had an active international career since 2004. She is a principal singer at the National Theatre in Prague. Career Jalovcová is a graduate of the Prague Conservatory where she studied voice under Brigita Šulcová. In 2004 she joined the roster of principal artists at the , singing roles there for two years. During this time she also worked as a guest artist at the National Theatre in Prague and the . Among the roles she portrayed during these years were Azucena in Verdi's '' Il trovatore'', Ulrica in Verdi's '' Un ballo in maschera'', Preziosilla in Verdi's '' La forza del destino'', Siebel in Gounod's ''Faust'', and Fyodor in Mussorgsky's ''Boris Godunov''. In 2006 Jalovcová became a principal singer at the National Theatre, and has since performed a wide variety of roles at that house. Among the roles she has sung in Prague are, Annio in Mozart's ''La clemenza di Tito'', Cherubino in Moza ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katka Jalovcova
Katherine (), also spelled Catherine and other variations, is a feminine given name. The name and its variants are popular in countries where large Christian populations exist, because of its associations with one of the earliest Christian saints, Catherine of Alexandria. In the early Christian era it came to be associated with the Greek adjective (), meaning 'pure'. This influenced the name's English spelling, giving rise to variants ''Katharine'' and ''Catharine''. The spelling with a middle 'a' was more common in the past. ''Katherine'', with a middle 'e', was first recorded in England in 1196 after being brought back from the Crusades. Popularity and variations Anglophone use In Britain and America, ''Catherine'' and its variants have been among the 100 most popular names since 1880. Amongst the most common variants are ''Katherine'' and ''Kathryn''. The spelling ''Catherine'' is common in both English and French. Less-common variants in English include ''Katharine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Clemenza Di Tito
(''The Clemency of Titus''), K. 621, is an ''opera seria'' in two acts composed by Wolfgang Amadeus Mozart to an Italian libretto by Caterino Mazzolà, after Pietro Metastasio. Mozart completed the work in the midst of composing ''Die Zauberflöte'', his last opera. ''La clemenza di Tito'' premiered on 6 September 1791 at the Estates Theatre in Prague. Background In 1791, the last year of his life, Mozart was already well advanced in writing ' by July when he was asked to compose an ''opera seria ''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to abou ...''. The commission came from the impresario Domenico Guardasoni, who lived in Prague and who had been charged by the Estates of Bohemia with providing a new work to celebrate the coronation of Leopold II, Holy Roman Emperor, as King o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov. At the time, his name was spelled , which he romanized as Nicolas Rimsky-Korsakow; the BGN/PCGN transliteration of Russian is used for his name here; ALA-LC system: , ISO 9 system: .. (18 March 1844 – 21 June 1908) was a Russian composer, a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—'' Capriccio Espagnol'', the '' Russian Easter Festival Overture'', and the symphonic suite ''Scheherazade''—are staples of the classical music repertoire, along with suites and excerpts from some of his fifteen operas. ''Scheherazade'' is an example of his frequent use of fairy-tale and folk subjects. Rimsky-Korsakov believed in developing a nationalistic style of classical music, as did his fellow composer Mily Balakirev and the critic Vladimir Stasov. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a prac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wexford Festival Opera
Wexford Festival Opera () is an opera festival that takes place in the town of Wexford in south-eastern Ireland during the months of October and November. Festival origins, growth and development Tom Walsh, 1951 to 1966 Tom Walsh, an avid opera lover, dreamt of staging an opera production in his hometown Wexford. He started the Wexford Opera Study Circle in 1950, and invited Sir Compton Mackenzie, the founder of the magazine '' The Gramophone'' and a writer on music, for the inaugural lecture for the circle. Mackenzie and Walsh discussed the idea of a local opera festival, and Mackenzie became the first President of the Wexford Festival of Music and the Arts. The result was that a group of opera lovers (including Dr. Tom Walsh who was to become the festival's first artistic director) planned a "Festival of Music and the Arts" (as the event was first called) from 21 October to 4 November 1951. The highlight was a production of the 19t-century Irish composer Michael William Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rusalka (opera)
''Rusalka'' (), Op. 114, is an opera ('lyric fairy tale') by Antonín Dvořák. His ninth opera (1900–1901), it became his most successful, frequenting the standard repertoire worldwide. Jaroslav Kvapil wrote the libretto on Karel Jaromír Erben's and Božena Němcová's fairy tales. The rusalka is a water sprite from Slavic mythology; it usually inhabits a lake or river. For many years unfamiliarity with Dvořák's operas outside the Czech lands helped reinforce a perception that composition of operas was a marginal activity, and that despite the beauty of its melodies and orchestral timbres ''Rusalka'' was not a central part of his output or of international lyric theatre. In recent years it has been performed more regularly by major opera companies. In the five seasons from 2008 to 2013 it was performed by opera companies worldwide far more than all of Dvořák's other operas combined. The most popular excerpt from ''Rusalka'' is the soprano aria, the "Song to the Moon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jenůfa
''Její pastorkyňa'' (''Her Stepdaughter''; commonly known as ''Jenůfa'' ) is an opera in three acts by Leoš Janáček to a Czech libretto by the composer, based on the Play (theatre), play ''Její pastorkyňa'' by Gabriela Preissová. It was first performed at the Mahen Theatre, National Theatre, Brno on 21 January 1904. Composed between 1896 and 1902, it is among the first operas written in prose. The first of Janáček's operas in which his distinctive voice can clearly be heard, it is a grim story of infanticide and redemption. Like the playwright's original work, it is known for its unsentimental realism (arts), realism. While today it is heard in the composer's original version, ''Jenůfas early popularity was due to a revised version by Karel Kovařovic, altering what was considered its eccentric style and orchestration. Thus altered, it was well-received, first in Prague, and particularly after its Vienna première also worldwide. More than 70 years passed before audien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugene Onegin (opera)
''Eugene Onegin'' (, ), Op. 24, is an opera (designated as "lyrical scenes") in 3 acts (7 scenes), composed by Pyotr Ilyich Tchaikovsky. The libretto, organised by the composer himself, very closely follows certain passages in Alexander Pushkin's 1825–1832 novel in verse, retaining much of his poetry. Tchaikovsky's friend Konstantin Shilovsky contributed M. Triquet's verses in Act 2, Scene 1, while Tchaikovsky himself arranged the text for Lensky's arioso in Act 1, Scene 1, and almost all of Prince Gremin's aria in Act 3, Scene 1. ''Eugene Onegin'' is a well-known example of lyric opera, to which Tchaikovsky added music of a dramatic nature. The story concerns a selfish hero who lives to regret his blasé rejection of a young woman's love and his careless incitement of a fatal duel with his best friend. The opera was first performed in Moscow in 1879. There are several recordings of it, and it is regularly performed. The work's title refers to the protagonist. Composition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tchaikovsky
Pyotr Ilyich Tchaikovsky ( ; 7 May 1840 – 6 November 1893) was a Russian composer during the Romantic period. He was the first Russian composer whose music made a lasting impression internationally. Tchaikovsky wrote some of the most popular concert and theatrical music in the classical repertoire, including the ballets ''Swan Lake'' and ''The Nutcracker'', the ''1812 Overture'', his First Piano Concerto, Violin Concerto, the ''Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no public music education system. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching Tchaikovsky received there set him apart from composers of the contemporary nationalist mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Falstaff (opera)
''Falstaff'' () is a comic opera in three acts by the Italian composer Giuseppe Verdi. The Italian-language libretto was adapted by Arrigo Boito from the play ''The Merry Wives of Windsor'' and scenes from ''Henry IV, Part 1'' and ''Henry IV, Part 2, Part 2'', by William Shakespeare. The work premiered on 9 February 1893 at La Scala, Milan. Verdi wrote ''Falstaff'', the last of his 26 operas, as he approached the age of 80. It was his second comedy, and his third work based on a Shakespeare play, following ''Macbeth (Verdi), Macbeth'' and ''Otello''. The plot revolves around the thwarted, sometimes farcical, efforts of the fat knight Sir John Falstaff to seduce two married women to gain access to their husbands' wealth. Verdi was concerned about working on a new opera at his advanced age, but he yearned to write a comic work and was pleased with Boito's draft libretto. It took the collaborators three years from mid-1889 to complete. Although the prospect of a new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Devil And Kate
''The Devil and Kate'', Op. 112, B. 201, (''Čert a Káča'' in Czech) is an opera in three acts by Antonín Dvořák to a Czech libretto by Adolf Wenig. It is based on a farce by Josef Kajetán Tyl, and the story also had been treated as the fairy tale '' Devil and Káča'' by Božena Němcová. The first performance of the opera was at the National Theatre, Prague, on 23 November 1899, under Adolf Čech. ''The Devil and Kate'' is one of the few operas of Dvořák, along with ''Rusalka'', to have remained in the repertory. This can be attributed to the high demand for Italian grand operas in his time and the difficulties of Dvořák's intricate staging. The opera has great appeal because of its combination of fairy tale and folk music; it is very close in feel to a Czech tone poem. At times, it feels like a Czech version of ''Hansel & Gretel''. The overture was written after the opera itself. John Clapham has written critical analysis of the opera and noted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonín Dvořák
Antonín Leopold Dvořák ( ; ; 8September 18411May 1904) was a Czech composer. He frequently employed rhythms and other aspects of the folk music of Moravia and his native Bohemia, following the Romantic-era nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as "the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them," and Dvořák has been described as "arguably the most versatile... composer of his time". Dvořák displayed his musical gifts at an early age, being a talented violin student. The first public performances of his works were in Prague in 1872 and, with special success, in 1873, when he was 31 years old. Seeking recognition beyond the Prague area, he submitted scores of symphonies and other works to German and Austrian competitions. He did not win a prize until 1874, with Johannes Brahms on the jury of the Austrian State Competit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
