Kate Cutler
Kate Ellen Louisa Cutler (14 August 1864 – 14 May 1955) was an English singer and actress, known in the late nineteenth and early twentieth centuries as an ''ingénue'' in musical comedies, and later as a character actress in comic and dramatic plays. She is possibly best known for walking out of the lead role in Noël Coward's ''The Vortex'' in 1924 shortly before opening night. Early years Cutler was born in Marylebone, London, daughter of Henry Cutler, a singer, and his wife Mary Ann, ''née'' Tims. Gänzl, Kurt"Cutler, Kate Ellen Louisa (1864–1955)" ''Oxford Dictionary of National Biography'', Oxford University Press, 2004, accessed 29 May 2009 She trained at a conservatoire in Watford, north of London, where one of her tutors described her as "an ideal Cherubino" in Mozart's ''The Marriage of Figaro''.''The Times'' obituary notice, 18 May 1955, p. 13 Her career, however, took her not into opera, but into operetta and then musical comedy. Musical stage In 1888, she appea ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Florence St
Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico anno 2013, datISTAT/ref> Florence was a centre of medieval European trade and finance and one of the wealthiest cities of that era. It is considered by many academics to have been the birthplace of the Renaissance, becoming a major artistic, cultural, commercial, political, economic and financial center. During this time, Florence rose to a position of enormous influence in Italy, Europe, and beyond. Its turbulent political history includes periods of rule by the powerful Medici family and numerous religious and republican revolutions. From 1865 to 1871 the city served as the capital of the Kingdom of Italy (established in 1861). The Florentine dialect forms the base of Standard Italian and it became the language of culture throughout Ital ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Haymarket Theatre
The Theatre Royal Haymarket (also known as Haymarket Theatre or the Little Theatre) is a West End theatre on Haymarket in the City of Westminster which dates back to 1720, making it the third-oldest London playhouse still in use. Samuel Foote acquired the lease in 1747, and in 1766 he gained a royal patent to play legitimate drama (meaning spoken drama, as opposed to opera, concerts or plays with music) in the summer months. The original building was a little further north in the same street. It has been at its current location since 1821, when it was redesigned by John Nash. It is a Grade I listed building, with a seating capacity of 888. The freehold of the theatre is owned by the Crown Estate. The Haymarket has been the site of a significant innovation in theatre. In 1873, it was the venue for the first scheduled matinée performance, establishing a custom soon followed in theatres everywhere. Its managers have included Benjamin Nottingham Webster, John Baldwin Buckstone, S ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Victorian Burlesque
Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian era, Victorian England and in the New York theatre of the mid-19th century. It is a form of parody music, parody in which a well-known opera or piece of classical theatre or ballet is adapted into a broad comic play, usually a musical play, usually risqué in style, mocking the theatrical and musical conventions and styles of the original work, and often quoting or pastiche, pastiching text or music from the original work. Victorian burlesque is one of several forms of burlesque. Like ballad opera, burlesques featured musical scores drawing on a wide range of music, from popular contemporary songs to operatic arias, although later burlesques, from the 1880s, sometimes featured original scores. Dance played an important part, and great attention was paid to the staging, costumes and other spectacular elements of stagecraft, as many of the pieces we ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nellie Farren
Ellen "Nellie" Farren (16 April 1848 – 29 April 1904) was an English actress and singer best known for her roles as the "principal boy" in musical burlesques at the Gaiety Theatre. Born into a theatrical family, Farren began acting as a child. She made her professional adult debut in 1864 and joined the company at London's Olympic Theatre, performing in Shakespeare, contemporary comedies, dramas and musical burlesques. From 1868 to 1892, she performed at the Gaiety Theatre, which specialised in musical burlesque, becoming famous in the male and principal boy roles, which permitted an actress in the Victorian era theatre to show her legs in tights. Farren gained a large following among the theatre's mostly male audience. Farren created the role of Mercury in Gilbert and Sullivan's first collaboration, ''Thespis'' and created or played roles in works by Dion Boucicault, Anthony Trollope, Charles Dickens, William Congreve and Henry James Byron, among many others. In the 1880 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Opera Comique
The Opera Comique was a 19th-century theatre constructed in Westminster, London, between Wych Street, Holywell Street and the Strand. It opened in 1870 and was demolished in 1902, to make way for the construction of the Aldwych and Kingsway. The theatre was built cheaply as a speculative venture, and was known as one of the "rickety twins" along with the adjacent Globe Theatre. Numerous managements presented plays in English, French and German, and the house was also used for extravaganzas and English versions of French opéras bouffes. It is best remembered as the theatre where several early Gilbert and Sullivan operas had their first runs, between 1877 and 1881. History Background and early years In the 16th century Lyon's Inn, one of the Inns of Chancery attached to London's Inner Temple, stood on the site. By the 1860s the area had deteriorated greatly, and the old inn had been converted into what the historians Mander and Mitchenson describe as "dwellings of a dubious n ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Meyer Lutz
Wilhelm Meyer Lutz (19 May 1829 – 31 January 1903) was a German-born British composer and conductor who is best known for light music, musical theatre and burlesques of well-known works. Emigrating to the UK at the age of 19, Lutz started as an organist and soon became a theatrical conductor in London. After serving from 1850 to 1855 as music director of the Surrey Theatre, Lutz conducted touring opera companies and composed some serious music and music for the Christy Minstrels. In 1869, he was engaged as the music director of the Gaiety Theatre, London, arranging and later composing a series of popular burlesques over the next 25 years. Lutz continued to compose songs into the 20th century. Life and career Lutz was born in Münnerstadt, Bavaria, Germany. His parents were Joseph Lutz (1801–1879), a music professor, and Magdalena (1809–1862). His older brother, Baron Johann Lutz, became the prime minister of Bavaria under King Ludwig II of Bavaria. Lutz studied music ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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William Yardley
William Yardley (1632 – 6 May 1693) was an early settler of Bucks County, Pennsylvania, and is the namesake of the borough of Yardley, Pennsylvania. As a persecuted Quaker minister, Yardley and his wife, Jane ( nee Heath) moved from Ransclough, England, near Leek, Staffordshire, to Bucks County when Yardley was 50. The family arrived on September 28, 1682, on the ship ''Friend's Adventure'' with their children, Thomas, Enoch, and William, and a servant, Andrew Heath (1667-1720). Yardley subsequently purchased of land in Lower Makefield Township in Bucks County from William Penn, who had received the land from Charles II of England to settle a debt owed Penn's father. Yardley named his tract "Prospect Farm". He served as a justice of the peace for Bucks County and became a member of the Provincial Council. After Yardley died in a smallpox epidemic in 1693, his nephew, Thomas Yardley, arrived from England in 1694 to manage the holdings. Through marriage, nephew Thomas adde ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Charles H
Charles is a masculine given name predominantly found in English and French speaking countries. It is from the French form ''Charles'' of the Proto-Germanic name (in runic alphabet) or ''*karilaz'' (in Latin alphabet), whose meaning was "free man". The Old English descendant of this word was '' Ċearl'' or ''Ċeorl'', as the name of King Cearl of Mercia, that disappeared after the Norman conquest of England. The name was notably borne by Charlemagne (Charles the Great), and was at the time Latinized as ''Karolus'' (as in ''Vita Karoli Magni''), later also as '' Carolus''. Some Germanic languages, for example Dutch and German, have retained the word in two separate senses. In the particular case of Dutch, ''Karel'' refers to the given name, whereas the noun ''kerel'' means "a bloke, fellow, man". Etymology The name's etymology is a Common Germanic noun ''*karilaz'' meaning "free man", which survives in English as churl (< Old English ''ċeorl''), which developed its de ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Criterion Theatre
The Criterion Theatre is a West End theatre at Piccadilly Circus in the City of Westminster, and is a Grade II* listed building. It has a seating capacity of 588. Building the theatre In 1870, the caterers Spiers and Pond began development of the site of the White Bear, a seventeenth-century posting inn. The inn was located on sloping ground stretching between Jermyn Street and Piccadilly Circus, known as Regent Circus. A competition was held for the design of a concert hall complex, with Thomas Verity winning out of 15 entries. He was commissioned to design a large restaurant, dining rooms, ballroom, and galleried concert hall in the basement. The frontage, which was the façade of the restaurant, showed a French Renaissance influence using Portland stone. After the building work began, it was decided to change the concert hall into a theatre. The composers' names, which line the tiled staircases, were retained and can still be seen. The redesign placed the large Criterio ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Prince Of Wales's Theatre
The Scala Theatre was a theatre in Charlotte Street, London, off Tottenham Court Road. The first theatre on the site opened in 1772, and the theatre was demolished in 1969, after being destroyed by fire. From 1865 to 1882, the theatre was known as the Prince of Wales's Theatre (not to be confused with Prince of Wales Theatre). Origins The theatre began on this site as The New Rooms where concerts were performed, in Charlotte Street, in 1772, under the management of Francis Pasquali. Popularity, and royal patronage led to the building's enlargement by James Wyatt, and its renaming as the King's Concert Rooms (1780–1786). It then became Rooms for Concerts of Ancient Music and Hyde's Rooms (1786–1802, managed by ''The Directors of Concerts and Ancient Music''). In 1802, a private theatre club managed by Captain Caulfield, the ''"Pic-Nics"'', occupied the building and named it the Cognoscenti Theatre (1802–1808). It became the New Theatre (1808–1815) and was extended and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gentleman Joe
''Gentleman Joe, The Hansom Cabbie'' is a farcical musical comedy with music by Walter Slaughter and a libretto by Basil Hood. The original production of the musical opened at the Prince of Wales's Theatre on 2 March 1895 and ran for a very successful 391 performances despite a poor notice in '' The Saturday Review'' by Bernard Shaw that dismissed the score: "The music, by Mr. Walter Slaughter, does not contain a single novel, or even passably fresh point, either in melody, harmony or orchestration." The show was written as a vehicle for the comedian Arthur Roberts. A short burlesque entitled ''A Trilby Triflet'' was introduced as part of ''Gentleman Joe'' a week after ''Looking for Trilby'' opened at the Haymarket Theatre. ''The Times'' newspaper praised Roberts for his imitation of Herbert Beerbohm Tree. The cast of ''Gentleman Joe'' also included Kitty Loftus as Emma and W. H. Denny as Pilkington Jones. A second company also presented the show in the British province ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |