Katazome
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Katazome
is a Japanese method of dyeing fabrics using a resist paste applied through a stencil, typically a rice flour mixture applied with a brush or a tool such as a palette knife. Unlike , stencils are used repeatedly to make a repeating pattern. Pigment is added by hand-painting, immersion dyeing, or both. The area of the fabric covered and permeated by the paste mixture resists the later application of dye, thus creating undyed areas within the fabric. was first invented as an inexpensive and faster alternative to highly-patterned woven brocade fabrics. Over time, evolved into a respected fibre art form of its own. Thin fabrics dyed in the style show the fabric's design on the back of the fabric, whereas thicker or more tightly-woven fabrics generally have a solid colour underside, typically indigo blue for cotton fabrics. Futon covers made from multiple panels of fabric, if the stencils are properly placed and the panels joined correctly, can display a seamless stencilled pat ...
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Tanmono
A is a bolt of traditional Japanese narrow-loomed cloth. It is used to make traditional Japanese clothes, textile room dividers, sails, and other traditional cloth items. ( is a placeholder name) are woven in units of , a traditional unit of measurement for cloth roughly analogous to the bolt, about by about . One kimono takes one () of cloth to make. are woven in the narrow widths most ergonomic for a single weaver (at a handloom without a flying shuttle). Fibers may be woven of a variety of fibers, including silk, wool, hemp, linen and cotton. Polyester is also popular, as it is easy to wash at home. In the Jomon period (8000–300BC) people made twined textiles from a variety of bast fibers from wild plants. Wild fibers () include the inner bark of wild trees or shrubs (), and grass fibers (). Between the 2nd and 3rd centuries BC, immigrants from the mainland began using the domesticated long-stapled ramie plant. Silk was also known at this time, but used on ...
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Stencil
Stencilling produces an image or pattern on a surface, by applying pigment to a surface through an intermediate object, with designed holes in the intermediate object, to create a pattern or image on a surface, by allowing the pigment to reach only some parts of the surface. The stencil is both the resulting image or pattern and the intermediate object; the context in which ''stencil'' is used makes clear which meaning is intended. In practice, the (object) stencil is usually a thin sheet of material, such as paper, plastic, wood or metal, with letters or a design cut from it, used to produce the letters or design on an underlying surface by applying pigment through the cut-out holes in the material. The key advantage of a stencil is that it can be reused to repeatedly and rapidly produce the same letters or design. Although aerosol or painting stencils can be made for one-time use, typically they are made with the intention of being reused. To be reusable, they must remain int ...
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Yūzen
is a Japanese resist dyeing technique where dyes are applied inside outlines of dyed or undyed rice-paste resist, which may be drawn freehand or stencilled; the paste keeps the dye areas separated. Originating in the 17th century, the technique became popular as both a way of subverting sumptuary laws on dress fabrics, and also as a way to quickly produce kimono that appeared to be painted freehand with dyes. The technique was named after Miyazaki Yūzen, a 17th century fan painter who perfected the technique. Miyazaki Yūzen's fan designs became so popular that a book called the was published in 1688, showing similar patterns applied to (the predecessor of the kimono). A fashion for elaborate pictorial designs lasted until 1692. Technique There are several subtypes of technique. The first is , sometimes also called . First, a sketch is drawn freehand on the cloth or paper, using a black heat-labile ink made from dayflowers. A paste of rice powder, rice paste, rice bran a ...
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Yūzen
is a Japanese resist dyeing technique where dyes are applied inside outlines of dyed or undyed rice-paste resist, which may be drawn freehand or stencilled; the paste keeps the dye areas separated. Originating in the 17th century, the technique became popular as both a way of subverting sumptuary laws on dress fabrics, and also as a way to quickly produce kimono that appeared to be painted freehand with dyes. The technique was named after Miyazaki Yūzen, a 17th century fan painter who perfected the technique. Miyazaki Yūzen's fan designs became so popular that a book called the was published in 1688, showing similar patterns applied to (the predecessor of the kimono). A fashion for elaborate pictorial designs lasted until 1692. Technique There are several subtypes of technique. The first is , sometimes also called . First, a sketch is drawn freehand on the cloth or paper, using a black heat-labile ink made from dayflowers. A paste of rice powder, rice paste, rice bran a ...
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Summer Kimono (Yukata) With Illustrations From The 1802 Novel 'Hizakurige' (Shank's Mare) By Ikku Jipensha (1765-1831) LACMA M
Summer is the hottest of the four temperate seasons, occurring after spring and before autumn. At or centred on the summer solstice, the earliest sunrise and latest sunset occurs, daylight hours are longest and dark hours are shortest, with day length decreasing as the season progresses after the solstice. The date of the beginning of summer varies according to climate, tradition, and culture. When it is summer in the Northern Hemisphere, it is winter in the Southern Hemisphere, and vice versa. Timing From an astronomical view, the equinoxes and solstices would be the middle of the respective seasons, but sometimes astronomical summer is defined as starting at the solstice, the time of maximal insolation, often identified with the 21st day of June or December. By solar reckoning, summer instead starts on May Day and the summer solstice is Midsummer. A variable seasonal lag means that the meteorological centre of the season, which is based on average temperature patterns, ...
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Futon
A is a traditional Japanese style of bedding. A complete futon set consists of a and a . Both elements of a futon bedding set are pliable enough to be folded and stored away in a large during the day. This allows a room to serve as a bedroom at night, but serve other purposes during the day. Traditionally, futons are used on tatami, a type of mat used as a flooring material. It also provides a softer base than, say, a floor of wood or stone. Futons must be aired regularly to prevent mold from developing, and to keep the futon free of mites. Throughout Japan, futons can commonly be seen hanging over balconies, airing in the sun. Futon dryers may be used by those unable to hang out their futon. History and materials File:Sleeping two, Kasuga Gongen Genki (1309).jpg, Sleeping on tatami, with no futon, and clothes used as coverings. Early 14th century File:Child's Sleeping Mat (boro Shikimono), late 19th century (CH 1108827543).jpg, Child's , late 1800s. (patchwork) hel ...
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Japanese Words And Phrases
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japonicum * Japonicus * Japanese studies Japanese studies (Japanese: ) or Japan studies (sometimes Japanology in Europe), is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japanese ... {{disambiguation Language and nationality disambiguation pages ...
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Mika Toba
is a Japanese katazome dye artist. Her art mainly incorporates motifs and landscapes from Vietnam - a country she has visited over 50 times since the 1990s. Her art has been displayed at the Kennin-ji temple in Kyoto and at the Ho Chi Minh City Museum of Fine Arts, among other places. She is a graduate of the Kyoto City University of Arts (M.A.). Toba was awarded the Cultural Testimonial Award by the Vietnamese Government in 2005 and the Japanese Foreign Minister's Commendation in 2012 (). She was the subject of a NHK World NHK World-Japan (formerly and also known simply as NHK World) is the international arm of the Japanese state-controlled public broadcaster NHK. Its services are aimed at the overseas market, similar to those offered by other national public-ser ... documentary first broadcast in January 2015. References Further reading * * {{DEFAULTSORT:Toba, Mika 1961 births Living people Japanese artists ...
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Serizawa Keisuke
was a Japanese textile designer. In 1956, he was designated as a Living National Treasure by the Japanese government for his ''katazome'' stencil dyeing technique. A leading member of the ''mingei'' movement founded by Yanagi Sōetsu, Serizawa visited Okinawa several times and learned the Ryūkyū ''bingata'' techniques of dyeing. Chōsuke Serizawa (Archaeologist) was his son. His folk-art productions included kimono, paper prints, wall scrolls, folding screens, curtains, fans, and calendars. He also produced illustrated books, including ''Don Quixote'', ''Vincent van Gogh'' and ''A Day at Mashiko''. In 1981, the Municipal Serizawa Keisuke Art Museum was opened in the city of Shizuoka. Another museum, the Serizawa Keisuke Art and Craft Museum was opened in 1989 in Sendai. Other museums that hold his work include the Brooklyn Museum, the Metropolitan Museum of Art, the Harvard Art Museums, the Seattle Art Museum, the British Museum, the University of Michigan Museum of Art, ...
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Shibori
is a Japanese manual tie-dyeing technique, which produces a number of different patterns on fabric. History Some discussion exists as to the origin of as a technique within Japan, and indeed, the exact country of origin of some of the earliest surviving examples. Much of the debate surrounds the technical capacities within Japan at the time to produce the variety of fabrics seen in some of the earliest examples. One of the earliest written descriptions of dates to 238 CE, where it was recorded in the Chinese document '' Chronicles of the Clans of Wei'' () that Queen Himiko gifted the Emperor of the Wei dynasty over of "spotted cloth" – potentially describing a form of wax-resist decoration on the fabric. The earliest surviving examples of -dyed cloth date back to the mid-8th century, donated to the Tōdai-ji Buddhist temple in Nara in 756 CE, as part of the goods donated by the Emperor Shōmu upon his death. The techniques seen on these earliest fragments show bound resi ...
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Synthetic Fiber
Synthetic fibers or synthetic fibres (in British English; see spelling differences) are fibers made by humans through chemical synthesis, as opposed to natural fibers that are directly derived from living organisms, such as plants (like cotton) or fur from animals. They are the result of extensive research by scientists to replicate naturally occurring animal and plant fibers. In general, synthetic fibers are created by extruding fiber-forming materials through spinnerets, forming a fiber. These are called synthetic or artificial fibers. The word polymer comes from a Greek prefix "poly" which means "many" and suffix "mer" which means "single units". (Note: each single unit of a polymer is called a monomer). Early experiments The first fully synthetic fiber was glass. Joseph Swan invented one of the first artificial fibers in the early 1880s; today it would be called semisynthetic in precise usage. His fiber was drawn from a cellulose liquid, formed by chemically modifying th ...
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Silk
Silk is a natural protein fiber, some forms of which can be woven into textiles. The protein fiber of silk is composed mainly of fibroin and is produced by certain insect larvae to form cocoons. The best-known silk is obtained from the cocoons of the larvae of the mulberry silkworm ''Bombyx mori'' reared in captivity (sericulture). The shimmering appearance of silk is due to the triangular prism-like structure of the silk fibre, which allows silk cloth to refract incoming light at different angles, thus producing different colors. Silk is produced by several insects; but, generally, only the silk of moth caterpillars has been used for textile manufacturing. There has been some research into other types of silk, which differ at the molecular level. Silk is mainly produced by the larvae of insects undergoing complete metamorphosis, but some insects, such as webspinners and raspy crickets, produce silk throughout their lives. Silk production also occurs in hymenoptera ( bee ...
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