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Karl Gussow
Karl Gussow (25 February 1843, Havelberg – 27 March 1907, Munich) was a German painter and university professor. Life and work His early inclination to art was encouraged by his family so, as soon as he completed his secondary schooling, he was enrolled at the newly founded Grand-Ducal Saxon Art School, Weimar. This led to studying the Dutch Masters in the studios of the history and genre painter, Arthur von Ramberg. He later worked with the Belgian history painter, Ferdinand Pauwels, who had a decisive influence on his style. In 1867, after leaving Pauwels' studio, he went to Munich to continue his studies with Karl von Piloty, but was there for only a short time before going to Italy, then returning to Weimar. In 1870, he sent some works to an exhibition in Berlin. This attracted some positive critical attention, which led Count Stanislaus von Kalckreuth, a well known landscape painter, to offer him a professorship at the art school. He was there until 1874, when he accepte ...
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Die Gartenlaube (1881) B 749
''Die Gartenlaube – Illustriertes Familienblatt'' (; ) was the first successful mass-circulation German language, German newspaper and a forerunner of all modern magazines.Sylvia Palatschek: ''Popular Historiographies in the 19th and 20th Centuries'' (Oxford: Berghahn, 2010) p. 41 It was founded by publisher Ernst Keil and editor Ferdinand Stolle in Leipzig, Kingdom of Saxony in 1853. Their objective was to reach and enlighten the whole family, especially in the German middle classes, with a mixture of current events, essays on the natural sciences, biographical sketches, short stories, poetry, and full-page illustrations.Kirsten Belgum: "Domesticating the Reader: Women and Die Gartenlaube" in: ''Women in German Yearbook 9'' (Lincoln: University of Nebraska Press, 1993) p. 93-100 At the height of its popularity ''Die Gartenlaube'' was widely read across the German speaking world. It could be found in all List of historic states of Germany, German states, the German colonies i ...
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Adolf Rettelbusch
Johann Adolf Rettelbusch (15 December 1858, Kammerforst – 8 January 1934, Magdeburg) was a German painter. He was nicknamed the ''Brockenmaler'', after Brocken, a peak in the Harz mountains, which became a major focus of his work after he took a trip there in 1888. Life Rettelbusch was the eighth child born to a family of innkeepers. After attending the local schools, he went to the Weimar Saxon-Grand Ducal Art School in 1878. Theodor Hagen and Alexander Struys were among his teachers. After trying several styles, he decided to devote himself to landscape painting. Before graduating, however, he had to quit school for financial reasons. In 1880 and 1881, he took lessons to pass the drawing teacher exams with Karl Gussow at the Prussian Academy of Arts. Despite this, he remained unemployed. Returning to Kammerforst, he supported himself with an occasional odd job. In 1883, he was able to study at the Museum of Decorative Arts in Berlin, thanks to a generous stipend from Max ...
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19th-century German Male Artists
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large S ...
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19th-century German Painters
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large S ...
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Prussian Academy Of Arts Faculty
Prussia, , Old Prussian: ''Prūsa'' or ''Prūsija'' was a German state on the southeast coast of the Baltic Sea. It formed the German Empire under Prussian rule when it united the German states in 1871. It was ''de facto'' dissolved by an emergency decree transferring powers of the Prussian government to German Chancellor Franz von Papen in 1932 and ''de jure'' by an Allied decree in 1947. For centuries, the House of Hohenzollern ruled Prussia, expanding its size with the Prussian Army. Prussia, with its capital at Königsberg and then, when it became the Kingdom of Prussia in 1701, Berlin, decisively shaped the history of Germany. In 1871, Prussian Minister-President Otto von Bismarck united most German principalities into the German Empire under his leadership, although this was considered to be a "Lesser Germany" because Austria and Switzerland were not included. In November 1918, the monarchies were abolished and the nobility lost its political power during the ...
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Realism (art Movement)
Realism was an artistic movement that emerged in France in the 1840s, around the 1848 Revolution. Realists rejected Romanticism, which had dominated French literature and art since the early 19th century. Realism revolted against the exotic subject matter and the exaggerated emotionalism and drama of the Romantic movement. Instead, it sought to portray real and typical contemporary people and situations with truth and accuracy, and not avoiding unpleasant or sordid aspects of life. The movement aimed to focus on unidealized subjects and events that were previously rejected in art work. Realist works depicted people of all classes in situations that arise in ordinary life, and often reflected the changes brought by the Industrial and Commercial Revolutions. Realism was primarily concerned with how things appeared to the eye, rather than containing ideal representations of the world. The popularity of such "realistic" works grew with the introduction of photography—a new visual ...
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1907 Deaths
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipk ...
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1843 Births
Events January–March * January ** Serial publication of Charles Dickens's novel ''Martin Chuzzlewit'' begins in London; in the July chapters, he lands his hero in the United States. ** Edgar Allan Poe's short story "The Tell-Tale Heart" is published in a Boston magazine. ** The Quaker magazine '' The Friend'' is first published in London. * January 3 – The ''Illustrated Treatise on the Maritime Kingdoms'' (海國圖志, ''Hǎiguó Túzhì'') compiled by Wei Yuan and others, the first significant Chinese work on the West, is published in China. * January 6 – Antarctic explorer James Clark Ross discovers Snow Hill Island. * January 20 – Honório Hermeto Carneiro Leão, Marquis of Paraná, becomes ''de facto'' first prime minister of the Empire of Brazil. * February – Shaikh Ali bin Khalifa Al-Khalifa captures the fort and town of Riffa after the rival branch of the family fails to gain control of the Riffa Fort and flees to Manama. Shaikh Mohamed bin Ahmed is kille ...
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Glaze (painting Technique)
A glaze is a thin transparent or semi-transparent layer on a painting which modifies the appearance of the underlying paint layer. Glazes can change the chroma, value, hue and texture of a surface. Glazes consist of a great amount of binding medium in relation to a very small amount of pigment. Drying time will depend on the amount and type of paint medium used in the glaze. The medium, base, or vehicle is the mixture to which the dry pigment is added. Different media can increase or decrease the rate at which oil paints dry. Often, because a paint is too opaque, painters will add a medium like linseed oil or alkyd to the paint to make them more transparent and pliable for the purposes of glazing. While these media are usually liquids, there are solid and semi-solid media used in the making of paints as well. For example, many classical oil painters have also been known to use ground glass and semi-solid resins to increase the translucency of their paint. Oil painting In oil pain ...
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Academy Of Arts, Berlin
The Academy of Arts (german: Akademie der Künste) is a state arts institution in Berlin, Germany. The task of the Academy is to promote art, as well as to advise and support the states of Germany. The Academy's predecessor organization was founded in 1696 by Elector Frederick III of Brandenburg as the Brandenburg Academy of Arts, an academic institution in which members could meet and discuss and share ideas. The current Academy was founded on 1 October 1993 as the re-unification of formerly separate East and West Berlin academies. Membership The Academy is an incorporated body of the public right under the laws of the Federal Republic of Germany. New members are nominated by secret ballot of the general assembly, and appointed by the president with membership never to exceed 500. The academy‘s recent presidents include: * Adolf Muschg – (2003–2006) * Klaus Staeck – (2006–2015) * Jeanine Meerapfel – (2015– ) History Beginning in the 1690s, the Prussian Acad ...
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Anton Von Werner
Anton Alexander von Werner (9 May 18434 January 1915) was a German painter known for his history paintings of notable political and military events in the Kingdom of Prussia.Fulbrook, Mary and John Breuilly (1997) ''German History Since 1800'' "Oxford University Press US". 640 p. . One of the most famous painters of his time, he is regarded a main protagonist of the Wilhelmine Period. Biography Werner was born in Frankfurt (Oder) in the Prussian Province of Brandenburg, the son of a carpenter. His family originally came from East Prussia and was ennobled (''von'') in 1701. He began an apprenticeship as a decorative painter in 1857 and from 1860 onwards studied painting at the Prussian Academy of Arts in Berlin. One year later, he pursued his studies at the Academy of Fine Arts in Karlsruhe, where he studied with Johann Wilhelm Schirmer, Ludwig des Coudres, Adolf Schroedter, and Karl Friedrich Lessing. In Karlsruhe, Werner met with artists like Eduard Devrient, Johannes Brahm ...
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Realism (arts)
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The Realist painters rejected Romanticism, which had come to dominate Fre ...
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