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Karaoğlan
''Karaoğlan'' is a Turkish comics, Turkish historical comic book that was created in 1963 by Suat Yalaz. It was first published on January 3, 1962 daily in ''Akşam'' newspaper. Karaoğlan was started to be published by Yalaz as a separate comics magazine on April 1, 1963; and was continued to be published by various publishers until 2002. Synopsis The comic's story takes place between the 12th and 13th centuries in Central Asia during the reign of Genghis Khan. The main character, Karaoğlan, is a young Uygur Turkic adventurer who worked as a scout in Genghis Khan's army. Karaoğlan is portrayed as a 23-year-old adventurous and brave youngster. He is nomadic and travels throughout Eurasia in his stories. He traveled as far as China, India, Constantinople and Siberia. He is accompanied by his faithful friend Balaban, an ex-captain in the Mongolian army and his father Baybora. His nemesis is Camoka, a Mongolian bandit who raids villages with his men. Karaoğlan has an interestin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karaoğlan - Camoka'nın İntikamı
''Karaoğlan'' is a Turkish historical comic book that was created in 1963 by Suat Yalaz. It was first published on January 3, 1962 daily in ''Akşam'' newspaper. Karaoğlan was started to be published by Yalaz as a separate comics magazine on April 1, 1963; and was continued to be published by various publishers until 2002. Synopsis The comic's story takes place between the 12th and 13th centuries in Central Asia during the reign of Genghis Khan. The main character, Karaoğlan, is a young Uygur Turkic adventurer who worked as a scout in Genghis Khan's army. Karaoğlan is portrayed as a 23-year-old adventurous and brave youngster. He is nomadic and travels throughout Eurasia in his stories. He traveled as far as China, India, Constantinople and Siberia. He is accompanied by his faithful friend Balaban, an ex-captain in the Mongolian army and his father Baybora. His nemesis is Camoka, a Mongolian bandit who raids villages with his men. Karaoğlan has an interesting origin story. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kartal Tibet
Kartal Tibet (27 March 1937 – 1 July 2021) was a Turkish actor, academic, director, screenwriter and producer. A prominent lead actor of classic films in the Turkish cinema, he has played a wide range of characters in various genres, including drama, comedy in around 120 films and 30 theatre plays. He started acting and dubbing at the age of eleven. Between 1955 and 1960, He studied at theatre department and master of upper theatre department of Hacettepe University Ankara State Conservatory, Ankara State Conservatory. He played in many films based from novels like :tr:Senede Bir Gün, Senede Bir Gün, Dokuzuncu Hariciye Koğuşu, Ölmeyen Aşk, Çalıkuşu, Hıçkırık. Also, he has film series :tr: Tarkan (film serisi), Tarkan, Karaoğlan based from historical comic books, comedy film series :tr:Bitirim Kardeşler, Bitirim Kardeşler, child film series :tr:Yumurcak (film), Yumurcak. After, he works as actor with female stars Hülya Koçyiğit, Fatma Girik, Türkan Şoray, F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bülent Ecevit
Mustafa Bülent Ecevit (; 28 May 1925 – 5 November 2006) was a Turkish politician, statesman, poet, writer, scholar, and journalist. He served as the Prime Minister of Turkey four times between 1974 and 2002. He served as prime minister in 1974, 1977, 1978–1979, and 1999–2002. Ecevit was chairman of the Republican People's Party (CHP) between 1972 and 1980, and in 1987 he became chairman of the Democratic Left Party (Turkey), Democratic Left Party (DSP). Ecevit began his political career when he was elected a CHP MP from Ankara in the 1957 Turkish general election, 1957 election and came to prominence as Ministry of Labour and Social Security (Turkey), Minister of Labour in İsmet İnönü's cabinets, representing the rising left-wing faction of the party. Ecevit eventually became leader of the CHP in 1972; his leadership rejuvenated the party by reaching out to working class voters and cementing the party as "Left of Center (Turkey), Left of Center". Ecevit became prime mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suat Yalaz
Suat Yalaz (1 January 1932 – 2 March 2020) was a Turkish comics, Turkish Comic book creator, comic book artist, foremost known as the creator of the character Karaoğlan. He has also produced films based on his creation. Early career Graduated from Mimar Sinan Fine Arts University, Istanbul Academy of Fine Arts, Yalaz began working as a cartoonist in Turkish press and his chef d'œuvre ''Karaoğlan'' began to be published in the daily ''Akşam'' in 1962, later to be published as a comics magazine by 1963. French works In 1970, Yalaz settled in France where he created two French language Arab adaptations/spinoffs of ''Karaoğlan''; ''Changor'' (1971) for Éditions de Lutèce and ''Kébir'' (or ''Kébir l'invincible''; first series 1971 - 1975, second series 1975 - 1977) for Société Française de Presse Illustrée, which were destined for Maghreb readers and had considerable reception particularly in Algeria. He also created the Western comics series ''Ringo'' (1971 - 1972) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Comics
Turkish comics were introduced to the Ottoman Empire in the 19th and early 20th centuries in the form of satirical cartoons along with modern journalism. From then on, comic strips and cartoons (''karikatür'' in Turkish) in newspapers and humor magazines, which typically deliver political or social messages, have been the mainstay of comics in Turkey. Comics conveying longer narratives (''çizgi roman'', literary "picture story") are often regarded as children's reading material. Comic book production has not been an established industry in Turkey, presumably overshadowed by foreign publications mainly from the U.S., Italy, or France. History Ottoman period: 19th century-1920s Some argue that the development of Turkish comics has been impeded by the lack of a prehistory of portraiture, stemming from the Islamic prohibition on idolatry, which has persisted to the present day. It is worth noting that the Ottoman Empire did have a tradition of miniature painting that has narr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
