Kanō Sanraku
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Kanō Sanraku
was a Japanese painter also known as Kimura Heizō (his birth name), Shūri, Mitsuyori, and Sanraku. Sanraku's works combine the forceful quality of Momoyama work with the tranquil depiction of nature, and they have a more refined use of color typical of the Edo period. Life His father was the painter Kimura Nagamitsu who flourished circa 1570, and he was born in Shiga Prefecture and died in Kyoto. Sanraku worked as a page in the service of the "second unifier of Japan", Toyotomi Hideyoshi, in the 1570s. While in Hideyoshi's service, Sanraku's talent shined through and led to Hideyoshi introducing the young boy to the famed Kano artist school head artist of the time, Kanō Eitoku. Eitoku was so impressed by the young boy's skills that he adopted Sanraku, making him officially a part of the Kanō school. Originally named Kanō Mitsuyori, he later changed his name to avoid political persecution after the fall of the Toyotomi clan. He also went on to train and work closely with ...
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Portrait Du Peintre Japonais Kanō Sanraku
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ...
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Fusuma
In Japanese architecture, are vertical rectangular panels which can slide from side to side to redefine spaces within a room, or act as doors. They typically measure about wide by tall, the same size as a ''tatami'' mat, and are thick. The heights of ''fusuma'' have increased in recent years due to an increase in average height of the Japanese population, and a height is now common. In older constructions, they are as small as high. They consist of a lattice-like wooden understructure covered in cardboard and a layer of paper or cloth on both sides. They typically have a black lacquer border and a round finger catch. Historically, ''fusuma'' were painted, often with scenes from nature such as mountains, forests or animals. Today, many feature plain mulberry paper, or have industrially-printed graphics of fans, autumn leaves, cherry blossom, trees, or geometric graphics. Patterns for children featuring popular characters can also be purchased. Both ''fusuma'' and ''shōj ...
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17th-century Japanese People
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ...
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16th-century Japanese People
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion o ...
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1635 Deaths
Events January–March * January 23 – 1635 Capture of Tortuga: The Spanish Navy captures the Caribbean island of Tortuga off of the coast of Haiti after a three-day battle against the English and French Navy. * January 25 – King Thalun moves the capital of Burma from Pegu to Ava. * February 22 – The ''Académie française'' in Paris is formally constituted, as the national academy for the preservation of the French language. * March 22 – The Peacock Throne of India's Mughal Empire is inaugurated in a ceremony in Delhi to support the seventh anniversary of Shah Jahan's accession to the throne as Emperor. * March 26 – Philipp Christoph von Sötern, the Archbishop-Elector of Trier, is taken prisoner in a surprise attack by Spanish Habsburg troops, leading to a declaration of war against Spain by France and the beginning of the Franco-Spanish War. April–June * April 13 – Druze warlord Fakhr-al-Din II is executed in Cons ...
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1559 Births
Year 1559 (Roman numerals, MDLIX) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. Events January–June * January 15 – Coronation of Elizabeth I of England, Elizabeth I of England is crowned, in Westminster Abbey. * February 27 – Queen Elizabeth I of England establishes the Church of England, with the Act of Uniformity 1558 and the Act of Supremacy 1558. The Oath of Supremacy is reinstated. * March 23 – Emperor Gelawdewos of Ethiopia, defending his lands against the invasion of Nur ibn Mujahid, Sultan of Harar, is killed in battle. His brother, Menas of Ethiopia, Menas, succeeds him as king. * April 2–April 3, 3 – Peace of Cateau Cambrésis: France makes peace with England and Spain, ending the Italian War of 1551–59. France gives up most of its gains in Italy (including Savoy), retaining only Saluzzo, but keeps the three Lorraine bishoprics of Metz, Toul, and Verdun, and the formerly E ...
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Royal Academy Of Arts
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Royal Society of Arts, Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy ...
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Tokyo National Museum
The or TNM is an art museum in Ueno Park in the Taitō ward of Tokyo, Japan. It is one of the four museums operated by the National Institutes for Cultural Heritage ( :ja:国立文化財機構), is considered the oldest national museum in Japan, is the largest art museum in Japan, and is one of the largest art museums in the world. The museum collects, preserves, and displays a comprehensive collection of artwork and cultural objects from Asia, with a focus on ancient and medieval Japanese art and Asian art along the Silk Road. There is also a large collection of Greco-Buddhist art. The museum holds over 110,000 Cultural Properties, including 89 National Treasures of Japan, 319 Horyuji Treasures, and 644 Important Cultural Properties. As of 2022, there were 902 arts and crafts designated national treasures by the Japanese government, meaning the Tokyo National Museum has about 10% of the art and crafts designated national treasures of Japan. In addition, the museum houses over ...
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Japanese Painting
is one of the oldest and most highly refined of the Japanese visual arts, encompassing a wide variety of genres and styles. As with the history of Japanese arts in general, the long history of Japanese painting exhibits synthesis and competition between native Japanese aesthetics and the adaptation of imported ideas, mainly from Chinese painting, which was especially influential at a number of points; significant Western influence only comes from the 19th century onwards, beginning at the same time as Japanese art was influencing that of the West. Areas of subject matter where Chinese influence has been repeatedly significant include Buddhist religious painting, ink-wash painting of landscapes in the Chinese literati painting tradition, calligraphy of sinograms, and the painting of animals and plants, especially birds and flowers. However, distinctively Japanese traditions have developed in all these fields. The subject matter that is widely regarded as most characteristic o ...
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Ink-wash Painting
Ink wash painting ( zh, t=水墨畫, s=水墨画, p=shuǐmòhuà; ja, 水墨画, translit=suiboku-ga or ja, 墨絵, translit=sumi-e; ko, 수묵화, translit=sumukhwa) is a type of Chinese ink brush painting which uses black ink, such as that used in Asian calligraphy, in different concentrations. It emerged during the Tang dynasty of China (618–907); it overturned earlier, more realistic techniques. It is typically monochrome, using only shades of black, with a great emphasis on virtuoso brushwork and conveying the perceived "spirit" or "essence" of a subject over direct imitation. Ink wash painting flourished from the Song dynasty in China (960–1279) onwards, as well as in Japan after it was introduced by Zen Buddhist monks in the 14th century. Some Western scholars divide Chinese painting (including ink wash painting) into three periods: times of representation, times of expression, and historical Oriental art. Chinese scholars have their own views which may be differ ...
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