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Kammerspielfilm
''Kammerspielfilm'' is a type of German film that offers an intimate, cinematic portrait of lower middle class life. History The name derives from a theater, the '' Kammerspiele'', opened in 1906 by a major stage director Max Reinhardt to stage intimate dramas for small audiences. Few Kammerspiel films were made, but nearly all are classics. ''Kammerspielfilme'' (the plural form) formed a German film movement of the 1920s silent film period that was developed around the same time as the more commonly known Expressionist movement in cinema. The ''Kammerspielfilm'' was known as the "chamber drama" as a result of the influence from the theatrical form of the chamber play. It is characterised by its focus on character psychology and its lack of intricate set design. Also, unlike Expressionist films, ''Kammerspielfilme'' seldom used intertitles to narrate the story. Prominent figures * Lupu Pick * F. W. Murnau * Carl Mayer * Georg Wilhelm Pabst * Carl Theodor Dreyer See also * '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of Germany
The film industry in Germany can be traced back to the late 19th century. German cinema made major technical and artistic contributions to early film, broadcasting and television technology. Babelsberg Studio, Babelsberg became a household synonym for the early 20th century film industry in Europe, similar to Hollywood later. Germany witnessed major changes to its identity during the 20th and 21st century. Those changes determined the periodisation of national cinema into a succession of distinct eras and movements. History 1895–1918 German Empire The history of cinema in Germany can be traced back to the years shortly after the medium's birth. On 1 November 1895, Max Skladanowsky and his brother Emil demonstrated their self-invented movie projector, film projector, the Bioscop, at the Berlin Wintergarten theatre, Wintergarten music hall in Berlin. A 15-minute series of eight short films were shown – the first screening of films to a paying audience. This performance pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Film History
The film industry in Germany can be traced back to the late 19th century. German cinema made major technical and artistic contributions to early film, broadcasting and television technology. Babelsberg became a household synonym for the early 20th century film industry in Europe, similar to Hollywood later. Germany witnessed major changes to its identity during the 20th and 21st century. Those changes determined the periodisation of national cinema into a succession of distinct eras and movements. History 1895–1918 German Empire The history of cinema in Germany can be traced back to the years shortly after the medium's birth. On 1 November 1895, Max Skladanowsky and his brother Emil demonstrated their self-invented film projector, the Bioscop, at the Wintergarten music hall in Berlin. A 15-minute series of eight short films were shown – the first screening of films to a paying audience. This performance pre-dated the first paying public display of the Lumière brothers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Last Laugh (1924 Film)
''The Last Laugh'' (german: Der letzte Mann, ) is a 1924 German silent film directed by German director F. W. Murnau from a screenplay written by Carl Mayer. The film stars Emil Jannings and Maly Delschaft. Stephen Brockmann summarized the film's plot as, "a nameless hotel doorman loses his job".Prager, Brad. A critical history of German film. Monatshefte, Volume 103, No. 3 (Fall 2011), pp. 472-474; (p.473) It is a cinematic example of the ''Kammerspielfilm'' or "chamber-drama" genre, which follows the style of short, sparse plays of lower middle-class life that emphasized the psychology of the characters rather than the sets and action. The genre tried to avoid the intertitles (title cards) of spoken dialogue or description that characterize most silent films, in the belief that the visuals themselves should carry most of the meaning. In 1955, the film was remade starring Hans Albers. The film was voted number 11 on the prestigious Brussels 12 list at the 1958 World Expo. P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Play
A chamber play is a play of usually three acts which can be performed with a small cast and practically no sets or costumes in a small space. The form became popular in the early 20th century, with leading exponents being Max Reinhardt and August Strindberg. The first cinema adaptation was ''Kammerspielfilm'' in the 1920s, and the format was later adapted for cinema by Ingmar Bergman. and Carl Theodor Dreyer. The name is derived from the term chamber music. See also * Closet drama * Drawing room play A drawing room play is a type of play, developed during the Victorian period in the United Kingdom, in which the actions take place in a drawing room or which is designed to be reenacted in the drawing room of a home. The common practice of entertai ... References Drama {{drama-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shattered (1921 Film)
''Shattered'' (german: Scherben) is a 1921 German silent Kammerspielfilm directed by Lupu Pick, written by Carl Mayer, and is considered to be the earliest example of the kammerspielfilm. Plot Set during the winter, the story tells the tale of a track checker and his family who live a monotonous and poverty-stricken life next to a railway line. They receive a telegram announcing the arrival of the section inspector, who is to live with the family.Review, synopsis and link to watch the film: Cast * Werner Krauss as the track checker * Edith Posca as the track checker's daughter * Hermine Straßmann-Witt as the track checker's wife * Paul Otto as the section inspector * Lupu Pick Lupu Pick (2 January 1886 – 7 March 1931) was a German actor, film director, producer, and screenwriter of the silent era. He appeared in 50 films between 1910 and 1928. Born in Romania, Pick's father was a Jewish Austrian,Hans Morgenst ... as Reisender External links * * * Refe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Mayer
Carl Mayer (20 November 1894 – 1 July 1944) was an Austrians, Austrian screenwriter who wrote or co-wrote the screenplays to ''The Cabinet of Dr. Caligari'' (1920), ''The Head of Janus'' (1920), ''The Haunted Castle (1921 film), The Haunted Castle'' (1921), ''Der Letzte Mann'' (1924), ''Tartuffe (1926 film), Tartuffe'' (1926), ''Sunrise: A Song of Two Humans'' (1927), and ''4 Devils'' (1928), most of them being films directed by F. W. Murnau. Mayer was a fundamental figure in the dramatic and narrative establishment of both German Expressionism (cinema), German expressionist cinema and ''Kammerspielfilm''. Early life and career Mayer was the son of a stock speculator who committed suicide, forcing the young Carl to leave school at 15, and go to work as a secretary. Mayer moved from native Graz to Innsbruck and then Vienna, where he worked as a dramatist. The events of World War I turned him into a pacifist. In 1917, Mayer went to Berlin, where he worked at the small Residenzt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Silent Feature Films
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Germ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kristin Thompson
Kristin Thompson (born 1950) is an American film theorist and author whose research interests include the close formal analysis of films, the history of film styles, and "quality television," a genre akin to art film. She wrote two scholarly books in the 1980s which used an analytical technique called neoformalism. As well, she has co-authored two widely used film studies textbooks with her husband David Bordwell. Career 1970s and 1980s Thompson earned her master's degree in film studies at the University of Iowa (1973) and a Ph.D. in film studies at the University of Wisconsin–Madison. She has held teaching positions at the University of Wisconsin, the University of Iowa, Indiana University, the University of Amsterdam, and the University of Stockholm. She co-wrote the film textbook, ''Film Art: An Introduction'', with husband David Bordwell. ''Film Art'', with a tenth edition published in 2013, was originally published in 1979 and has become a standard in the field of film ae ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Bordwell
David Jay Bordwell (; born July 23, 1947) is an American film theorist and film historian. Since receiving his PhD from the University of Iowa in 1974, he has written more than fifteen volumes on the subject of cinema including ''Narration in the Fiction Film'' (1985), ''Ozu and the Poetics of Cinema'' (1988), ''Making Meaning'' (1989), and ''On the History of Film Style'' (1997). With his wife Kristin Thompson, Bordwell wrote the textbooks ''Film Art'' (1979) and ''Film History'' (1994). ''Film Art'', currently being published in its 12th edition, is still used as a seminal text in introductory film courses. With aesthetic philosopher Noël Carroll, Bordwell edited the anthology ''Post-Theory: Reconstructing Film Studies'' (1996), a polemic on the state of contemporary film theory. His largest work to date remains ''The Classical Hollywood Cinema: Film Style and Mode of Production to 1960'' (1985), written in collaboration with Thompson and Janet Staiger. Several of his mor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Hitchcock
Sir Alfred Joseph Hitchcock (13 August 1899 – 29 April 1980) was an English filmmaker. He is widely regarded as one of the most influential figures in the history of cinema. In a career spanning six decades, he directed over 50 feature films, many of which are still widely watched and studied today. Known as the "Master of Suspense", he became as well known as any of his actors thanks to his many interviews, his cameo roles in most of his films, and his hosting and producing the television anthology '' Alfred Hitchcock Presents'' (1955–65). His films garnered 46 Academy Award nominations, including six wins, although he never won the award for Best Director despite five nominations. Hitchcock initially trained as a technical clerk and copy writer before entering the film industry in 1919 as a title card designer. His directorial debut was the British-German silent film '' The Pleasure Garden'' (1925). His first successful film, '' The Lodger: A Story of the London F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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