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Kakyō Hyōshiki
is a text on Japanese poetics written by Fujiwara no Hamanari. One volume in length, it "is the oldest extant piece of poetic criticism in the Japanese canon".Rabinovitch, page 471 Development The text was commissioned by Emperor Kōnin and completed in 772. Title The common title today is ''Kakyō Hyōshiki'' and is in reference to Chinese Book of Songs ( Japanese ''Shikyō''). However, chronologically the name does not fit, and some manuscripts do not include this title at all. Alternative titles include , which is likely to have been the original title, as well as based on the compiler's name. Contents The main focus of the text is an attempt to apply phonetic rules of Chinese poetry to Japanese poetry. As the two languages are fundamentally different, the application is forced and unnatural. The text defines seven types of , literally "poetic sicknesses" which are rhetoric faults that should be avoided when composing poetry. *: the last character of the first and last ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fujiwara No Hamanari
was a Japanese noble and poet of the Nara period. He was the son of Fujiwara no Maro, and, according to the genealogy book '' Sonpi Bunmyaku'', his mother was Uneme of Yakami no Kōri, Inaba Province, who is probably the same person who had a famous affair with Aki no Ōkimi. The collection of Japanese poems ''Man'yōshū'' does not include his works. With an unknown woman he had a son , among other children with other women. The footnote of ''Sonpi Bunmyaku'', however, notes that Toyohiko is actually the grandson of Hamanari. Hamanari achieved the court rank of and the position of '' sangi''. Life As the heir of his father Maro, the founder of the Kyōke, Hamanari was a central figure of that clan. However, he was almost a generation younger than the second heads of the Nanke, Hokke, and Shikike, and this left him always a step behind their advancement. Hamanari was conferred the rank of in 751. Under Empress Kōken, he held high-level positions in various ministries ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emperor Kōnin
was the 49th emperor of Japan, Emperor Kōnin, Tahara no Higashi Imperial Mausoleum, Imperial Household Agency according to the traditional order of succession. Kōnin's reign lasted from 770 to 781. Traditional narrative The personal name of Emperor Kōnin (''imina'') was . As a son of Imperial Prince Shiki and a grandson of Emperor Tenji, his formal style was Prince Shirakabe. Initially, he was not in line for succession, as Emperor Tenmu and his branch held the throne. He married Imperial Princess Ikami, a daughter of Emperor Shōmu, producing a daughter and a son. After his sister in law, Empress Shōtoku (also Empress Kōken), died, he was named her heir. The high courtiers claimed the empress had left her will in a letter in which she had appointed him as her successor. Prior to this, he had been considered a gentle man without political ambition. Kōnin had five wives and seven Imperial sons and daughters. Brown and Ishida, p. 277. Emperor Kōnin is traditionally ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Poetry
Chinese poetry is poetry written, spoken, or chanted in the Chinese language. While this last term comprises Classical Chinese, Standard Chinese, Mandarin Chinese, Yue Chinese, and other historical and vernacular forms of the language, its poetry generally falls into one of two primary types, ''Classical Chinese poetry'' and ''Modern Chinese poetry''. Poetry has consistently been held in extremely high regard in China, often incorporating expressive folk influences filtered through the minds of Chinese literation. In Chinese culture, poetry has provided a format and a forum for both public and private expressions of deep emotion, offering an audience of peers, readers, and scholars insight into the inner life of Chinese writers across more than two millennia. Chinese poetry often reflects the influence of China's various religious traditions as well. Classical Chinese poetry includes, perhaps first and foremost ''Shi (poetry), shi'' (詩/诗), and also other major types such as ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shi Jing
The ''Classic of Poetry'', also ''Shijing'' or ''Shih-ching'', translated variously as the ''Book of Songs'', ''Book of Odes'', or simply known as the ''Odes'' or ''Poetry'' (; ''Shī''), is the oldest existing collection of Chinese poetry, comprising 305 works dating from the 11th to 7th centuries BCE. It is one of the "Five Classics" traditionally said to have been compiled by Confucius, and has been studied and memorized by scholars in China and neighboring countries over two millennia. It is also a rich source of '' chengyu'' (four-character classical idioms) that are still a part of learned discourse and even everyday language in modern Chinese. Since the Qing dynasty, its rhyme patterns have also been analysed in the study of Old Chinese phonology. Name Early references refer to the anthology as the ''300 Poems'' (''shi''). ''The Odes'' first became known as a ''jīng'', or a "classic book", in the canonical sense, as part of the Han Dynasty official adoption of Confuci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Language
is spoken natively by about 128 million people, primarily by Japanese people and primarily in Japan, the only country where it is the national language. Japanese belongs to the Japonic or Japanese- Ryukyuan language family. There have been many attempts to group the Japonic languages with other families such as the Ainu, Austroasiatic, Koreanic, and the now-discredited Altaic, but none of these proposals has gained widespread acceptance. Little is known of the language's prehistory, or when it first appeared in Japan. Chinese documents from the 3rd century AD recorded a few Japanese words, but substantial Old Japanese texts did not appear until the 8th century. From the Heian period (794–1185), there was a massive influx of Sino-Japanese vocabulary into the language, affecting the phonology of Early Middle Japanese. Late Middle Japanese (1185–1600) saw extensive grammatical changes and the first appearance of European loanwords. The basis of the standard dialect moved f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Poetry
Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or '' ryūka'' from the Okinawa Islands: it is possible to make a more accurate distinction between Japanese poetry written in Japan or by Japanese people in other languages versus that written in the Japanese language by speaking of Japanese-language poetry. Much of the literary record of Japanese poetry begins when Japanese poets encountered Chinese poetry during the Tang dynasty (although the Chinese classic anthology of poetry, ''Shijing'', was well known by the literati of Japan by the 6th century). Under the influence of the Chinese poets of this era Japanese began to compose poetry in Chinese '' kanshi''); and, as part of this tradition, poetry in Japan tended to be intimately associated with pictorial painting, p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homophone
A homophone () is a word that is pronounced the same (to varying extent) as another word but differs in meaning. A ''homophone'' may also differ in spelling. The two words may be spelled the same, for example ''rose'' (flower) and ''rose'' (past tense of "rise"), or spelled differently, as in ''rain'', ''reign'', and ''rein''. The term ''homophone'' may also apply to units longer or shorter than words, for example a phrase, letter, or groups of letters which are pronounced the same as another phrase, letter, or group of letters. Any unit with this property is said to be ''homophonous'' (). Homophones that are spelled the same are also both homographs and homonyms, e.g. the word ''read'', as in "He is well ''read''" (he is very learned) vs. the sentence "I ''read'' that book" (I have finished reading that book). Homophones that are spelled differently are also called heterographs, e.g. ''to'', ''too'', and ''two''. Etymology "Homophone" derives from Greek ''homo-'' (ὁμο ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waka (poetry)
is a type of poetry in classical Japanese literature. Although ''waka'' in modern Japanese is written as , in the past it was also written as (see Wa, an old name for Japan), and a variant name is . Etymology The word ''waka'' has two different but related meanings: the original meaning was "poetry in Japanese" and encompassed several genres such as ''chōka'' and ''sedōka'' (discussed below); the later, more common definition refers to poetry in a 5-7-5-7-7 metre. Up to and during the compilation of the ''Man'yōshū'' in the eighth century, the word ''waka'' was a general term for poetry composed in Japanese, and included several genres such as , , and . However, by the time of the '' Kokinshūs compilation at the beginning of the tenth century, all of these forms except for the ''tanka'' and ''chōka'' had effectively gone extinct, and ''chōka'' had significantly diminished in prominence. As a result, the word ''waka'' became effectively synonymous with ''tanka'', and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Man'yōshū
The is the oldest extant collection of Japanese (poetry in Classical Japanese), compiled sometime after AD 759 during the Nara period. The anthology is one of the most revered of Japan's poetic compilations. The compiler, or the last in a series of compilers, is today widely believed to be Ōtomo no Yakamochi, although numerous other theories have been proposed. The chronologically last datable poem in the collection is from AD 759 ( 4516). It contains many poems from a much earlier period, with the bulk of the collection representing the period between AD 600 and 759. The precise significance of the title is not known with certainty. The contains 20 volumes and more than 4,500 poems, and is divided into three genres: , songs at banquets and trips; , songs about love between men and women; and songs to mourn the death of people. These songs were written by people of various statuses, such as the Emperor, aristocrats, junior officials, soldiers ( songs), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Historical Linguistics
Historical linguistics, also termed diachronic linguistics, is the scientific study of language change over time. Principal concerns of historical linguistics include: # to describe and account for observed changes in particular languages # to reconstruct the pre-history of languages and to determine their relatedness, grouping them into language families ( comparative linguistics) # to develop general theories about how and why language changes # to describe the history of speech communities # to study the history of words, i.e. etymology Historical linguistics is founded on the Uniformitarian Principle, which is defined by linguist Donald Ringe as: History and development Western modern historical linguistics dates from the late-18th century. It grew out of the earlier discipline of philology, the study of ancient texts and documents dating back to antiquity. At first, historical linguistics served as the cornerstone of comparative linguistics, primarily as a t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Man'yōgana
is an ancient writing system that uses Chinese characters to represent the Japanese language. It was the first known kana system to be developed as a means to represent the Japanese language phonetically. The date of the earliest usage of this type of kana is not clear, but it was in use since at least the mid-7th century. The name "man'yōgana" derives from the '' Man'yōshū'', a Japanese poetry anthology from the Nara period written with ''man'yōgana.'' Texts using the system also often use Chinese characters for their meaning, but ''man'yōgana'' refers to such characters only when used to represent a phonetic value. The values were derived from the contemporary Chinese pronunciation, but native Japanese readings of the character were also sometimes used. For example, (whose character means 'tree') could represent either (based on Middle Chinese ) or or (meaning 'tree' in Old Japanese). Simplified versions of ''man'yōgana'' eventually gave rise to both the hiragana ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jōdai Tokushu Kanazukai
is an archaic kana orthography system used to write Japanese during the Nara period. Its primary feature is to distinguish between two groups of syllables that later merged. The existence and meaning of this system is a critical point of scholarly debate in the study of the history of the Japanese language. Syllables The following are the syllabic distinctions made in Old Japanese. Those syllables marked in gray are known as ''jōdai tokushu kanazukai''. Transcription The two groups merged by the 9th century. It predates the development of kana, and the phonetic difference is unclear. Therefore, an ad hoc transcription system is employed. Syllables written with subscript 1 are known as type and those with subscript 2 as type (these are the first two celestial stems, and are used for such numbering in Japanese). There are several competing transcription systems. One popular system places a diaeresis above the vowel: ï, ë, ö. This typically represents i2, e2, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
