Kaihōgyō
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Kaihōgyō
The ("circling the mountain") is an ascetic practice performed by Tendai Buddhist monks. The practice involves walking a route on Mount Hiei (the location of the Tendai school headquarters), the longest of which takes 1000 days to complete; all the while offering prayers at halls, shrines and other sacred places. History Sōō Kashō (831–918) is traditionally thought of as the founder of the ''kaihōgyō'' practice. Sōō was a Tendai monk who spent years performing ascetic practices on Mt Hiei and other nearby mountains. These practices were taken up by other monks and over centuries became the elaborate and highly structured system of ''kaihōgyō''. During the earliest phase of ''kaihōgyōs history Tendai monks replicated Sōō by living austere and isolated lives in the mountains, however there was no formal system and monks could adapt their practice. From 1131 to 1310 ''kaihōgyō'' was characterised by pilgrimages to the Three Pagodas of Mt Hiei. From 1311 to 1570 '' ...
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Tendai
, also known as the Tendai Lotus School (天台法華宗 ''Tendai hokke shū,'' sometimes just "''hokke shū''") is a Mahāyāna Buddhist tradition (with significant esoteric elements) officially established in Japan in 806 by the Japanese monk Saichō ( posthumously known as Dengyō Daishi). The Tendai school, which has been based on Mount Hiei since its inception, rose to prominence during the Heian period (794-1185). It gradually eclipsed the powerful ''Hossō'' school and competed with the rival Shingon school to become the most influential sect at the Imperial court. By the Kamakura period (1185-1333), Tendai had become one of the dominant forms of Japanese Buddhism, with numerous temples and vast landholdings. During the Kamakura period, various monks left Tendai (seeing it as corrupt) to establish their own "new" or "Kamakura" Buddhist schools such as Jōdo-shū, Nichiren-shū and Sōtō Zen. The destruction of the head temple of Enryaku-ji by Oda Nobunaga in 1571, ...
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Shugendō
is a highly syncretic religion, a body of ascetic practices that originated in the Nara Period of Japan having evolved during the 7th century from an amalgamation of beliefs, philosophies, doctrines and ritual systems drawn from local folk-religious practices, Shinto mountain worship and Buddhism. The final purpose of ''Shugendō'' is for practitioners to find supernatural power and save themselves and the masses by conducting religious training while treading through steep mountain ranges. Practitioners are called or . The mountains where ''shugenja'' practiced were all over Japan, and include various mountains of the Ōmine mountain range such as Mount Hakkyō and Mount Ōmine. The ''Shugendō'' worldview includes a large pantheon of deities (which include Buddhist and Shinto figures). Some of the most important figures are the tantric Buddhist figures of Fudō Myōō and Dainichi Nyorai. Other key figures are , which are considered to be the manifestation of Buddhas ...
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Mount Hiei
is a mountain to the northeast of Kyoto, lying on the border between the Kyoto and Shiga Prefectures, Japan. The temple of Enryaku-ji, the first outpost of the Japanese Tendai (Chin. Tiantai) sect of Buddhism, was founded atop Mount Hiei by Saichō in 788 and rapidly grew into a sprawling complex of temples and buildings that were roughly divided into three areas: # The area near the summit, and technically in Kyoto Prefecture. # The area, also near the summit, where Enryaku-ji Temple was first founded, and located just within Shiga Prefecture. # The area near the northernmost end of Mount Hiei. Due to its remoteness, as a temple complex it experienced periods of revival and decline, starting with Ennin, later revived by Ryōgen and made famous by the scholar-monk Genshin. Due to its position north-east of the ancient capital of Kyoto, it was thought in ancient geomancy practices to be a protective bulwark against negative influences on the capital, which along with the r ...
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Milarepa
Jetsun Milarepa (, 1028/40–1111/23) was a Tibetan siddha, who was famously known as a murderer when he was a young man, before turning to Buddhism and becoming a highly accomplished Buddhist disciple. He is generally considered one of Tibet's most famous yogis and spiritual poets, whose teachings are known among several schools of Tibetan Buddhism. He was a student of Marpa Lotsawa, and a major figure in the history of the Kagyu school of Tibetan Buddhism. He is also famous for the feat of climbing Mount Kailash. Biography — ''The Life of Milarepa'' Milarepa's life-story is famous in Tibetan culture, and retold many times. The best-known biography, ''The Life of Milarepa'', written by Tsangnyön Heruka (1452–1507) in the fifteenth century and drawing from older biographies, is still very popular. Most of the present-day stories on Milarepa come from this single source, with oral lineage predominating as well as relics including his bearskin coat. While "very little s kno ...
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:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ...
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Chamaecyparis Obtusa
''Chamaecyparis obtusa'' (Japanese cypress, hinoki cypress or hinoki; ja, 檜 or , ) is a species of cypress native to central Japan in East Asia, and widely cultivated in the temperate northern hemisphere for its high-quality timber and ornamental qualities, with many cultivars commercially available. Description It is a slow-growing tree which may reach tall with a trunk up to in diameter. The bark is dark red-brown. The leaves are scale-like, long, blunt tipped (obtuse), green above, and green below with a white stomatal band at the base of each scale-leaf. The cones are globose, in diameter, with 8–12 scales arranged in opposite pairs. Related species The plant is widespread in Japan. The related '' Chamaecyparis pisifera'' (sawara cypress) can be readily distinguished in its having pointed tips to the leaves and smaller cones. A similar cypress found on Taiwan is treated by different botanists as either a variety of this species (as ''Chamaecyparis obtusa'' va ...
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Buddhist Symbolism
Buddhist symbolism is the use of symbols (Sanskrit: ''pratīka'') to represent certain aspects of the Buddha's Dharma (teaching). Early Buddhist symbols which remain important today include the Dharma wheel, the Indian lotus, the three jewels and the Bodhi tree.Coomaraswamy (1998), pp. 1–5. Buddhism symbolism is intended to represent the key values of the Buddhist faith. The popularity of certain symbols has grown and changed over time as a result of progression in the followers ideologies. Research has shown that the aesthetic perception of the Buddhist gesture symbol positively influenced perceived happiness and life satisfaction. Anthropomorphic symbolism depicting the Buddha (as well as other figures) became very popular around the first century CE with the arts of Mathura and the Greco-Buddhist art of Gandhara. New symbols continued to develop into the medieval period, with Vajrayana Buddhism adopting further symbols such as the stylized double vajra. In the modern e ...
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Bodhisattva
In Buddhism, a bodhisattva ( ; sa, 𑀩𑁄𑀥𑀺𑀲𑀢𑁆𑀢𑁆𑀯 (Brahmī), translit=bodhisattva, label=Sanskrit) or bodhisatva is a person who is on the path towards bodhi ('awakening') or Buddhahood. In the Early Buddhist schools as well as modern Theravada Buddhism, a bodhisattva (Pali: ''bodhisatta'') refers to someone who has made a resolution to become a Buddha and has also received a confirmation or prediction from a living Buddha that this will be so. In Mahayana Buddhism, a bodhisattva refers to anyone who has generated ''bodhicitta'', a spontaneous wish and compassionate mind to attain Buddhahood for the benefit of all sentient beings. Mahayana bodhisattvas are spiritually heroic persons that work to attain awakening and are driven by a great compassion (''mahakaruṇā''). These beings are exemplified by important spiritual qualities such as the "four divine abodes" (''brahmaviharas'') of loving-kindness ('' metta''), compassion (''karuṇā''), empathet ...
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Buddhahood
In Buddhism, Buddha (; Pali, Sanskrit: 𑀩𑀼𑀤𑁆𑀥, बुद्ध), "awakened one", is a title for those who are awake, and have attained nirvana and Buddhahood through their own efforts and insight, without a teacher to point out the dharma (Sanskrit 𑀥𑀭𑁆𑀫; Pali ''dhamma''; "right way of living"). The title is most commonly used for Gautama Buddha, the founder of Buddhism, who is often simply known as "the Buddha". Buddhahood ( sa, 𑀩𑀼𑀤𑁆𑀥𑀢𑁆𑀯, buddhatva; pi, buddhatta or ; ) is the condition and rank of a buddha "awakened one". This highest spiritual state of being is also termed ''sammā-sambodhi'' (skt. samyaksaṃbodhi 'full complete awakening'). The title is also used for other beings who have achieved ''bodhi'' (awakening) and ''moksha'' (release from craving), such as the other human Buddhas who achieved enlightenment before Gautama, the five celestial Buddhas worshiped primarily in Mahayana, and the bodhisattva named M ...
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Padma (attribute)
The lotus, ''Nelumbo nucifera'', is an aquatic plant that plays a central role in the art of Indian religions such as Hinduism, Buddhism, Jainism and Sikhism. In Asian art a lotus throne is a stylized lotus flower used as the seat or base for a figure. It is the normal pedestal for divine figures in Buddhist art and Hindu art, and often seen in Jain art. Originating in Indian art, it followed Indian religions to East Asia in particular. Hinduism Hindus revere it with the divinities Vishnu and Lakshmi often portrayed on a pink lotus in iconography; historically, many deities, namely Brahma, Saraswati, Lakshmi, Kubera, usually sit on a stylized lotus throne. In the representation of Vishnu as Padmanabha (Lotus navel), a lotus issues from his navel with Brahma on it. The goddess Saraswati is portrayed on a pale pink lotus. The lotus is the symbol of what is divine or immortal in humanity, and also symbolizes divine perfection. The lotus is the attribute of sun and fire gods. I ...
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Tabi
are traditional Japanese socks worn with thonged footwear such as zori, dating back to the 15th century. History Japanese are usually understood today to be a kind of split-toed sock that is not meant to be worn alone outdoors, much like regular socks. However, were originally a kind of leather shoe made from a single animal hide, as evidenced by historical usage and the earlier form of the word, , written , with the kanji literally signifying "single hide".''Nihon Kokugo Daijiten'', entry for tabi available onlinhere(in Japanese)'' Dajirin'', second edition, 1995''Shin Meikai Kokugo Jiten'', fifth edition, 1997 As Japanese footwear evolved, also changed, with the split-toe design emerging towards the late Heian period (794–1185 CE) to allow the wearer to accommodate the thong of straw sandals to reinforce the sole.'' Sekai Dai Hyakka Jiten'', second edition, entry available onlinhere(in Japanese) Outdoor versions of involved some kind of reinforcement, with soles trad ...
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Waraji
() are light tie-on sandals, made from (usually straw) ropemaking fibers, that were the standard footwear of the common people in Japan. Use resemble other forms of traditional Japanese footwear, such as zori and geta, with a few key differences. They were historically the simplest form of outdoor footwear (sandals of any type were not worn indoors). , due to their cheap and rustic nature, are considered to be a very informal type of footwear, and are not worn with formal kimono. They are typically not worn with socks, and are woven so that the wearer's toes generally protrude slightly over the edge of the shoe. were once common footwear in Japan. There are records of in the Heian period (794–1185 CE), with the possibility of having existed before this time. In the Edo period (1603–1867 CE), geta were worn in cities, but anyone making a long journey wore . (sponsored article) They were also worn for energetic or prolonged labour. Their light weight and grip were val ...
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