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Kai Olé
''Kai Olé'' is an album by jazz trombonist and arranger Kai Winding recorded in 1961 for the Verve label.Payne, DKai Winding on Verve (1961-1967) accessed June 23, 2016 Reception The Allmusic review by Tony Wilds observed "Before Herb Alpert provided the hit transition from Latin brass to mod brass, Winding made this deluxe gatefold mod/Latin/jazz album. Surprisingly, Latin percussion yields him a lot more freedom than the yet more rigid big beat of the later, near-rock, mod sound. ...''Kai Ole'' uniquely explores a new area of Latin jazz but never quite reaches critical mass". Track listing # " Hacia el Fin de la Terra (To The Ends Of The Earth)" (Noel Sherman, Joe Sherman) - 2:49 # " Amor" ( Gabriel Ruiz, the original Spanish lyrics by Ricardo López Méndez) - 2:42 # " Them There Ojos (Them There Eyes)" (Maceo Pinkard, Doris Tauber and William Tracey) - 2:20 # "Caribe" (Kai Winding) - 2:42 # "Esto Es Felicidad" (Bobby Collazo, José Carbó Menéndez, Orlando De LaRosa) - 2: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kai Winding
Kai Chresten Winding ( ; May 18, 1922 – May 6, 1983) was a Danish-born American trombonist and jazz composer. He is known for his collaborations with fellow trombonist J. J. Johnson. His version of "More", the theme from the movie ''Mondo Cane'', reached in 1963 number 8 in the Billboard Hot 100 and remained his only entry here. Biography Winding was born in Aarhus, Denmark. His father, Ove Winding was a naturalized U.S. citizen, thus Kai, his mother and sisters, though born abroad were already U.S. citizens. In September 1934, his mother, Jenny Winding, moved Kai and his two sisters, Ann and Alice. Kai graduated in 1940 from Stuyvesant High School in New York City and that same year began his career as a professional trombonist with Shorty Allen's band. Subsequently, he played with Sonny Dunham and Alvino Rey, until he entered the United States Coast Guard during World War II. After the war, Winding was a member of Benny Goodman's orchestra, then Stan Kenton's. He partic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manteca (song)
"Manteca" is one of the earliest foundational tunes of Afro-Cuban jazz. Co-written by Dizzy Gillespie, Chano Pozo and Gil Fuller in 1947, it is among the most famous of Gillespie's recordings (along with the earlier " A Night in Tunisia") and is "one of the most important records ever made in the United States", according to Gary Giddins of ''The Village Voice''. "Manteca" is the first tune rhythmically based on the clave to become a jazz standard. History In 1947, Gillespie asked Mario Bauzá to recommend a Cuban percussionist for his big band. Bauzá suggested Pozo, a rough-living percussionist already famous in Cuba, and Gillespie hired him. They began to work Pozo's Cuban-style percussion into the band's arrangements. The band was touring in California when Pozo presented Gillespie with the idea for the tune. It featured a bridge of two eight-bar trumpet statements by Gillespie, percussion patterns played by Pozo, and horn lines from Gillespie's big band arranger Walter "Gil" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Hammerstein II
Oscar Greeley Clendenning Hammerstein II (; July 12, 1895 – August 23, 1960) was an American lyricist, librettist, theatrical producer, and (usually uncredited) director in the musical theater for almost 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs. He is best known for his collaborations with composer Richard Rodgers, as the duo Rodgers and Hammerstein, whose musicals include ''Oklahoma!'', '' Carousel'', '' South Pacific'', ''The King and I'', and ''The Sound of Music''. Described by Stephen Sondheim as an "experimental playwright", Hammerstein helped bring the American musical to new maturity by popularizing musicals that focused on stories and character rather than the lighthearted entertainment that the musical had been known for beforehand. He also collaborated with Jerome Kern (with whom he wrote ''Show Boat''), Vincent Y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Surrey With The Fringe On Top
"The Surrey with the Fringe on Top" is a show tune from the 1943 Rodgers and Hammerstein musical ''Oklahoma!''. The piece was recorded in 1952 by jazz pianist Ahmad Jamal, which influenced trumpeter Miles Davis Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of music ... to include it in his repertoire in the 1950s, which probably motivated other jazz musicians to play it. References External linksLyrics 1943 songs 1940s jazz standards Songs with music by Richard Rodgers Songs with lyrics by Oscar Hammerstein II Songs from Oklahoma! {{Show-tune-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enric Madriguera
Enric R. Madriguera (17 February 1902 – 7 September 1973) was a violinist of Catalan origin who was playing concerts as a child before he studied at the Barcelona Conservatory. (The Castilian form of his name is Enrique, which he sometimes used on records.) Biography He was born in Barcelona, Spain, and whilst still in his twenties he was lead violinist at Boston's and Symphony orchestras, before becoming the conductor of the Cuban Philharmonic. In the late 1920s, Madriguera played in 's studio orchestra at Columbia Records in New York, and served briefly as that company's director of Latin mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Consuelo Velázquez
Consuelo Velázquez Torres (August 21, 1916 in Ciudad Guzmán, Jalisco – January 22, 2005, Mexico City), also popularly known as Consuelito Velázquez, was a Mexican concert pianist and composer. She was the composer of famous Mexican ballads such as "Bésame mucho", "Amar y vivir", and " Cachito". Beginning Years Originally from Ciudad Guzmán, Mexico, she was the youngest of five daughters born to the soldier and poet Isaac Velázquez de Valle and his wife, María de Jesús Torres Ortíz. At four years old she started to demonstrate a good ear and an aptitude for music, and at barely six years old she began studying music and piano at the Académia de Música Serratos in Guadalajara. After several years of study, when she was eleven, she moved to Mexico City, where she continued her studies and obtained a degree in teaching music and concert piano at the National Conservatory of Music. Her first public concert was held in the Palacio de Bellas Artes in the capital, and soon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bésame Mucho
"Bésame Mucho" (; "Kiss Me A Lot") is a bolero song written in 1940 by Mexican songwriter Consuelo Velázquez. It is one of the most popular songs of the 20th century and one of the most important songs in the history of Latin music. It was recognized in 1999 as the most recorded and covered song in Spanish of all time. Famous versions were sung by Trio Los Panchos and female vocalist Gigliola Cinquetti in 1968, and by Dalida in 1976. English lyrics to it were written by Sunny Skylar. The song appeared in the film '' Follow the Boys'' (5 May 1944) when it was played by Charlie Spivak and his Orchestra and in '' Cowboy and the Senorita'' (13 May 1944) with vocal by Dale Evans. Inspiration According to Velázquez herself, she wrote this song even though she had never been kissed yet at the time, and kissing, as she heard, was considered a sin. She was inspired by the piano piece " Quejas, o la Maja y el Ruiseñor", from the 1911 suite ''Goyescas'' by Spanish composer Enrique G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Hayman
Richard Hayman (March 27, 1920 – February 5, 2014) was an American musician who was the chief music arranger of the Boston Pops Orchestra for over 50 years, and served as a pops conductor for orchestras including the Detroit Symphony Orchestra, the St. Louis Symphony and the Grand Rapids Symphony in Grand Rapids, Michigan."Richard Hayman, a Pops Concert Figure in St. Louis and Boston, Dies at 93," by Peter Keepnews (born 1950), '','' February 6, 2014 He toured and recorded as a harmonica player and made dozens of recordings for Mercury Records as "Richard Hayman an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Mercer
John Herndon Mercer (November 18, 1909 – June 25, 1976) was an American lyricist, songwriter, and singer, as well as a record label executive who co-founded Capitol Records with music industry businessmen Buddy DeSylva and Glenn E. Wallichs. He is best known as a Tin Pan Alley lyricist, but he also composed music, and was a popular singer who recorded his own songs as well as songs written by others from the mid-1930s through the mid-1950s. Mercer's songs were among the most successful hits of the time, including " Moon River", " Days of Wine and Roses", " Autumn Leaves", and "Hooray for Hollywood". He wrote the lyrics to more than 1,500 songs, including compositions for movies and Broadway shows. He received nineteen Oscar nominations, and won four Best Original Song Oscars. Early life Mercer was born in Savannah, Georgia, where one of his first jobs, aged 10, was sweeping floors at the original 1919 location of Leopold's Ice Cream. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Kosma
Joseph Kosma (22 October 19057 August 1969) was a Hungarian-French composer. Biography Kosma was born József Kozma in Budapest, where his parents taught stenography and typing. He had a brother, Ákos. A maternal relative was the photographer László Moholy-Nagy, and another was the conductor Georg Solti. He started to play the piano at age five, and later took piano lessons. At the age of 11, he wrote his first opera, ''Christmas in the Trenches''. After completing his education at the Secondary Grammar School Franz-Josef, he attended the Academy of Music in Budapest, where he studied with Leo Weiner. He also studied with Béla Bartók at the Liszt Academy, receiving diplomas in composition and conducting. He won a grant to study in Berlin in 1928, where he met Lilli Apel, another musician, whom he later married. Kosma also met and studied with Hanns Eisler in Berlin. He became acquainted with Bertolt Brecht and Helene Weigel. Kosma and his wife emigrated to Paris in 1933. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autumn Leaves (1945 Song)
"Autumn Leaves" is a popular song and jazz standard composed by Joseph Kosma in 1945 with original lyrics by Jacques Prévert in French (original French title: "Les Feuilles mortes"), and later by Johnny Mercer in English. An instrumental version by pianist Roger Williams was a number one best-seller in the US ''Billboard'' charts of 1955. Background Kosma was a native of Hungary who was introduced to Prévert in Paris. They collaborated on the song ' ("The Dead Leaves") for the 1946 film '' Les Portes de la nuit (Gates of the Night)'' where it was sung by Irène Joachim and Yves Montand. The poem was published, after the death of Jacques Prévert, in the book " Soleil de Nuit" in 1980. Kosma was influenced by a piece of ballet music, "Rendez-vous" written for Roland Petit, performed in Paris at the end of the Second World War, large parts of the melodies are exactly the same, which was itself borrowed partially from "Poème d'octobre" by Jules Massenet. The first commercial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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