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KBZN
KBZN (97.9 FM, "Now 97.9") is a commercial radio station licensed to Ogden, Utah and serving the Salt Lake City metropolitan area. The station airs a hot adult contemporary radio format and is owned by Capital Broadcasting. The station's studios and offices are located at the 257 Tower building in downtown Salt Lake City, along with sister station KLO-FM. KBZN's transmitter site is located southwest of the city on Farnsworth Peak in the Oquirrh Mountains. The station is also heard on a repeater station, 97.9 KBZN-1 in Park City and on translator station 103.1 K276DR in Montpelier, Idaho. History Country (1978-1989) In 1978, the station first signed on as KZAN. The station was owned by Ben Lomand and broadcast a country music format. The station switched call letters to KKGB in 1988. Top 40 (1989) In 1989, the station changed its call sign to KKWY, as a Top 40 station. Smooth jazz (1989-2009) In late 1989, the license was purchased by locally based Capital Broadc ...
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KLO-FM
KLO-FM (103.1 Hertz, MHz) is a commercial radio, commercial radio station city of license, licensed to Coalville, Utah, and serving the Salt Lake City metropolitan area. It airs a classic alternative radio format, known as "103.1 The Wave," and it is owned by Capital Broadcasting. The radio studios and offices are at the 257 Tower in Downtown Salt Lake City. KLO-FM has an effective radiated power (ERP) of 89,000 watts. (The maximum for most FM stations is 100,000 watts.) The transmitter is atop Humpy Peak, about 21 miles (34 km) east of Coalville. It also operates several broadcast relay station, booster stations on 103.1 MHz around Northern Utah. History Modern rock (1983-1992) This station began in 1983, licensed to Ogden, Utah, and broadcasting on 95.5 FM. KJQN's Modern Rock format was also simulcast on a 1,000-watt AM station on 1490 kHz, which would later become KOGN. In the late 1980s, KJQN was purchased by Abacus Communications. Abacus decided to make maj ...
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Radio Stations In Utah
The following is a list of FCC-licensed radio stations in the U.S. state of Utah, which can be sorted by their call signs, frequencies, cities of license, licensees, and programming formats. List of radio stations Defunct * KCVD-LP * KEMR * KEPH * KGVU * KHUN * KLGU-LP * KLLB * KNFL * KOBY * KSOS * KTKK * KWDZ * KXOL References {{Navboxes , title = Utah radio station regional navigation boxes , list = {{Central Utah Radio {{Four Corners Radio {{Logan Radio {{Salt Lake City Radio {{St. George Radio Radio stations Utah Utah ( , ) is a state in the Mountain West subregion of the Western United States. Utah is a landlocked U.S. state bordered to its east by Colorado, to its northeast by Wyoming, to its north by Idaho, to its south by Arizona, and to it ...
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Farnsworth Peak
Farnsworth Peak is a peak located on the northern end of the Oquirrh Mountain range, approximately south west of Salt Lake City, Utah, United States. The mountain is named for Philo Farnsworth, the inventor of the first completely electronic television. It is used mainly for radio and television transmission, but could potentially become part of a ski resort owned by nearby Kennecott Land. On the eastern side of the mountain, the land is completely private, and access is restricted. The peak can be reached by hiking from the Tooele side, which is mostly public land. The Bureau of Land Management land extends from Ridge Peak west to the base of the mountain. Public access to this land is available off SR-36 near Lake Point. Several cattle gates need to be opened and closed, but are access roads to hiking, mountain biking, and horseback riding areas. Radio and television use Farnsworth Peak, in local radio terms, refers to three separate radio transmitter sites. They are known a ...
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Ogden, Utah
Ogden is a city in and the county seat of Weber County, Utah, United States, approximately east of the Great Salt Lake and north of Salt Lake City. The population was 87,321 in 2020, according to the US Census Bureau, making it Utah's eighth largest city. The city served as a major railway hub through much of its history,Maia Armaleo
"Grand Junction: Where Two Lines Raced to Drive the Last Spike in Transcontinental Track," ''American Heritage'', June/July 2006.
and still handles a great deal of freight rail traffic which makes it a convenient location for and

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Downtown Salt Lake City
Downtown (also called City Center) is the oldest district in Salt Lake City, Utah. The grid from which the entire city is laid out originates at Temple Square, the location of the Salt Lake Temple. Location Downtown Salt Lake City is usually defined as the area approximately between North Temple and 400 South Streets north to south and about 500 East and 600 West Streets east to west. Downtown encompasses the areas of Temple Square, The Gateway, Main Street, the central business district, South Temple, and others. Along with local and state government and non profits, two primary business organizations - the Salt Lake Chamber and the Downtown Alliance promote Salt Lake CIty's downtown as the heart of the state, and as its most lively and diverse locale. History Downtown's layout was first planned in 1833, 17 years before Salt Lake City was founded. Joseph Smith designed the Plat of Zion, a plan for cities of 20,000 people each that followed city blocks with self-sufficient fami ...
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Smooth Jazz
Smooth jazz is a genre of commercially-oriented crossover jazz and easy listening music that became dominant in the mid 1970s to the early 1990s. History Smooth jazz is a commercially oriented, crossover jazz which came to prominence in the 1980s, displacing the more venturesome jazz fusion from which it emerged. It avoids the improvisational "risk-taking" of jazz fusion, emphasizing melodic form and much of the music was initially "a combination of jazz with easy-listening pop music and lightweight R&B". During the mid-1970s in the United States it was known as "smooth radio", and was not termed "smooth jazz" until the 1980s. Notable artists The mid- to late-1970s included songs “Breezin'" as performed by another smooth jazz pioneer, guitarist George Benson in 1976, the instrumental composition " Feels So Good" by flugelhorn player Chuck Mangione, in 1978, " What You Won't Do for Love" by Bobby Caldwell along with his debut album was released the same year, jazz fusion gr ...
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Radio Syndication
Broadcast syndication is the practice of leasing the right to broadcasting television shows and radio programs to multiple television stations and radio stations, without going through a broadcast network. It is common in the United States where broadcast programming is scheduled by television networks with local independent affiliates. Syndication is less widespread in the rest of the world, as most countries have centralized networks or television stations without local affiliates. Shows can be syndicated internationally, although this is less common. Three common types of syndication are: ''first-run'' syndication, which is programming that is broadcast for the first time as a syndicated show and is made specifically to sell directly into syndication; ''off-network'' syndication (colloquially called a "rerun"), which is the licensing of a program whose first airing was on network TV or in some cases, first-run syndication;Campbell, Richard, Christopher R. Martin, and Bettina ...
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Network Affiliate
In the broadcasting industry (particularly in North America, and even more in the United States), a network affiliate or affiliated station is a local broadcaster, owned by a company other than the owner of the network, which carries some or all of the lineup of television programs or radio programs of a television or radio network. This distinguishes such a television or radio station from an owned-and-operated station (O&O), which is owned by the parent network. Notwithstanding this distinction, it is common in informal speech (even for networks or O&Os themselves) to refer to any station, O&O or otherwise, that carries a particular network's programming as an affiliate, or to refer to the status of carrying such programming in a given market as an "affiliation". Overview Stations which carry a network's programming by method of affiliation maintain a contractual agreement, which may allow the network to dictate certain requirements that a station must agree to as par ...
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Contemporary Hit Radio
Contemporary hit radio (also known as CHR, contemporary hits, hit list, current hits, hit music, top 40, or pop radio) is a radio format that is common in many countries that focuses on playing current and recurrent popular music as determined by the Top 40 music charts. There are several subcategories, dominantly focusing on rock, pop, or urban music. Used alone, ''CHR'' most often refers to the CHR-pop format. The term ''contemporary hit radio'' was coined in the early 1980s by ''Radio & Records'' magazine to designate Top 40 stations which continued to play hits from all musical genres as pop music splintered into Adult contemporary, Urban contemporary, Contemporary Christian and other formats. The term "top 40" is also used to refer to the actual list of hit songs, and, by extension, to refer to pop music in general. The term has also been modified to describe top 50; top 30; top 20; top 10; hot 100 (each with its number of songs) and hot hits radio formats, but carrying more ...
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Call Sign
In broadcasting and radio communications, a call sign (also known as a call name or call letters—and historically as a call signal—or abbreviated as a call) is a unique identifier for a transmitter station. A call sign can be formally assigned by a government agency, informally adopted by individuals or organizations, or even cryptographically encoded to disguise a station's identity. The use of call signs as unique identifiers dates to the landline railroad telegraph system. Because there was only one telegraph line linking all railroad stations, there needed to be a way to address each one when sending a telegram. In order to save time, two-letter identifiers were adopted for this purpose. This pattern continued in radiotelegraph operation; radio companies initially assigned two-letter identifiers to coastal stations and stations onboard ships at sea. These were not globally unique, so a one-letter company identifier (for instance, 'M' and two letters as a Marconi station ...
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Country Music
Country (also called country and western) is a genre of popular music that originated in the Southern and Southwestern United States in the early 1920s. It primarily derives from blues, church music such as Southern gospel and spirituals, old-time, and American folk music forms including Appalachian, Cajun, Creole, and the cowboy Western music styles of Hawaiian, New Mexico, Red Dirt, Tejano, and Texas country. Country music often consists of ballads and honky-tonk dance tunes with generally simple form, folk lyrics, and harmonies often accompanied by string instruments such as electric and acoustic guitars, steel guitars (such as pedal steels and dobros), banjos, and fiddles as well as harmonicas. Blues modes have been used extensively throughout its recorded history. The term ''country music'' gained popularity in the 1940s in preference to '' hillbilly music'', with "country music" being used today to describe many styles and subgenres. It came to encomp ...
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Sign-on
A sign-on (or start-up in Commonwealth countries except Canada) is the beginning of operations for a radio or television station, generally at the start of each day. It is the opposite of a sign-off (or closedown in Commonwealth countries except Canada), which is the sequence of operations involved when a radio or television station shuts down its transmitters and goes off the air for a predetermined period; generally, this occurs during the overnight hours although a broadcaster's digital specialty or sub-channels may sign-on and sign-off at significantly different times as its main channels. Like other television programming, sign-on and sign-off sequences can be initiated by a broadcast automation system, and automatic transmission systems can turn the carrier signal and transmitter on/off by remote control. Sign-on and sign-off sequences have become less common due to the increasing prevalence of 24-hour-a-day, seven-day-a-week broadcasting. However, some national broadc ...
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