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K40IS-D
KLSR-TV (channel 34) is a television station in Eugene, Oregon, United States, affiliated with the Fox network. It is owned by Cox Media Group alongside low-power, Class A MyNetworkTV affiliate KEVU-CD (channel 23). Both stations share studios on Chad Drive in Eugene, while KLSR's transmitter is located on South Ridge. History KLSR signed on the air on Halloween in 1991 as KEVU, and was Eugene's second UHF station to sign on the air. Prior to that, Fox programming was seen on Class A station K25AS (now sister station KEVU-CD). KEVU changed its call letters to KLSR-TV on April 1, 1997. On February 24, 2022, it was announced that California Oregon Broadcasting, Inc. would sell KLSR-TV and KEVU-CD to Atlanta-based Cox Media Group for $7,222,000; the sale was completed on May 3. Newscasts KVAL-TV produces live 7 p.m. and 10 p.m. newscasts for KLSR entitled ''Oregon's News @ 7'' and ''Oregon's News @ 10'', on weekdays and ''KVAL News @10 on Fox'', a repeat of the evening ...
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Ultra High Frequency
Ultra high frequency (UHF) is the ITU designation for radio frequency, radio frequencies in the range between 300 megahertz (MHz) and 3 gigahertz (GHz), also known as the decimetre band as the wavelengths range from one meter to one tenth of a meter (one decimeter). Radio waves with frequencies above the UHF band fall into the super-high frequency (SHF) or microwave frequency range. Lower frequency signals fall into the VHF (very high frequency) or lower bands. UHF radio waves propagate mainly by Line-of-sight propagation, line of sight; they are blocked by hills and large buildings although the transmission through building walls is strong enough for indoor reception. They are used for UHF television broadcasting, television broadcasting, cell phones, satellite communication including GPS, personal radio services including Wi-Fi and Bluetooth, walkie-talkies, cordless phones, satellite phones, and numerous other applications. The Institute of Electrical and Electronics ...
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KVAL-TV
KVAL-TV (channel 13) is a television station in Eugene, Oregon, United States, affiliated with CBS. It is owned by Sinclair Broadcast Group, which provides certain services to dual NBC/The CW Plus, CW+ affiliate KMTR (channel 16) under a shared services agreement (SSA) with Roberts Media, Limited liability company, LLC. Both stations share studios on Blanton Road in Eugene, where KVAL's transmitter is also located. KMTR maintained separate facilities on International Court in Springfield, Oregon, until 2020 when the station relocated to KVAL's building; master control and some internal operations for KMTR were based at the KVAL studios. KVAL-TV reaches additional viewers in west-central Oregon via co-owned full-power broadcast relay station#Semi-satellites, semi-satellites KCBY-TV (channel 11) in Coos Bay, Oregon, Coos Bay and KPIC (channel 4) in Roseburg, Oregon, Roseburg. History The station began broadcasting on April 15, 1954, locally owned by Eugene Television. Originally, ...
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Virtual Channel
In most telecommunications organizations, a virtual channel is a method of remapping the ''program number'' as used in H.222 Program Association Tables and Program Mapping Tables to a channel number that can be entered via digits on a receiver's remote control. Often, "virtual channels" are implemented in digital television, helping users to find a desired channel easily, or easing the transition from analogue to digital broadcasting in general. The practice of assigning virtual channels is most common in those parts of the world where TV stations were colloquially named after the RF channel they were transmitting on ("Channel 6 Springfield"), as it was common in North America during the analogue TV era. In other parts of the world, such as Europe, virtual channels are rarely used or needed, as TV stations there identify themselves by name, not by RF channel or callsign. A "virtual channel" was first used for DigiCipher 2 in North America. It was later used and referred to as a l ...
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Program And System Information Protocol
The Program and System Information Protocol (PSIP) is the MPEG (a video and audio industry group) and privately defined program-specific information originally defined by General Instrument for the DigiCipher 2 system and later extended for the ATSC digital television system for carrying metadata about each channel in the broadcast MPEG transport stream of a television station and for publishing information about television programs so that viewers can select what to watch by title and description. Its FM radio equivalent is Radio Data System (RDS). Function PSIP defines virtual channels and content ratings, as well as electronic program guides with titles and (optionally) descriptions to be decoded and displayed by the ATSC tuner. PSIP can also send: * the exact time referenced to UTC and GPS time; * the short name, which some stations use to publish their callsign. A maximum of seven characters can be used in a short name. PSIP is defined in ATSC standard A/65, the most rec ...
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Digital Television Transition In The United States
The digital transition in the United States was the switchover from analog to exclusively digital broadcasting of terrestrial television programming. According to David Rehr, then president and CEO of the National Association of Broadcasters, this transition represented "the most significant advancement of television technology since color TV was introduced." For full-power TV stations, the transition went into effect on June 12, 2009, with stations ending regular programming on their analog signals no later than 11:59 p.m. local time that day. Under the Digital Transition and Public Safety Act of 2005, full-power broadcasting of analog television in the United States was initially planned to have ceased after February 17, 2009. To help U.S. consumers through the conversion, the Act also established a federally sponsored DTV Converter Box Coupon Program. The DTV Delay Act changed the mandatory analog cutoff date to June 12, 2009, although stations were permitted to cease ...
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Ultra High Frequency
Ultra high frequency (UHF) is the ITU designation for radio frequency, radio frequencies in the range between 300 megahertz (MHz) and 3 gigahertz (GHz), also known as the decimetre band as the wavelengths range from one meter to one tenth of a meter (one decimeter). Radio waves with frequencies above the UHF band fall into the super-high frequency (SHF) or microwave frequency range. Lower frequency signals fall into the VHF (very high frequency) or lower bands. UHF radio waves propagate mainly by Line-of-sight propagation, line of sight; they are blocked by hills and large buildings although the transmission through building walls is strong enough for indoor reception. They are used for UHF television broadcasting, television broadcasting, cell phones, satellite communication including GPS, personal radio services including Wi-Fi and Bluetooth, walkie-talkies, cordless phones, satellite phones, and numerous other applications. The Institute of Electrical and Electronics ...
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1080i
1080i (also known as Full HD or BT.709) is a combination of frame resolution and scan type. 1080i is used in high-definition television (HDTV) and high-definition video. The number "1080" refers to the number of horizontal lines on the screen. The "i" is an abbreviation for "interlaced"; this indicates that only the even lines, then the odd lines of each frame (each image called a video field) are drawn alternately, so that only half the number of actual image frames are used to produce video. A related display resolution is 1080p, which also has 1080 lines of resolution; the "p" refers to progressive scan, which indicates that the lines of resolution for each frame are "drawn" on the screen in sequence. The term assumes a widescreen aspect ratio of 16:9 (a rectangular TV that is wider than it is tall), so the 1080 lines of vertical resolution implies 1920 columns of horizontal resolution, or 1920 pixels × 1080 lines. A 1920 pixels × 1080 lines screen has a total of 2.1 ...
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Standard-definition Television
Standard-definition television (SDTV, SD, often shortened to standard definition) is a television system which uses a resolution that is not considered to be either high or enhanced definition. "Standard" refers to it being the prevailing specification for broadcast (and later, cable) television in the mid- to late-20th century, and compatible with legacy analog broadcast systems. The two common SDTV signal types are 576i, with 576 interlaced lines of resolution, derived from the European-developed PAL and SECAM systems, and 480i based on the American NTSC system. Common SDTV refresh rates are 25, 29.97 and 30 frames per second. Both systems use a 4:3 aspect ratio. Standards that support digital SDTV broadcast include DVB, ATSC, and ISDB. The last two were originally developed for HDTV, but are also used for their ability to deliver multiple SD video and audio streams via multiplexing. In North America, digital SDTV is broadcast in the same 4:3 aspect ratio as NTSC si ...
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480i
480i is the video mode used for standard-definition digital television in the Caribbean, Japan, South Korea, Taiwan, Philippines, Laos, Western Sahara, and most of the Americas (with the exception of Argentina, Paraguay, and Uruguay). The ''480'' identifies a vertical resolution of 480 lines, and the ''i'' identifies it as an interlaced resolution. The field rate, which is 60 Hz (or 59.94 Hz when used with NTSC color), is sometimes included when identifying the video mode, i.e. 480i60; another notation, endorsed by both the International Telecommunication Union in BT.601 and SMPTE in SMPTE 259M, includes the frame rate, as in 480i/30. The other common standard definition digital standard, used in the rest of the world, is 576i. It originated from the need for a standard to digitize analog TV (defined in BT.601) and is now used for digital TV broadcasts and home appliances such as game consoles and DVD disc players. Although related, it should not be confused with the an ...
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High-definition Television
High-definition television (HD or HDTV) describes a television system which provides a substantially higher image resolution than the previous generation of technologies. The term has been used since 1936; in more recent times, it refers to the generation following standard-definition television (SDTV), often abbreviated to HDTV or HD-TV. It is the current de facto standard video format used in most broadcasts: terrestrial broadcast television, cable television, satellite television and Blu-ray Discs. Formats HDTV may be transmitted in various formats: * 720p (1280 horizontal pixels × 720 lines): 921,600 pixels * 1080i (1920×1080) interlaced scan: 1,036,800 pixels (~1.04 MP). * 1080p (1920×1080) progressive scan: 2,073,600 pixels (~2.07 MP). ** Some countries also use a non-standard CEA resolution, such as 1440×1080i: 777,600 pixels (~0.78 MP) per field or 1,555,200 pixels (~1.56 MP) per frame When transmitted at two megapixels per frame, HDTV provides about five times ...
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720p
720p (1280×720 px; also called HD ready, standard HD or just HD) is a progressive HDTV signal format with 720 horizontal lines/1280 columns and an aspect ratio (AR) of 16:9, normally known as widescreen HDTV (1.78:1). All major HDTV broadcasting standards (such as SMPTE 292M) include a 720p format, which has a resolution of 1280×720; however, there are other formats, including HDV Playback and AVCHD for camcorders, that use 720p images with the standard HDTV resolution. The frame rate is standards-dependent, and for conventional broadcasting appears in 50 progressive frames per second in former PAL/SECAM countries (Europe, Australia, others), and 59.94 frames per second in former NTSC countries (North America, Japan, Brazil, others). The number ''720'' stands for the 720 horizontal scan lines of image display resolution (also known as 720 pixels of vertical resolution). The ''p'' stands for progressive scan, i.e. non-interlaced. When broadcast at 60 frames per second, 720p ...
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Aspect Ratio (image)
The aspect ratio of an image is the ratio of its width to its height, and is expressed with two numbers separated by a colon, such as ''16:9'', sixteen-to-nine. For the ''x'':''y'' aspect ratio, the image is ''x'' units wide and ''y'' units high. Common aspect ratios are 1.85:1 and 2.39:1 in cinematography, 4:3 and 16:9 in television photography, and 3:2 in still photography. Some common examples The common film aspect ratios used in cinemas are 1.85:1 and 2.39:1.The 2.39:1 ratio is commonly labeled 2.40:1, e.g., in the American Society of Cinematographers' ''American Cinematographer Manual'' (Many widescreen films before the 1970 SMPTE revision used 2.35:1). Two common videographic aspect ratios are 4:3 (1.:1), the universal video format of the 20th century, and 16:9 (1.:1), universal for high-definition television and European digital television. Other cinema and video aspect ratios exist, but are used infrequently. In still camera photography, the most common aspect ra ...
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