K. 526
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K. 526
The Sonata in A for Violin and Keyboard, K. 526, was written in Vienna in 1787 by Wolfgang Amadeus Mozart. It is placed in the Köchel catalogue between the string serenade '' Eine kleine Nachtmusik'' (K. 525) and the opera ''Don Giovanni'' (K. 527). There are three movements: It is the last of Mozart's substantial violin sonatas, with the only remaining work he wrote for this combination, the sonata in F, K. 547 of 1788 being more of a sonatina. It is also considered by several authors, including Alfred Einstein, to be part of his last series of three great violin sonatas which starts with the Regina Strinasacchi sonata in B K. 454 from 1784 (his annus mirabilis, the year also of the six great piano concertos 14 – 19 and the quintet for piano and winds) and continuing with the E violin sonata from December 1785. The first movement is a movement in sonata form in time, with more evenly divided contributions between the two instruments than in the earliest of his ...
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Violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use. The violin typically has four strings (music), strings (some can have five-string violin, five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow (music), bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical music, Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and ...
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Piano Concerto No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Violin Sonatas By Wolfgang Amadeus Mozart
The violin, sometimes known as a '' fiddle'', is a wooden chordophone ( string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument ( soprano) in the family in regular use. The violin typically has four strings (some can have five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and in jazz. Electric violins with solid bodies and piezoelectric p ...
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Amandine Savary
Amandine Savary is a French pianist born in February 1984 in Bayeux, Calvados. Biography Amandine Savary began with her piano studies at the conservatory in Caen where she graduated with honours. In 2003 she joined the Royal Academy of Music of London to study under Professor Christopher Elton and Alexandre Satz. She obtained her master's degree with distinction. In Great Britain, she was a laureate of the ''Tillet Trust Young Artists' Platform Scheme'' 2006, of the ''Kirckman Concert Society'' 2008 Scheme, of the ''Philip and Dorothy Green Award for Young Artists Concert Series'' 2008, and of the ''Park Lane Group Young Artists Series'' 2008. She also took part in the ''Holland Music Sessions'' 2007 as a « New Master on Tour 2008-2009 ». In 2006, she co-founded Trio Dali with and Christian-Pierre La Marca. It won international awards in competitions in Osaka, Frankfurt (1st prizes) and New York (2nd prize)., The Trio's first records dedicated to Ravel for the Fuga Libe ...
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Hilary Hahn
Hilary Hahn (born November 27, 1979) is an American violinist. She has performed throughout the world as a soloist with leading orchestras and conductors and as a recitalist. She is an avid supporter of contemporary classical music, and several composers have written works for her, including concerti by Edgar Meyer and Jennifer Higdon, partitas by Antón García Abril, two serenades for violin and orchestra by Einojuhani Rautavaara, and a violin and piano sonata by Lera Auerbach. Early life and education Hahn was born in Lexington, Virginia, on November 27, 1979, and grew up in Baltimore, Maryland. Her father, Steve Hahn, was a journalist and librarian; her paternal great-grandmother was from Bad Dürkheim in Germany. Her mother Anne was an accountant. A musically precocious child, Hahn began playing the violin one month before her fourth birthday in the Suzuki Program of Baltimore's Peabody Institute. She participated in a Suzuki class for a year. From 1985 to 1990 she stud ...
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Yefim Bronfman
Yefim "Fima" Naumovich Bronfman (russian: Ефим Наумович Бронфман; born April 10, 1958) is a Soviet-born Israeli-American pianist. Biography Bronfman was born in Tashkent, Uzbek SSR, and immigrated to Israel at the age of 15. He became an American citizen in 1989. Bronfman's teachers were Rudolf Firkušný, Leon Fleisher, and Rudolf Serkin. He made his international debut in 1975 with Zubin Mehta and the Montreal Symphony Orchestra. He made his Carnegie Hall debut in 1989 and gave a series of recitals with Isaac Stern in 1991. He won a Grammy award in 1997 for his recording of the three Bartók piano concertos with Esa-Pekka Salonen and the Los Angeles Philharmonic. Another recording with Salonen, of the concertos of Sergei Rachmaninoff, was pirated by the record label Concert Artist and re-issued with the piano part falsely attributed to Joyce Hatto. Bronfman is also devoted to chamber music and has performed with many chamber ensembles and instrumentalists. ...
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Isaac Stern
Isaac Stern (July 21, 1920 – September 22, 2001) was an American violinist. Born in Poland, Stern came to the US when he was 14 months old. Stern performed both nationally and internationally, notably touring the Soviet Union and China, and performing extensively in Israel, a country to which he had close ties since shortly after its founding. Stern received extensive recognition for his work, including winning the Presidential Medal of Freedom and six Grammy Awards, and being named to the French Legion of Honour. The Isaac Stern Auditorium at Carnegie Hall bears his name, due to his role in saving the venue from demolition in the 1960s. Biography The son of Solomon and Clara Stern, Isaac Stern was born in Kremenets, Poland (now Ukraine), into a Jewish family. He was 14 months old when his family moved to San Francisco in 1921. He received his first music lessons from his mother. In 1928, he enrolled at the San Francisco Conservatory of Music, where he studied until 1931 b ...
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Rondo
The rondo is an instrumental musical form introduced in the Classical period. Etymology The English word ''rondo'' comes from the Italian form of the French ''rondeau'', which means "a little round". Despite the common etymological root, rondo and rondeau as musical forms are essentially different. Rondeau is a ''vocal'' musical form that was originally developed as monophonic music (in the 13th century) and then as polyphonic music (in the 14th century). Notably, both vocal forms of rondeau nearly disappeared from the repertoire by the beginning of the 16th century. In French, ''rondeau'' is used for both forms, while in English ''rondeau'' is generally used for the ''vocal'' musical form, while ''rondo'' is used for the ''instrumental'' musical form.Don Neville, "Rondò", ''The New Grove Dictionary of Opera'', 4 vols., edited by Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and edit ...
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Classical Music Era
The Classical period was an era of classical music between roughly 1750 and 1820. The Classical period falls between the Baroque and the Romantic periods. Classical music has a lighter, clearer texture than Baroque music, but a more sophisticated use of form. It is mainly homophonic, using a clear melody line over a subordinate chordal accompaniment, Blume, Friedrich. ''Classic and Romantic Music: A Comprehensive Survey''. New York: W. W. Norton, 1970 but counterpoint was by no means forgotten, especially in liturgical vocal music and, later in the period, secular instrumental music. It also makes use of ''style galant'' which emphasized light elegance in place of the Baroque's dignified seriousness and impressive grandeur. Variety and contrast within a piece became more pronounced than before and the orchestra increased in size, range, and power. The harpsichord was replaced as the main keyboard instrument by the piano (or fortepiano). Unlike the harpsichord, which plucks str ...
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Musical Development
In music, development is a process by which a musical idea is communicated in the course of a composition. It refers to the transformation and restatement of initial material. Development is often contrasted with musical variation, which is a slightly different means to the same end. ''Development'' is carried out upon portions of material treated in many ''different'' presentations and combinations at a time, while ''variation'' depends upon ''one'' type of presentation at a time. In this process, certain central ideas are repeated in different contexts or in altered form so that the mind of the listener consciously or unconsciously compares the various incarnations of these ideas. Listeners may apprehend a "tension between expected and real results" (see irony), which is one "element of surprise" in music. This practice has its roots in counterpoint, where a theme or subject might create an impression of a pleasing or affective sort, but delight the mind further as its contrap ...
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Sonata Form
Sonata form (also ''sonata-allegro form'' or ''first movement form'') is a musical form, musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical music era, Classical period). While it is typically used in the first Movement (music), movement of multi-movement pieces, it is sometimes used in subsequent movements as well—particularly the final movement. The teaching of sonata form in music theory rests on a standard definition and a series of hypotheses about the underlying reasons for the durability and variety of the form—a definition that arose in the second quarter of the 19th century. There is little disagreement that on the largest level, the form consists of three main sections: an exposition, a development, and a recapitulation; however, beneath this general structure, sonata form is difficult to pin down to a single model. The st ...
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Quintet For Piano And Winds (Mozart)
The Quintet in E major for Piano and Winds, K. 452, was composed by Wolfgang Amadeus Mozart on March 30, 1784 and premiered two days later at the Imperial and Royal National Court Theater in Vienna. Shortly after the premiere, Mozart wrote to his father that "I myself consider it to be the best thing I have written in my life." It is scored for piano, oboe, clarinet, horn and bassoon. Music There are three movements: The first movement is in sonata form. It opens with a slow introduction, marked ''Largo''. After the slow section cadences on a B dominant chord with a fermata (where the pianist will often improvise an ''eingang''), the movement's main theme appears featuring solo piano and is taken up by the winds a few bars later. The theme appears in the development with the piano in A major, B minor, C minor, and then in C major by the oboe. The movement ends with two E major chords. The second movement is often marked ''Larghetto'', but the indication is missing fro ...
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