|
K. 491
The Piano Concerto No. 24 in C minor, K. 491, is a concerto composed by Wolfgang Amadeus Mozart for piano (the kind of early piano now known as a fortepiano) and orchestra. Mozart composed the concerto in the winter of 1785–1786, finishing it on 24 March 1786, three weeks after completing his Piano Concerto No. 23 in A major. As he intended to perform the work himself, Mozart did not write out the soloist's part in full. The premiere was in early April 1786 at the Burgtheater in Vienna. Chronologically, the work is the twentieth of Mozart's 23 original piano concertos. The work is one of only two minor-key piano concertos that Mozart composed, the other being the No. 20 in D minor. None of Mozart's other piano concertos features a larger array of instruments: the work is scored for strings, woodwinds, horns, trumpets and timpani. The first of its three movements, Allegro, is in sonata form and is longer than any opening movement of Mozart's earlier concertos. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Andreas Stein
Johann (Georg) Andreas Stein (16 May 1728 in Heidelsheim – 29 February 1792 in Augsburg) was an outstanding German maker of keyboard instruments, a central figure in the history of the piano. He was primarily responsible for the design of the so-called German hammer action. Pianos with this hammer action, or its more developed form known as the Viennese action, may be said to be appropriate for the performance of the piano music of Haydn, Mozart, and the early Beethoven.Grove, "Stein" Life Stein was born in 1728 in Heidelsheim in the Upper Palatinate. He died in Augsburg in 1792. He learned his trade as an organ builder from his father in Heidelsheim and from August 1748 to January 1749 as a journeyman at two workshops, those of Johann Andreas Silbermann in Strasbourg and of Frantz Jacob Spath in Regensburg. Johann Andreas Silbermann was the eldest of the four sons of Andreas Silbermann, the elder brother of Gottfried Silbermann. Stein settled in Augsburg, probably in 1750 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timpani
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettle drums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are ''pedal timpani'' and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized drum stick called a ''timpani stick'' or ''timpani mallet''. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands. ''Timpani'' is an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bärenreiter
Bärenreiter (Bärenreiter-Verlag) is a German classical music publishing house based in Kassel. The firm was founded by Karl Vötterle (1903–1975) in Augsburg in 1923, and moved to Kassel in 1927, where it still has its headquarters; it also has offices in Basel, London, New York and Prague. The company is currently managed by Barbara Scheuch-Vötterle and Leonhard Scheuch. Since 1951, the company's focus has been on the New Complete Editions series for various composers. These are urtext editions, and cover the entire work of the selected composer. Series include: J. S. Bach (the '' Neue Bach-Ausgabe'', a joint project with the Deutscher Verlag für Musik), Berlioz, Fauré, Gluck, Handel, Janáček, Mozart (Neue Mozart-Ausgabe), Rossini, Saint-Saëns, Schubert (New Schubert Edition Franz Schubert (1797–1828): New Edition of the Complete Works (), commonly known as the New Schubert Edition (NSE), or, in german: Neue Schubert-Ausgabe (NSA), is a complete editio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Levin (musicologist)
Robert David Levin (born October 13, 1947) is an American classical pianist, musicologist and composer, and served as the artistic director of the Sarasota Music Festival from 2007 to 2017. Education Born in Brooklyn, Levin attended the Brooklyn Friends School and Andrew Jackson High School, and spent his junior year studying music with Nadia Boulanger in Paris. He attended Harvard, where he earned his Bachelor of Arts ''magna cum laude'' in 1968 with a thesis entitled ''The Unfinished Works of W. A. Mozart''. Levin took private lessons at Chatham Square Music School, Conservatoire National de Musique and the Fontainebleau School of Music in: * piano, with Jan Gorbaty, Louis Martin, Alice Gaultier-Léon, Jean Casadesus, Clifford Curzon and Robert Casadesus * organ, with Nadia Boulanger * solfège, with Seymour Bernstein, Louis Martin and Annette Dieudonné * counterpoint, with Suzanne Bloch and Nadia Boulanger * composition, with Stefan Wolpe * conducting, with Eleaz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Marriage Of Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' ( opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, ''La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna
en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST = CEST , utc_offset_DST = +2 , blank_name = Vehicle registration , blank_info = W , blank1_name = GDP , blank1_info = € 96.5 billion (2020) , blank2_name = GDP per capita , blank2_info = € 50,400 (2020) , blank_name_sec1 = HDI (2019) , blank_info_sec1 = 0.947 · 1st of 9 , blank3_name = Seats in the Federal Council , blank3_info = , blank_name_sec2 = GeoTLD , blank_info_sec2 = .wien , website = , footnotes = , image_blank_emblem = Wien logo.svg , blank_emblem_size = Vienna ( ; german: Wien ; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
August Gerasch Vor Dem Alten Burgtheater
August is the eighth month of the year in the Julian and Gregorian calendars, and the fifth of seven months to have a length of 31 days. Its zodiac sign is Leo and was originally named ''Sextilis'' in Latin because it was the 6th month in the original ten-month Roman calendar under Romulus in 753 BC, with March being the first month of the year. About 700 BC, it became the eighth month when January and February were added to the year before March by King Numa Pompilius, who also gave it 29 days. Julius Caesar added two days when he created the Julian calendar in 46 BC (708 AUC), giving it its modern length of 31 days. In 8 BC, it was renamed in honor of Emperor Augustus. According to a Senatus consultum quoted by Macrobius, he chose this month because it was the time of several of his great triumphs, including the conquest of Egypt. Commonly repeated lore has it that August has 31 days because Augustus wanted his month to match the length of Julius Caesar's July, but t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Hutchings
Arthur James Bramwell Hutchings (14 July 1906 – 13 November 1989) was an English musicologist, composer, and professor of music successively at the University of Durham and the University of Exeter. He wrote extensively on topics as varied as nineteenth-century English liturgical composition, Schubert, Purcell, Edmund Rubbra, and baroque concertos; but his most famous book was the ''Companion to Mozart's Piano Concertos Wolfgang Amadeus Mozart's concertos for piano and orchestra are numbered from 1 to 27. The first four numbered concertos and three unnumbered concertos are early works that are arrangements of keyboard sonatas by various contemporary composers. ...'', published in 1948 and often reissued since. Among his other books are ''The Invention and Composition of Music'' and ''Church Music in the Nineteenth Century''. During the late 1970s his articles on music regularly appeared in the monthly magazine '' Records and Recording''. His compositions include the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Brahms
Johannes Brahms (; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid- Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the " Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow. Brahms composed for symphony orchestra, chamber ensembles, piano, organ, violin, voice, and chorus. A virtuoso pianist, he premiered many of his own works. He worked with leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. Brahms has been considered both a traditionalist and an innovator, by his contemporaries and by later writers. His music is rooted in the structures and compositional techniques of the Classical masters. E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theme And Variations
In music, variation is a formal technique where material is repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these. Variation techniques Mozart's Twelve Variations on "Ah vous dirai-je, Maman" (1785), known in the English-speaking world as " Twinkle, Twinkle, Little Star" exemplifies a number of common variation techniques. Here are the first eight bars of the theme: Melodic variation Mozart's first variation decorates and elaborates the plain melodic line: Rhythmic variation The fifth variation breaks up the steady pulse and creates syncopated off-beats: Harmonic variation The seventh variation introduces powerful new chords, which replace the simple harmonies originally implied by the theme with a prolongational series of descending fifths: Minor mode In the elaborate eighth variation, Mozart changes from the major to the parallel minor mode, while combining three techniques: count ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relative Major
In music, relative keys are the major and minor scales that have the same key signatures ( enharmonically equivalent), meaning that they share all the same notes but are arranged in a different order of whole steps and half steps. A pair of major and minor scales sharing the same key signature are said to be in a relative relationship. The relative minor of a particular major key, or the relative major of a minor key, is the key which has the same key signature but a different tonic. (This is as opposed to ''parallel'' minor or major, which shares the same tonic.) For example, F major and D minor both have one flat in their key signature at B♭; therefore, D minor is the relative minor of F major, and conversely F major is the relative major of D minor. The tonic of the relative minor is the sixth scale degree of the major scale, while the tonic of the relative major is the third degree of the minor scale. The minor key starts three semitones below its relative major; for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
