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Justicia (album)
''Justicia'' is the eleventh studio album by American pianist Eddie Palmieri. It was released by Tico Records in 1969. It is Palmieri's most overtly political album, with lyrics dealing with inequality, discrimination and social justice. Described as an "integrated discourse", i.e. a concept album, it combines the popular salsa dura style of the 1970s on side A with a more innovative approach to jazz experimentation on side B. Background and recording Throughout the 1960s, pianist Eddie Palmieri played an important role in the development of salsa with his ''conjunto'' La Perfecta. La Perfecta was one of the first Latin ensembles to feature multiple trombones, one of salsa's distinctive characteristics. The band's repertoire was inspired by Cuban and Puerto Rican dance-oriented styles such as guaracha, son, pachanga and bomba. In 1968, Palmieri disbanded La Perfecta in order to seek a more experimental approach incorporating funk and soul elements into his music. Palmieri and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Palmieri
Eddie Palmieri (born December 15, 1936) is an American Grammy Award-winning pianist, bandleader, musician, and composer of Puerto Rican ancestry. He is the founder of the bands La Perfecta, La Perfecta II, and Harlem River Drive. Early life Palmieri's parents moved to New York from Ponce, Puerto Rico, in 1926 and settled in the South Bronx, a largely Jewish neighborhood. There, he and his elder brother Charlie Palmieri were born. He accompanied Charlie and participated in many talent contests when he was eight years old. Palmieri continued his education in the city's public school system where he was constantly exposed to jazz music. He took piano lessons and performed at Carnegie Hall at the age of eleven. Influenced by Thelonious Monk and McCoy Tyner, and inspired by his older brother, he determined to someday form his own band — which he accomplished in 1950 when he was fourteen years old. During the 1950s, Palmieri played in several bands including Tito Rodríguez's. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soul Music
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence with artists like Erykah Badu under the genre neo-soul. Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and an especially tense vocal sound. The style also occasionally uses improvisational additions, twirls, and auxiliary sounds. Soul music reflects the African-American identity, and it stresses the importance of an Afric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roulette
Roulette is a casino game named after the French word meaning ''little wheel'' which was likely developed from the Italian game Biribi''.'' In the game, a player may choose to place a bet on a single number, various groupings of numbers, the color red or black, whether the number is odd or even, or if the numbers are high (19–36) or low (1–18). To determine the winning number, a croupier spins a wheel in one direction, then spins a ball in the opposite direction around a tilted circular track running around the outer edge of the wheel. The ball eventually loses momentum, passes through an area of deflectors, and falls onto the wheel and into one of thirty-seven (single-zero, French or European style roulette) or thirty-eight (double-zero, American style roulette) or thirty-nine (triple-zero, "Sands Roulette") colored and numbered pockets on the wheel. The winnings are then paid to anyone who has placed a successful bet. History The first form of roulette was devised in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fania Records
Fania Records is a New York–based record label founded by Dominican-born composer and bandleader Johnny Pacheco and his Brooklyn-born Italian-American ex-New York City Police Officer turned lawyer Jerry Masucci in 1964. The label took its name from a popular luncheonette frequented by musicians in Havana, Cuba that Masucci frequented when he worked for a public relations firm there during the pre-Castro era. Fania is known for its promotion of salsa music. History Frustrated by the meager amount of money he was receiving for his recordings, Johnny Pacheco started Fania in 1964 and sold records to music stores out of the trunk of his car. To help finance the business, he consolidated with his Brooklyn-born Italian lawyer and promoter Jerry Masucci, and in 1964 founded the Fania label to produce, promote and market the music of Latinos in New York. The label started out as a small venture, but gained popularity after the success of Johnny Pacheco's first official record, ''Cañ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morris Levy
Morris Levy (born Moishe Levy; August 27, 1927 – May 21, 1990) was an American entrepreneur in the fields of jazz clubs, music publishing, and the independent record industry. Levy was cofounder and owner of Roulette Records, founding partner of the Birdland jazz club and the Roulette Room. He was a prominent subject of investigations into organized crime and the music industry, and was convicted of extortion shortly before his death. At the peak of his business career, Levy owned more than 90 companies employing 900 people, including record-pressing plants, tape-duplicating plants, a distribution company, a prominent New England chain of 81 record stores (Strawberries), and many record labels. Levy, who went by "Moishe" or "Mo" within the record industry, was described by ''Billboard'' magazine as "one of the record industry's most controversial and flamboyant players" and by ''Variety'' as "The Octopus", for his far-reaching control, disproportionate to the size of his com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guajeo
A guajeo (Anglicized pronunciation: ''wa-hey-yo'') is a typical Cuban ostinato melody, most often consisting of arpeggiated chords in syncopated patterns. Some musicians only use the term ''guajeo'' for ostinato patterns played specifically by a tres, piano, an instrument of the violin family, or saxophones. Piano guajeos are one of the most recognizable elements of modern-day salsa. Piano guajeos are also known as ''montunos'' in North America, or ''tumbaos'' in the contemporary Cuban dance music timba. History The guajeo shares rhythmic, melodic and harmonic similarities with the short ostinato figures played on marimbas, lamellophones, and string instruments in sub-Saharan Africa. The guajeo is a seamless blend of African and European musical sensibilities, and was first played as accompaniment on the tres in the Afro-Cuban son and related music. The tres is a Cuban guitar-like instrument, consisting of three sets of double strings. Changüí The guajeo emerged in Cuba du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soul Jazz
Soul jazz or funky jazz is a subgenre of jazz that incorporates strong influences from hard bop, blues, soul, gospel and rhythm and blues. Soul jazz is often characterized by organ trios featuring the Hammond organ and small combos including tenor saxophone, guitar, and organ. Its origins were in the 1950s and early 1960s, with its heyday with popular audiences preceding the rise of jazz fusion in the late 1960s and 1970s. Prominent names in fusion ranged from bop pianists including Bobby Timmons and Junior Mance to a wide range of organists, saxophonists, and guitarists including Jack McDuff, Eddie "Lockjaw" Davis, and Grant Green. Musical style Soul jazz is often associated with hard bop. Mark C. Gridley, writing for the ''All Music Guide to Jazz'', explains that soul jazz more specifically refers to music with "an earthy, bluesy melodic concept" and "repetitive, dance-like rhythms.... Note that some listeners make no distinction between 'soul-jazz' and 'funky hard bop,' and ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfredo "Chocolate" Armenteros
Alfredo "Chocolate" Armenteros (4 April 1928 – 6 January 2016) was a Cuban trumpeter. He played with artists such as Arsenio Rodríguez, Generoso Jiménez, Chico O'Farrill, Orchestra Harlow, Eddie Palmieri, Cachao and Sonora Matancera. Due to his characteristic approach to Afro-Cuban trumpet playing as well as his extensive recording career, several monographs have been written on his music. Life and career Armenteros was born on April 4, 1928, in Santa Clara, Las Villas Province, Cuba. He first began playing in a band led by the sonero/ composer René Álvarez called Conjunto Los Astros and soon after with Arsenio Rodríguez. The nickname "Chocolate" was bestowed on him owing to a case of mistaken identity, when someone took him for Kid Chocolate, the champion boxer. After the Cuban Revolution, Armenteros moved to New York, where he lived until his death. Armenteros went on to play with José Fajardo, Beny Moré, Tito Puente, César Concepción, Machito, Wynton Marsa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ignacio Piñeiro
Ignacio Piñeiro Martínez (May 21, 1888 – March 12, 1969) was a Cuban musician, bandleader and composer whose career started in rumba and flowered in the rise of the son. He was one of the most important composers of son music; in total he wrote about 327 numbers, mostly sones. Piñeiro was a brilliant rumbero who worked with musical groups from 1903 onwards. In 1906, was a member of the Timbre de Oro '' coro de clave y guaguancó'' (a vocal group precursor of contemporary guaguancó), and later directed Los Roncos, another famous ''coro de guaguancó''. He was taught the double bass by María Teresa Vera, and in 1926 he was a member of her band, Sexteto Occidente, which recorded in New York City. In 1927 he founded the Sexteto Nacional de Ignacio Piñeiro, later simply known as Sexteto Nacional, in which he was the director and songwriter. With the addition of a trumpet the band became the Septeto Nacional. For financial reasons, Piñeiro quit the group in 1935; it was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rafael Hernández Marín
Rafael Hernández Marín (October 24, 1892 – December 11, 1965) was a Puerto Rican songwriter, author of hundreds of popular songs in the Latin American repertoire. He specialized in Puerto Rican styles such as the canción, bolero and guaracha. Among his most famous compositions are " Lamento Borincano", "Capullito de alhelí", "Campanitas de cristal", "Cachita", " Silencio", "El cumbanchero", "Ausencia" and "Perfume de gardenias". Career Early years Rafael Hernández Marín was born in the town of Aguadilla, Puerto Rico, into a poor family, on October 24, 1892. His parents were María Hernández Marín and Miguel Angel Rosa, though he was given only his mother's surname. As a child, he learned the craft of cigar making, from which he made a modest living. He also grew to love music and asked his parents to permit him to become a full-time music student. When he was 12 years old, Hernández studied music in San Juan, under the guidance of music professors Jose Ruellan Leq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sing Sing
Sing Sing Correctional Facility, formerly Ossining Correctional Facility, is a maximum-security prison operated by the New York State Department of Corrections and Community Supervision in the village of Ossining, New York. It is about north of New York City on the east bank of the Hudson River. It holds about 1,700 inmates and housed the execution chamber for the State of New York until the abolition of capital punishment in New York in 2004. The name "Sing Sing" was derived from the Sintsink Native American tribe from whom the land was purchased in 1685, and was formerly the name of the village. In 1970, the prison's name was changed to the Ossining Correctional Facility, but it reverted to its original name in 1985. There are plans to convert the original 1825 cell block into a period museum.Village looks to create Sing Sing museum, May 22, 2007. Earthtimes.org http://www.earthtimes.org/articles/show/65218.html The prison property is bisected by the Metro-North Railroad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ismael Quintana
Ismael Quintana (June 3, 1937 – April 16, 2016) was a Puerto Rican singer and composer of salsa music. Early years Quintana was born in Ponce, Puerto Rico. His family moved to The Bronx sector of New York when he was only two weeks old; there he went to school and while he was still in high school he formed a band with his neighborhood friends. Conjunto La Perfecta In 1961, bandleader Eddie Palmieri heard Quintana sing in an audition and invited him to join his newly organized conjunto (small band), La Perfecta. Quintana accepted and became the lead singer of the band between 1961 and 1973. During this time he co-wrote some of Palmieri's major hit songs. With Palmieri, Quintana was awarded the 1966 Trophy for the "Most Popular Latin Singer of the Year", awarded at the Palladium Ballroom in New York. Quintana left Palmieri for a solo career and signed with Vaya Records (subsidiary of Fania Records). Between 1974 and 1983, he recorded five albums as a solo artist, scoring ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
