Jumping In The Sugar Bowl
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Jumping In The Sugar Bowl
''Jumping in the Sugar Bowl'' is the fourth album by American pianist Amina Claudine Myers featuring performances recorded in 1984 for the Minor Music label. Reception The Allmusic review by Ron Wynn awarded the album 4 stars stating "Intense, provocative mixture of outside and inside sensibilities. Myers at times ranges and attacks the keyboard, then will change direction and display a soulful, gospel-influenced style. The constantly shifting session keeps things interesting, and there are some fine solos as well".Wynn, RAllmusic Reviewaccessed May 31, 2011 Track listing :''All compositions by Amina Claudine Myers except as indicated'' # "Jumping in the Sugar Bowl" - 8:31 # "Another Day" ( Catherine Bowne, Amina Claudine Myers) - 6:03 # "Cecil B" - 9:24 # "Guten Morgen" - 9:46 # "Mind Chambers" - 6:10 # "Cameloupe" - 7:50 :*Recorded at Tonstudio Bauer in Ludwigsburg, Germany in March 1984 Personnel * Amina Claudine Myers - piano, organ, voice * Thomas Palmer - bass Bass o ...
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Amina Claudine Myers
Amina Claudine Myers (born March 21, 1942) is an American jazz pianist, organist, vocalist, composer, and arranger. Biography Born in Blackwell, Arkansas, "Myers was brought up largely by her great-aunt, a schoolteacher, and her great-uncle, a carpenter by trade who played the clarinet, piano, and flute". She "started taking piano lessons around the age of four, and when she was seven, her family moved to Roosevelt, a black community outside Dallas. Myers took piano and violin lessons, but eventually, partly for financial reasons, settled on the piano, taking weekly lessons of fifteen minutes each." She began to learn some European classical music at high school, but this was interrupted when she and the family moved back to Blackwell. Myers majored in music education at Philander Smith College in Little Rock, Arkansas. In her second year, she was invited to play at The Safari Room in Memphis, Tennessee. This engagement, however, was very brief, as her musical repertoire was too ...
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Electronic Organ
An electric organ, also known as electronic organ, is an electronic keyboard instrument which was derived from the harmonium, pipe organ and theatre organ. Originally designed to imitate their sound, or orchestral sounds, it has since developed into several types of instruments: * Hammond-style organs used in pop, rock and jazz; * digital church organs, which imitate pipe organs and are used primarily in churches; * other types including combo organs, home organs, and software organs. History Predecessors ;Harmonium The immediate predecessor of the electronic organ was the harmonium, or reed organ, an instrument that was common in homes and small churches in the late 19th and early 20th centuries. In a fashion not totally unlike that of pipe organs, reed organs generate sound by forcing air over a set of reeds by means of a bellows, usually operated by constantly pumping a set of pedals. While reed organs have limited tonal quality, they are small, inexpensive, self ...
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Percussion
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cy ...
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Reggie Nicholson
Reginald "Reggie" Nicholson (born July 17, 1957) is an American jazz drummer. Nicholson took a bachelor's degree in percussion performance at Chicago State University and became a member of the Association for the Advancement of Creative Musicians in 1979, working early in his career with Ed Wilkerson. In the 1980s he played with Amina Claudine Myers, Henry Threadgill, and Ernest Dawkins; he relocated to New York City in 1988 but continued his associations with Threadgill and Dawkins there. For much of the 1990s he worked with Myra Melford, and also worked in that decade with Muhal Richard Abrams, Michael Marcus, Roy Campbell, Wilber Morris, Don Pullen, Billy Bang, Charles Gayle, Leroy Jenkins, Thomas Chapin, Reuben Wilson, and Jim Nolet. Discography As leader/co-leader *''...You See What We're Sayin'?'' (CIMP, 1999) BMN Trio: with Thomas Borgmann and Wilber Morris *''Drum String Thing'' (CIMP, 2000) with Wilber Morris *''Unnecessary Noise Allowed'' (Abstract, 1997) as The ...
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Electric Bass
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck The neck is the part of the body on many vertebrates that connects the head with the torso. The neck supports the weight of the head and protects the nerves that carry sensory and motor information from the brain down to the rest of the body. In ... and Scale length (string instruments), scale length, and typically four to six string (music), strings or Course (music), courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a plectrum, pick. To be heard ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Thomas Palmer (musician)
Thomas or Tom Palmer may refer to: Politicians * Thomas Palmer (Mayor of York) (c. 1219) on list of mayors of York * Thomas Palmer, in 1433, MP for Leicestershire * Thomas Palmer (MP for Rutland), in 1450, MP for Rutland * Thomas Palmer (died 1553), soldier and courtier * Thomas Palmer (died 1582), MP for Sussex, Guildford and Arundel * Sir Thomas Palmer, 1st Baronet (1540–1626), "The Travailer" * Thomas Palmer (1542 – by 1616), MP for Sussex * Thomas Palmer (died 1735), British Member of Parliament (MP) for Bridgewater * Sir Thomas Palmer, 4th Baronet, of Wingham (1682–1723), MP for Kent 1708–1710 and for Rochester 1715–1724 * Sir Thomas Palmer, 4th Baronet, of Carlton (1702–1765), MP for Leicestershire 1754–1765 * Thomas W. Palmer (1830–1913), U.S. Senator from the state of Michigan *Thomas Palmer (Florida politician) (1859–1946), lawyer and politician in Florida Others * Sir Thomas Palmer (died 1553), executed English soldier * Thomas Fyshe Palmer (1747– ...
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Voice
The human voice consists of sound made by a human being using the vocal tract, including talking, singing, laughing, crying, screaming, shouting, humming or yelling. The human voice frequency is specifically a part of human sound production in which the vocal folds (vocal cords) are the primary sound source. (Other sound production mechanisms produced from the same general area of the body involve the production of unvoiced consonants, clicks, whistling and whispering.) Generally speaking, the mechanism for generating the human voice can be subdivided into three parts; the lungs, the vocal folds within the larynx (voice box), and the articulators. The lungs, the "pump" must produce adequate airflow and air pressure to vibrate vocal folds. The vocal folds (vocal cords) then vibrate to use airflow from the lungs to create audible pulses that form the laryngeal sound source. The muscles of the larynx adjust the length and tension of the vocal folds to 'fine-tune' pitch and ton ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Catherine Bowne
Katherine, also spelled Catherine, and other variations are feminine names. They are popular in Christian countries because of their derivation from the name of one of the first Christian saints, Catherine of Alexandria. In the early Christian era it came to be associated with the Greek adjective (), meaning "pure", leading to the alternative spellings ''Katharine'' and ''Katherine''. The former spelling, with a middle ''a'', was more common in the past and is currently more popular in the United States than in Britain. ''Katherine'', with a middle ''e'', was first recorded in England in 1196 after being brought back from the Crusades. Popularity and variations English In Britain and the U.S., ''Catherine'' and its variants have been among the 100 most popular names since 1880. The most common variants are ''Katherine,'' ''Kathryn,'' and ''Katharine''. The spelling ''Catherine'' is common in both English and French. Less-common variants in English include ''Katheryn ...
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The Rolling Stone Jazz Record Guide
''The Rolling Stone Album Guide'', previously known as ''The Rolling Stone Record Guide'', is a book that contains professional music reviews written and edited by staff members from ''Rolling Stone'' magazine. Its first edition was published in 1979 and its last in 2004. The guide can be seen at Rate Your Music, while a list of albums given a five star rating by the guide can be seen at Rocklist.net. First edition (1979) ''The Rolling Stone Record Guide'' was the first edition of what would later become ''The Rolling Stone Album Guide''. It was edited by Dave Marsh (who wrote a large majority of the reviews) and John Swenson, and included contributions from 34 other music critics. It is divided into sections by musical genre and then lists artists alphabetically within their respective genres. Albums are also listed alphabetically by artist although some of the artists have their careers divided into chronological periods. Dave Marsh, in his Introduction, cites as precedents Leo ...
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