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Julien (opera)
''Julien, ou La vie du poète'' (''Julien, or The Poet's Life'') is a ''poème lyrique'', or opera, by composer Gustave Charpentier. The work is devised in a prologue and four acts and uses a French libretto by the composer. ''Julien'' is a sequel to Charpentier's ''Louise'' (1900) and describes the artistic aspirations of Louise's suitor Julien. The opera premiered in Paris at the Salle Favart on 4 June 1913. Background and performance history Like that of ''Louise'', the plot of ''Julien'' is semi-autobiographical and requires many characters and chorus roles; in ''Julien'', the female lead portrays four smaller characters in addition to the role of Louise. The opera integrates elements of an earlier composition, ''La vie du poète'', a symphony-drama of 1888–1889. The chorus consists largely of ''filles du rêve'' ("girls of the dream"), fairies, and chimeras as well as various men's roles, mainly different kinds of working class men. Charpentier stated that, except in the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Charpentier
Gustave Charpentier (; 25 June 1860 – 18 February 1956) was a French composer, best known for his opera ''Louise''.Langham Smith R., "Gustave Charpentier", ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. Life and career Charpentier was born in Dieuze, Moselle, the son of a baker, and with the assistance of a rich benefactor he studied violin at the conservatoire in Lille before entering the Paris Conservatoire in 1881. There he took lessons in composition under Jules Massenet (from 1885) and had a reputation of wanting to shock his professors. In 1887 he won the Prix de Rome for his cantata ''Didon''. During the time in Rome that the prize gave him, he wrote the orchestral suite ''Impressions d'Italie'' and began work on the libretto and music for what would become his best-known work, the opera ''Louise''. Charpentier returned to Paris, settling in Montmartre, and continued to compose, including songs on texts by Charles Baudelaire and Voltaire. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libération
''Libération'' (), popularly known as ''Libé'' (), is a daily newspaper in France, founded in Paris by Jean-Paul Sartre and Serge July in 1973 in the wake of the protest movements of May 1968. Initially positioned on the far-left of France's political spectrum, the editorial line evolved towards a more centre-left stance at the end of the 1970s. Its editorial stance was centre-left as of 2012. The publication describes its "DNA" as being "liberal libertarian". It aims to act as a common platform for the diverse tendencies within the French Left, with its "compass" being "the defence of freedoms and of minorities". Edouard de Rothschild's acquisition of a 37% capital interest in 2005, and editor Serge July's campaign for the "yes" vote in the referendum establishing a Constitution for Europe the same year, alienated it from a number of its left-wing readers. In its early days, it was noted for its irreverent and humorous style and unorthodox journalistic culture. All employ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bourgeoise
The bourgeoisie ( , ) is a social class, equivalent to the middle or upper middle class. They are distinguished from, and traditionally contrasted with, the proletariat by their affluence, and their great cultural and financial capital. They are sometimes divided into a petty (), middle (), large (), upper (), and ancient () bourgeoisie and collectively designated as "the bourgeoisie". The bourgeoisie in its original sense is intimately linked to the existence of cities, recognized as such by their urban charters (e.g., municipal charters, town privileges, German town law), so there was no bourgeoisie apart from the citizenry of the cities. Rural peasants came under a different legal system. In Marxist philosophy, the bourgeoisie is the social class that came to own the means of production during modern industrialization and whose societal concerns are the value of property and the preservation of capital to ensure the perpetuation of their economic supremacy in soci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acolyte
An acolyte is an assistant or follower assisting the celebrant in a religious service or procession. In many Christian denominations, an acolyte is anyone performing ceremonial duties such as lighting altar candles. In others, the term is used for one who has been inducted into a particular liturgical ministry, even when not performing those duties. Etymology The word ''acolyte'' is derived from the Greek word ἀκόλουθος (''akolouthos''), meaning an attendant, via Late Latin ''acolythus''. Eastern Christianity In the Eastern Orthodox and Byzantine Catholic churches, the nearest equivalent of acolyte is the altar server. At one time there was a rank of minor clergy called the ''taper-bearer'' (κηροφόρος) responsible for bearing lights during processions and liturgical entrances. However, this rank has long ago been subsumed by that of the reader and the service for the tonsure of a reader begins with the setting-aside of a taper-bearer. The functions of an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marguerite Carré
Marguerite Carré (''née'' Giraud, also known as Marguerite Giraud-Carré) (16 August 1880 – 26 November 1947) was a French soprano who created numerous roles at the Paris Opéra-Comique in the course of her career. She was born in Cabourg, France, the daughter of French baritone Auguste Louis Giraud and Jenny Gabrielle Vaillant of Paris (9 May 1857 – 1903). Auguste Giraud was the director of the Graslin Theater in Nantes where Carré made her stage debut in 1899 as Mimì in Puccini's ''La bohème''. Descriptions of her performance were favorable. "She was very musical, gifted with a charming voice and intelligent actress." She married Albert Carré, the director of the Opéra-Comique in 1902 and became known by her married name, Marguerite Carré. Their daughter Jenny Carré (1902–1945) would eventually take up a career in theater costume design. The couple divorced in 1924, but remarried in 1929. In Paris, Carré was hailed as a "celebrated soprano" who created role ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Charles Rousselière
Charles Rousselière (17 January 1875 – 11 May 1950) was French operatic tenor who performed primarily at the Paris Opera, the Opéra de Monte-Carlo, and the Opéra-Comique. He sang in the world premieres of several operas, including the title role in Charpentier's ''Julien'' and Giorgio in Mascagni's '' Amica''. Rousselière was born in Saint-Nazaire-d'Aude (village in Languedoc-Roussillon) and originally worked as a blacksmith before studying with Edmond Vergnet, Alfred Giraudet and Léon Achard at the Conservatoire de Paris. He was active in café-concert, and one of the stars of the Petit Ramponneau in Montmartre, run by Théophile Pathé, brother of Charles Pathé, through whom he recorded his first cylindres. He made his stage debut as Samson in Saint-Saëns's ''Samson and Delilah'' at the Paris Opera in 1900. He also appeared at the Metropolitan Opera in New York (where he debuted as Roméo in '' Roméo et Juliette'' in 1906) as well as in Berlin, Buenos Aires a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Wolff (conductor)
Albert Louis Wolff (19 January 1884 – 20 February 1970) was a French conductor and composer of Dutch descent. Most of his career was spent in European venues, with the exception of two years that he spent as a conductor at the Metropolitan Opera and a few years in Buenos Aires during the Second World War. He is most known for holding the position of principal conductor with the Opéra-Comique in Paris for several years. He was married to the French mezzo-soprano Simone Ballard. Biography Early life and education Wolff was born in Paris, of Dutch parents, though he was a French citizen from birth, never lived in the Netherlands, and never had a Dutch passport. When only 12 years old, he began his musical education at the Paris Conservatoire. There, he studied with such teachers as André Gedalge, Xavier Leroux, and Paul Antonin Vidal. At the same time he played the piano in cabarets and was organist at the Église Saint-Thomas-d'Aquin (Paris) for four years. Upon graduatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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