|
Julie Dorus
Julie Dorus-Gras (born Valenciennes 7 September 1805 – 6 February 1896) was a Belgian operatic soprano. Early life and training She was born Julie-Aimée-Josèphe Van Steenkiste,Forbes, Elizabeth. "Dorus-Gras (née Van Steenkiste), Julie(-Aimée-Josephe oséphine" in Sadie (2001) and Sadie (1992) the daughter of an ex-soldier who was the leader of the theatre orchestra in her native city Valenciennes.Pitou (1990), p. 380. She first studied with her father and began performing as a child, eventually becoming so well known as a vocalist that she received a municipal scholarship which enabled her to continue her studies in Paris. She was admitted to the Paris Conservatoire in 1821 and studied singing in the class conducted by Blangini and Henri. Later she received additional vocal training from Bordogni and Paer. Career To begin her career she made a concert tour which took her to Brussels. Her concert was so successful, that Count de Liederkerke offered her a contract to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julie Dorus-Gras As Marguerite De Valois In Les Huguenots - Les Beautés De L'opéra
Julie may refer to: * Julie (given name), a list of people and fictional characters with the name Film and television * ''Julie'' (1956 film), an American film noir starring Doris Day * ''Julie'' (1975 film), a Hindi film by K. S. Sethumadhavan featuring Lakshmi * ''Julie'' (1998 film), a British public information film about seatbelt use * ''Julie'' (2004 film), a Hindi film starring Neha Dhupia * ''Julie'' (2006 film), a Kannada film starring Ramya * ''Julie'' (TV series), a 1992 American sitcom starring Julie Andrews Literature * ''Julie; or, The New Heloise'', a 1761 novel by Jean-Jacques Rousseau * ''Julie'' (George novel), a 1994 novel, the second book of a trilogy, by Jean Craighead George * ''Julie'', a 1985 novel by Cora Taylor Music * ''Julie'' (opera), a 2005 opera by Philippe Boesmans Albums * ''Julie'' (album), by Julie London, 1957 * ''Julie'' (EP) or the title song, by Jens Lekman, 2004 Songs * "Julie", by Doris Day, 1956 * "Julie" (Daniel song), by D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy ''Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until productio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadie, Stanley
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Chorley
Henry Fothergill Chorley (15 December 1808 – 16 February 1872) was an English literary, art and music critic, writer and editor. He was also an author of novels, drama, poetry and lyrics. Chorley was a prolific and important music and literary critic and music gossip columnist of the mid-nineteenth century and wrote extensively about music in London and in Europe. His opera libretti and works of fiction were far less successful. He is perhaps best remembered today for his lyrics to " The Long Day Closes", a part song set by Arthur Sullivan in 1868. Life and career Chorley was born in Blackley Hurst, near Billinge, Lancashire, England. Chorley was the youngest of four children of Quaker parents, John Chorley (1771–1816), an iron worker and lock maker, and Jane Chorley, née Wilkinson (1779–1851). Chorley's father died, leaving his mother alone with young children. Jane Chorley moved her family to Liverpool to help take care of her half-brother, Dr Rutter, when he bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, mak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucia Di Lammermoor
''Lucia di Lammermoor'' () is a (tragic opera) in three acts by Italian composer Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's 1819 historical novel ''The Bride of Lammermoor''. Donizetti wrote ''Lucia di Lammermoor'' in 1835, when he was reaching the peak of his reputation as an opera composer. Gioachino Rossini had recently retired and Vincenzo Bellini had died shortly before the premiere of ''Lucia'' leaving Donizetti as "the sole reigning genius of Italian opera".Mackerras, p. 29 Not only were conditions ripe for Donizetti's success as a composer, but there was also a widespread interest in the history and culture of Scotland. The perceived romance of its violent wars and feuds, as well as its folklore and mythology, intrigued 19th century readers and audiences. Sir Walter Scott dramatized these elements in his novel ''The Bride of Lammermoor'', which inspired several musical works including ''Lucia''.Mackerra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benvenuto Cellini (opera)
''Benvenuto Cellini '' is an opera semiseria in four ''tableaux'' (spread across two or three acts) by Hector Berlioz, his first full-length work for the stage. Premiered at the Académie Royale de Musique (Salle Le Peletier) on 10 September 1838, it is a setting of a libretto by Léon de Wailly and Henri Auguste Barbier who were inspired by the memoirs of the titular Florentine sculptor but who invented most of the plot. The opera is technically challenging and was until the 21st century rarely performed. But its overture sometimes features in orchestral concerts, as does the concert overture '' Le carnaval romain'' which Berlioz composed from material in the opera. Composition history Berlioz wrote this in his ''Mémoires'' about the background to the opera: I had been greatly struck by certain episodes in the life of ''Benvenuto Cellini''. I had the misfortune to believe they would make an interesting and dramatic subject for an opera, and I asked Léon de Wailly and Augus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Huguenots
() is an opera by Giacomo Meyerbeer and is one of the most popular and spectacular examples of grand opera. In five acts, to a libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ... by Eugène Scribe and Émile Deschamps, it premiered in Paris on 29 February 1836. Composition history ''Les Huguenots'' was some five years in creation. Meyerbeer prepared carefully for this opera after the sensational success of ''Robert le diable'', recognising the need to continue to present lavish staging, a highly dramatic storyline, impressive orchestration and virtuoso parts for the soloists – the essential elements of the new genre of Grand Opera. Meyerbeer and his librettist for ''Robert le Diable'', Eugène Scribe, had agreed to collaborate on an epic work concerning the French War ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guido Et Ginevra
''Guido et Ginevra, ou La Peste de Florence'' (French: ''Guido and Ginevra, or the Plague at Florence'') is a grand opera in five acts by Fromental Halévy to a libretto by Eugène Scribe. It was premiered on 5 March 1838 by the Paris Opera at the Salle Le Peletier. Performance history ''Guido et Ginevra'' was only a moderate success for Halévy, not nearly as applauded as his previous grand opera ''La Juive'' (1835) or as ''La reine de Chypre'' which followed it (1841). However, after its premiere it was soon played in all the major European centres. When the opera was revived in Paris in 1840 it was cut to four acts. It was translated into Italian and performed in three acts by the Théâtre-Italien at the Salle Ventadour beginning on 17 February 1870. It was performed in German in Mannheim beginning on 3 April 1879, and Hamburg, on 20 March 1882.Loewenberg 1978, column795. No recent productions are known. The opera contains touches of the composer's innovative orchestration, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_Archivio_Storico_Ricordi_ICON012449.jpg "Click for more on -> Lucia Di Lammermoor")
