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Jules Renard (vaudevilliste)
Jules Renard (Paris, 1813 – Sèvres 1877) was a 19th-century French playwright and vaudevilliste. Works * ''Cherubin ou la journée des aventures'', comedy in five acts and six tableaux, premiered in Paris at the Théâtre des Délassements-Comiques, 15 September 1852, Vialat et Cie * ''L'Hôtel des haricots'', vaudeville in three acts with Delbès, premiered in Paris at the Théâtre de la Gaîté 18 January 1861, Pilloy, s.d. * ''Un million dans le ventre'', vaudeville in one act, premiered in Paris at the Théâtre des Variétés, 17 May 1857, M. Lévy, s.d. * ''Même maison'', vaudeville in 1 act, Théâtre du Palais-Royal, 4 May 1865, E. Dentu, 1865 * ''Une noce sur le carré'', comédie-vaudeville in one act, Palais-Royal, 6 April 1868, E. Dentu, 1868 * ''Deux prisonniers de Théodoros'', pochade A pochade (from French ''poche'', pocket) is a type of sketch used in painting. As opposed to a croquis, which is line art, a pochade captures the colors and atmosphere of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Renard
Pierre-Jules Renard (; 22 February 1864 – 22 May 1910) was a French author and member of the Académie Goncourt, most famous for the works ''Poil de carotte'' (Carrot Top, 1894) and ''Les Histoires Naturelles'' (Nature Stories, 1896). Among his other works are ''Le Plaisir de rompre'' (The Pleasure of Breaking, 1898) and the posthumously published ''Huit Jours à la campagne'' (A Week in the Country, 1912). Early life The child of François Renard and Anna-Rose Colin, Renard was born in Châlons-du-Maine, Mayenne where his father was working on the construction of a railroad. Renard grew up in Chitry-les-Mines, (Nièvre). He had three older siblings, including Amélie (born 1858), who died at a young age. A second sister was also named Amélie (born 1859). A third child, Maurice, was born before Pierre-Jules in 1862. Renard's childhood was characterized as difficult and sad (''un grand silence roux'' or "a great ruddy silence"). Although he decided not to attend the prestig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sèvres
Sèvres (, ) is a commune in the southwestern suburbs of Paris, France. It is located from the centre of Paris, in the Hauts-de-Seine department, Île-de-France region. The commune, which had a population of 23,251 as of 2018, is known for its famous porcelain production at the ''Manufacture nationale de Sèvres'', which was also where the Treaty of Sèvres (1920) was signed. Geography Situation Sèvres is a commune in the western suburbs of Paris, to the southwest of the centre of Paris, with an eastern edge by the river Seine. The commune borders Île Seguin, an island in the Seine, in the commune of Boulogne-Billancourt, adjoining Sèvres. File:Map commune FR insee code 92072.png, Map of the commune File:Sèvres map.svg, View of the commune of Sèvres in red on the map of Paris and the "Petite Couronne" File:SEVRES - L'Embarcadaire.jpg, Banks of the Seine in the early 20th century. At that time, the river was an important transportation axis; river shuttles can be se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Playwright
A playwright or dramatist is a person who writes plays. Etymology The word "play" is from Middle English pleye, from Old English plæġ, pleġa, plæġa ("play, exercise; sport, game; drama, applause"). The word "wright" is an archaic English term for a craftsman or builder (as in a wheelwright or cartwright). The words combine to indicate a person who has "wrought" words, themes, and other elements into a dramatic form—a play. (The homophone with "write" is coincidental.) The first recorded use of the term "playwright" is from 1605, 73 years before the first written record of the term "dramatist". It appears to have been first used in a pejorative sense by Ben Jonson to suggest a mere tradesman fashioning works for the theatre. Jonson uses the word in his Epigram 49, which is thought to refer to John Marston: :''Epigram XLIX — On Playwright'' :PLAYWRIGHT me reads, and still my verses damns, :He says I want the tongue of epigrams ; :I have no salt, no bawdry he doth mea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaudevilliste
Vaudeville (; ) is a theatrical genre of variety entertainment born in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs or ballets. It became popular in the United States and Canada from the early 1880s until the early 1930s, but the idea of vaudeville's theatre changed radically from its French antecedent. In some ways analogous to music hall from Victorian Britain, a typical North American vaudeville performance was made up of a series of separate, unrelated acts grouped together on a common bill. Types of acts have included popular and classical musicians, singers, dancers, comedians, trained animals, magicians, ventriloquists, strongmen, female and male impersonators, acrobats, clowns, illustrated songs, jugglers, one-act plays or scenes from plays, athletes, lecturing celebrities, minstrels, and mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tableau Vivant
A (; often shortened to ; plural: ), French language, French for "living picture", is a static scene containing one or more actors or models. They are stationary and silent, usually in costume, carefully posed, with props and/or scenery, and may be Theatre, theatrically lit. It thus combines aspects of theatre and the visual arts. A tableau may either be 'performed' live, or depicted in painting, photography and sculpture, such as in many works of the Romanticism, Romantic, Aestheticism, Aesthetic, Symbolism (arts), Symbolist, Pre-Raphaelite, and Art Nouveau movements. In the late 19th and early 20th centuries, tableaux sometimes featured ('flexible poses') by virtually nude models, providing a form of Erotica, erotic entertainment, both on stage and in print. Tableaux continue to the present day in the form of living statues, street performers who busk by posing in costume. Origin Occasionally, a Mass (liturgy), Mass was punctuated with short dramatic scenes and paintin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Des Délassements-Comiques
Théâtre des Délassements-Comiques is a name that was used for a number of different theatres in Paris from 1785 to 1890. First (boulevard du Temple, 1785–1799) The first Délassements-Comiques was a small theatre on the boulevard du Temple, originally located between the Hôtel Foulon (the site of the later Théâtre Historique) and the site of the later Cirque Olympique. It was opened in 1785 by the author, director and actor Plancher ('Aristide Valcour' 1751-1815). Burnt down on 2 February 1787, it was rebuilt and reopened in 1788 and continued until 1799.Lecomte 1905p. 23 The theatre was popular and this excited the jealousy of other neighbouring theatres, resulting in a regulation against productions other than pantomimes and the employment of more than three actors at the same time, unless obscured by a gauze curtain. On 14 July 1789, the day of the storming of the Bastille, Plancher Valcour tore down the gauze curtain in his theatre with the cry of "Vive la liberté!" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre De La Gaîté (rue Papin)
In 1862 during Haussmann's modernization of Paris, the Théâtre de la Gaîté of the boulevard du Temple was relocated to the rue Papin across from the Square des Arts et Métiers."History: The Venue, 150 Years in the Core of Paris" at the La Gaîté-Lyrique website. Retrieved 11 August 2011. The new theatre, built in an Italian style to designs of the architects Jacques-Ignace Hittorff and Alphonse Cusin, opened on 3 September. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Des Variétés
The Théâtre des Variétés is a theatre and "salle de spectacles" at 7–8, boulevard Montmartre, 2nd arrondissement, in Paris. It was declared a monument historique in 1974. History It owes its creation to the theatre director Mademoiselle Montansier (Marguerite Brunet). Imprisoned for debt in 1803 and frowned upon by the government, a decree of 1806 ordered her company to leave the Théâtre du Palais-Royal which then bore the name of "Variétés". The decree's aim was to move out Montansier's troupe to make room for the company from the neighbouring Théâtre-Français, which had stayed empty even as the Variétés-Montansier had enjoyed immense public favour. Strongly unhappy about having to leave the theatre by 1 January 1807, the 77-year-old Montansier gained an audience with Napoleon himself and received his help and protection. She thus reunited the "Société des Cinq", which directed her troupe, in order to found a new theatre, the one which stands at the side of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Palais-Royal
The Théâtre du Palais-Royal () is a 750-seat Parisian theatre at 38 rue de Montpensier, located at the northwest corner of the Palais-Royal in the Galerie de Montpensier at its intersection with the Galerie de Beaujolais. Brief history Originally known as the Théâtre des Beaujolais, it was a puppet theatre with a capacity of about 750 that was built in 1784 to the designs of the architect Victor Louis. In 1790 it was taken over by Mademoiselle Montansier and became known as the Théâtre Montansier. She began using it for plays and Italian operas translated into French and the following year hired Louis to enlarge the stage and auditorium, increasing its capacity to 1300. After Napoleon's decree on the theatres in 1807 introduced significant constraints on the types of pieces that could be performed, it was used for lighter fare, such as acrobatics, rope dancing, performing dogs, and Neapolitan puppets. In 1812 the theatre was converted into a café with shows. Afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pochade
A pochade (from French ''poche'', pocket) is a type of sketch used in painting. As opposed to a croquis, which is line art, a pochade captures the colors and atmosphere of a scene. Generally, pochades use a small, portable format. Robert Henri and James Wilson Morrice, for example, painted such sketches on small wood panels that would fit in a coat pocket along with oil paint tubes. Others artists, such as landscape painter John Constable, made pochades the size of the intended painting. The French artist Alphonse Chigot Alphonse Charles Chigot (1824 – 1917) was a French History painting, historical painter and soldier, particularly associated with the city of Valenciennes where he had a studio for over sixty years. A former soldier in the French army he saw a ... produced a series of pochades of the towns people of Valenciennes that he sold from his studio which were later collected and publish in two volumes.Pierre and Georges Giard (1893), Charges et croquis – collecti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century French Dramatists And Playwrights
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
