Jules Perrot
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Jules Perrot
Jules-Joseph Perrot (18 August 1810 – 29 August 1892) was a dancer and choreographer who later became Ballet Master of the Imperial Ballet in St. Petersburg, Russia. He created some of the most famous ballets of the 19th century including ''Pas de Quatre'', '' La Esmeralda'', '' Ondine'', and ''Giselle'' with Jean Coralli. From dancer to balletmaster The Lyon-born Perrot danced often with Marie Taglioni but their partnership was short-lived. She eventually refused to dance with him fearing that he would outshine her. He left the Opéra in 1835 to tour European dance centers such as London, Milan, Vienna and Naples, where he met and noticed the talent of Carlotta Grisi. He coached her and presented her to the world as the next great ballerina in an 1836 performance in London with himself as her partner.Review: ''King's Theatre'', in ''The Times'', Wednesday 13 April 1836, p. 5, column C. Following the success of his contributions to the choreography of ''Giselle'', Perro ...
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Lyon, France
Lyon,, ; Occitan: ''Lion'', hist. ''Lionés'' also spelled in English as Lyons, is the third-largest city and second-largest metropolitan area of France. It is located at the confluence of the rivers Rhône and Saône, to the northwest of the French Alps, southeast of Paris, north of Marseille, southwest of Geneva, northeast of Saint-Étienne. The City of Lyon proper had a population of 522,969 in 2019 within its small municipal territory of , but together with its suburbs and exurbs the Lyon metropolitan area had a population of 2,280,845 that same year, the second most populated in France. Lyon and 58 suburban municipalities have formed since 2015 the Metropolis of Lyon, a directly elected metropolitan authority now in charge of most urban issues, with a population of 1,411,571 in 2019. Lyon is the prefecture of the Auvergne-Rhône-Alpes region and seat of the Departmental Council of Rhône (whose jurisdiction, however, no longer extends over the Metropolis of Ly ...
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Her Majesty's Theatre
Her Majesty's Theatre is a West End theatre situated on Haymarket in the City of Westminster, London. The present building was designed by Charles J. Phipps and was constructed in 1897 for actor-manager Herbert Beerbohm Tree, who established the Royal Academy of Dramatic Art at the theatre. In the early decades of the 20th century, Tree produced spectacular productions of Shakespeare and other classical works, and the theatre hosted premieres by major playwrights such as George Bernard Shaw, J. M. Synge, Noël Coward and J. B. Priestley. Since the First World War, the wide stage has made the theatre suitable for large-scale musical productions, and the theatre has accordingly specialised in hosting musicals. The theatre has been home to record-setting musical theatre runs, notably the First World War sensation '' Chu Chin Chow''Larkin, Colin (ed). ''Guinness Who's Who of Stage Musicals'' (Guinness Publishing, 1994) and the current (June 2022) production of Andrew Lloyd Web ...
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Jules-Henri Vernoy De Saint-Georges
Jules-Henri Vernoy de Saint-Georges (7 November 1799 – 23 December 1875) was a French playwright, who was born and died in Paris. He was one of the most prolific librettists of the 19th century, often working in collaboration with others. Saint-Georges' first work, (1823), a comédie en vaudeville written in collaboration with Alexandre Tardif, was followed by a series of operas and ballets. In 1829 he became manager of the Opéra-Comique at Paris. Among Saint-Georges' more famous libretti are: the ballet ''Giselle'' (with Théophile Gautier) (1841), the opera (1835) for Halévy, the opera (with Jean-François Bayard) (1840) for Donizetti, and the opera for Georges Bizet. Virtually all his opera libretti are for opéras comiques, although (1841), for Halévy, was a grand opera. In all Saint-Georges wrote over seventy stage pieces in collaboration with Eugène Scribe and other authors. He also wrote novels, including . Saint-Georges was notably old-fashioned in his ...
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La Filleule Des Fées
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * '' L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings ...
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Faust Ballets
Faust ballets are a set of ballets, choreographed between the 18th and 20th centuries, based on the legend of Faust. As early as 1723, London-based John Rich put on a Faust-inspired ballet pantomime called ''The Necromancer'' at the Lincoln's Inn Fields Theatre. In the 19th century several productions took Faust as their subject matter including August Bournonvilles 1832 production ''Faust'' for the Royal Danish Ballet. In 1833, Andre Deshayes ''Faust'' premiered in London with music by Adolphe Adam. On 12 February 1848, a Faust ballet premiered at the Ballet of the Teatro alla Scala in Milan. This version featured choreography and libretto by Jules Perrot and music by Giacomo Panizza, Michael Andrew Costa, and Niccolò Bajetti, with Fanny Elssler (as Marguerite), Perrot (as Mephistophelis), Effisio Catte (as Faust), and Ekaterina Costantini (as Bambo, Queen of the Demons). Perrot revived the ballet three times between 1848 and 1854, the last featuring a revised score by C ...
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Giovanni Bajetti
Giovanni Bajetti was an Italian violinist, conductor, and dramatic composer. He was born in Brescia about 1815 and died in Milan in 1876. Bajetti studied at the Milan Conservatory and conducted at La Scala La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performan .... Upon his death, he left several unfinished works, included a comic opera, ''La Donna Romantica''. References 1810s births 1876 deaths Year of birth uncertain Italian violinists Italian conductors (music) 19th-century Italian composers Musicians from Brescia {{Italy-composer-stub ...
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Giacomo Panizza
Giacomo Panizza (27 March 1804 – 1 May 1860) was a conductor at La Scala, Milan for 13 years, during which time he composed two operas and thirteen ballets. Ballets ;Teatro alla Scala, Milan * 16 March 1847 – ' (with dances composed by Giovanni Bajetti Giovanni Bajetti was an Italian violinist, conductor, and dramatic composer. He was born in Brescia about 1815 and died in Milan in 1876. Bajetti studied at the Milan Conservatory and conducted at La Scala La Scala (, , ; abbreviation in Ita ... and Giovanni Corfu), choreography by Jules Perrot. * 12 February 1848 – ''Faust'' (with dances composed by Giovanni Bajetti), choreography by Jules Perrot. External links * http://www.clarinet.demon.co.uk/panizza.htm * http://www.prestoclassical.co.uk/c/Panizza%252C%2BG Italian male classical composers Italian classical composers Italian ballet composers Italian opera composers Male opera composers Italian conductors (music) Italian male conductors (music) 1804 ...
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Catarina Or La Fille Du Bandit
''Catarina ou la Fille du bandit'' is a ballet in three acts and four scenes, with libretto and choreography by Jules Perrot and music by Cesare Pugni. The libretto is based on an incident in the life of the Italian painter Salvator Rosa. The work was first presented by the Ballet of Her Majesty's Theatre on 3 March 1846 in London, England, with Lucile Grahn (as Catarina, leader of the bandits), Louis-François Gosselin (as Salvator Rosa), and Jules Perrot (as the Lieutenant Diavolino). Revivals *Restaging by Jules Perrot for the Ballet of the Teatro alla Scala, with Giacomo Panizza revising Cesare Pugni's original score and Giovanni Bajetti. First presented on 9 January 1847 in Milan, Italy, with Fanny Elssler (as Catarina, leader of the bandits), Effisio Catte (as Salvator Rosa), and Jules Perrot (as the Lieutenant Diavolino). *Restaging by Jules Perrot for the Imperial Ballet, with Cesare Pugni revising his original score. First presented at the Imperial Bolshoi Kamenny T ...
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Teatro Alla Scala
La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performance was Antonio Salieri's '' Europa riconosciuta''. Most of Italy's greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala. The theatre is regarded as one of the leading opera and ballet theatres globally. It is home to the La Scala Theatre Chorus, La Scala Theatre Ballet, La Scala Theatre Orchestra, and the Filarmonica della Scala orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy ( it, Accademia Teatro alla Scala, links=no), which offers professional training in music, dance, stagecraft, and stage management. Overview La Scala's season opens on 7 December, Saint Ambrose's Day, the feast day of Milan's patron saint. All performances must end bef ...
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Lucile Grahn
Lucile Alexia Grahn-Young (30 June 1819 – 4 April 1907) was the first internationally renowned Danish ballerina and one of the popular dancers of the Romantic ballet era. Grahn studied from a young age at the Royal Danish Theatre School in Copenhagen, Denmark under the tutelage of August Bournonville. She officially debuted in 1834 at the theater and took on the leading role of Astrid in Bournonville's '' Valdemar'' in 1835. Soon the relationship between Bournonville and Grahn began to sour as she yearned to dance with the famed Paris Opera Ballet. Grahn reportedly changed some of the steps in ''Valdemar'' to show off her footwork, prompting Bournonville to make a formal complaint to the theatre directors. In 1836, she created the title role in Bournonville's ''La Sylphide''. She eventually received royal permission to leave; after her departure in 1836, she never returned to Denmark. In 1839, Grahn had overstayed the terms of her formal leave, and was dropped from the R ...
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Pas De Quatre (Perrot)
''Grand Pas de Quatre'' is a ''ballet divertissement'' choreographed by Jules Perrot in 1845, on the suggestion of Benjamin Lumley, Director at Her Majesty's Theatre, to music composed by Cesare Pugni. On the night it premiered in London (12 July 1845), it caused a sensation with the critics and the public alike. The reason for this was that it brought together, on one stage, the four greatest ballerinas of the time – in order of appearance, Lucile Grahn, Carlotta Grisi, Fanny Cerrito, and Marie Taglioni. (The fifth great Romantic ballerina of the time, Fanny Elssler, had been invited to take part but declined to do so; she was replaced by the young Lucile Grahn who accepted without hesitation.) ''Pas de Quatre'' captured the essence of the Romantic style as the ballerinas danced with demure lightness, delicacy, and poise. The steps demand that each area of classical ballet technique is executed. These areas include adagio movements, petite allegro, grand allegro, fast foo ...
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Adolphe Adam
Adolphe Charles Adam (; 24 July 1803 – 3 May 1856) was a French composer, teacher and music critic. A prolific composer for the theatre, he is best known today for his ballets ''Giselle'' (1841) and '' Le corsaire'' (1856), his operas '' Le postillon de Lonjumeau'' (1836) and ''Si j'étais roi'' (1852) and his Christmas carol "Minuit, chrétiens!" (Midnight, Christians, 1844, known in English as " O Holy Night"). Adam was the son of a well-known composer and pianist, but his father did not wish him to pursue a musical career. Adam defied his father, and his many operas and ballets earned him a good living until he lost all his money in 1848 in a disastrous bid to open a new opera house in Paris in competition with the Opéra and Opéra-Comique. He recovered, and extended his activities to journalism and teaching. He was appointed as a professor at the Paris Conservatoire, France's principal music academy. Together with his older contemporary Daniel Auber and his teacher Ad ...
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