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Jugemu
is a famous story, a form of Japanese spoken entertainment. It has a simple story, with the most humorous part being the repetition of a ridiculously long name. It is often used in training for entertainers. Plot A couple could not think of a suitable name for their newborn son. The father went to the local temple and asked the chief priest to think of an auspicious name. The priest suggested "Jugemu" (), and several other names. The father could not decide which name he preferred, and therefore, gave the baby all of the names. Jugemu's full name is: (the NHK version, (Video in the archive does not work. Archive of a script-only page partially replaced with kanji) In one version of the tale, Jugemu got into a fight with a friend one day, and the friend suffered a large bump on his head. In protest, he went crying to Jugemu's parents. However, due to the amount of time it took to recite his name, by the time he finished, the bump on his head had already healed. * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tikki Tikki Tembo
''Tikki Tikki Tembo'' is a 1968 picture book written by Arlene Mosel and illustrated by Blair Lent. The book tells the story of a Chinese boy with a long name who falls into a well. It is a sort of origin myth about why Chinese names are so short today. Plot ''Tikki Tikki Tembo'' is set in ancient China and invents an ancient Chinese custom whereby parents honor their first-born sons with long, elaborate names that everyone is obliged to say completelyno nicknames, no shortening of any kindwhile second-born sons are typically given short, unimportant names. A boy named Tikki Tikki Tembo-no Sa Rembo-chari Bari Ruchi-pip Peri Pembo ("The Most Wonderful Thing in the Whole Wide World") and his little brother Chang ("Little or Nothing") are playing very close to a well at their house that their mother has warned them to avoid. Chang falls in the well and his older brother runs to their mother and tells her Chang has fallen down the well. Their mother tells him to get the Old Man wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rakugo
is a form of ''yose'', which is itself a form of Japanese verbal entertainment. The lone sits on a raised platform, a . Using only a and a as props, and without standing up from the seiza sitting position, the rakugo artist depicts a long and complicated comical (or sometimes sentimental) story. The story always involves the dialogue of two or more characters. The difference between the characters is depicted only through change in pitch, tone, and a slight turn of the head. Lexical background Rakugo was originally known as . The oldest appearance of the kanji which refers specifically to this type of performance dates back to 1787, but at the time the characters themselves (落とし噺) were normally read as ''otoshibanashi'' (falling discourse). In the middle of the Meiji period (1868–1912) the expression ''rakugo'' first started being used, and it came into common usage only in the Shōwa period (1926–1989). Description The speaker is in the middle of the audience ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thus Have I Heard
''Thus have I heard'' ( pi, Evaṃ me sutaṃ, italic=yes; sa, Evaṃ mayā śrūtaṃ, italic=yes) is the common translation of the first line of the standard introduction (Pāli and sa, nidāna, italic=yes , link=no) of Buddhist discourses. This phrase serves to confirm that the discourse is coming from the Buddha himself, as a "seal of authenticity". Buddhist tradition maintains that the disciple Ānanda used the formula for the first time, as a form of personal testimony, but this is disputed by some scholars. It is also disputed how the phrase relates to the words that follow, and several theories have been developed with regard to how the text was originally intended to be read. The formula has also been used in later Mahāyāna and Vajrayāna discourses. History and function According to Buddhist tradition—based on the commentary to the Dīgha Nikāya—the formula was first used by the disciple Ānanda during the First Buddhist Council held at Rājagṛha (presen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Economics
Economics () is the social science that studies the Production (economics), production, distribution (economics), distribution, and Consumption (economics), consumption of goods and services. Economics focuses on the behaviour and interactions of Agent (economics), economic agents and how economy, economies work. Microeconomics analyzes what's viewed as basic elements in the economy, including individual agents and market (economics), markets, their interactions, and the outcomes of interactions. Individual agents may include, for example, households, firms, buyers, and sellers. Macroeconomics analyzes the economy as a system where production, consumption, saving, and investment interact, and factors affecting it: employment of the resources of labour, capital, and land, currency inflation, economic growth, and public policies that have impact on glossary of economics, these elements. Other broad distinctions within economics include those between positive economics, desc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meiji (era)
The is an era of Japanese history that extended from October 23, 1868 to July 30, 1912. The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization by Western powers to the new paradigm of a modern, industrialized nation state and emergent great power, influenced by Western scientific, technological, philosophical, political, legal, and aesthetic ideas. As a result of such wholesale adoption of radically different ideas, the changes to Japan were profound, and affected its social structure, internal politics, economy, military, and foreign relations. The period corresponded to the reign of Emperor Meiji. It was preceded by the Keiō era and was succeeded by the Taishō era, upon the accession of Emperor Taishō. The rapid modernization during the Meiji era was not without its opponents, as the rapid changes to society caused many disaffected traditionalists from the former samurai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
